PSAA Projects
Sara Sjol
CULTIVATE, NARRATE, CRAFT
CULTIVATE, NARRATE, CRAFT

PSAA Projects

TEACHABLE MOMENTS

MURAL WORKSHOP

CENTRAL EASTSIDE MURAL DISTRICT
PORTLAND, OREGON

Titled, “So Far and So Close (Nature from Here and There),” this amazing mural was painted as part of a mural workshop where artists learned the craft of mural-making from the talented Oliver Casillas.

Casillas’ artistic practice explores identity, memory, and community through the lens of Mexican culture and social engagement. As a Mexican-American artist, Casillas uses public art, murals, and immersive exhibitions to celebrate cultural heritage while addressing issues such as migration, inclusion, and belonging. 

The mural’s design is inspired by Central Oregon’s stunning scenery, highlighting various elements that truly represent the essence of Oregon. Notably, the team included the Osprey, which is currently in contention to become the state bird instead of the current state bird, the Meadowlark. Additionally, Oliver and his team integrated the skull of a ram, symbolizing the themes of life and death. The color palette features vibrant and contrasting hues and the green “life” of the city, along with warm tones that aim to bring a sense of warmth and vibrancy to the streets of Portland, Oregon.

“I believe art has the power to build bridges, create dialogue, and transform public spaces into places of connection and reflection. Guided by narrative, my work is shaped by collaboration, research, and lived experience. Art, for me, is a collective act, a space to amplify voices, honor tradition, and imagine new futures. My goal is to create work that resonates deeply with people and fosters pride, awareness, and unity”
– Oliver Casillas, Muralist

The workshop and mural creation were done with the assistance of Portland Street Art Alliance, with support from The Program, and Rodda-Miller Paint. During this 4-weekend workshop, attendees learned the sketching process, techniques in washes & color blocking, and finally, hands-on mural installation using latex and spray paint. During the closing weekend, PSAA’s Executive Director and co-founder, Tiffany Conklin, shared insights about Portland's vibrant mural scene, our past struggles, and future dreams with the group.

“Working with PSAA throughout the mural process was a true pleasure. From initial introductions and conversations with the talented muralist, Oliver Casillas, to securing the permit and setting up the project for success, PSAA made the experience seamless. We couldn't be happier with the partnership and the final mural, which features vibrant and contrasting hues along with warm tones that aim to bring a sense of warmth and vibrancy to the city." – Ethan Smith-Gillespie, Partner, CEO at The Program

ADDITIONAL PHOTOS

BEAVERTON BIRD CALL

BIRD CALL

BEAVERTON, OREGON

Over the course of four weeks, this spring Portland-based artist David created a stunning new mural on the parking structure at the new Modera Beaverton Apartments in downtown Beaverton. 

Work in Progress

The new mural, titled Bird Call, depicts two birds, a Scrub Jay and a Meadowlark, communicating to one another through a layered environment of shapes. Each bird is prominently featured on large sections of the garage, calling back and forth to one another. Connecting the two combines organic and geometric subjects, including yellow daisies and a sprig of magnolia blossoms, creating a balance between the natural world and the digital age we live in.

“The goal of this mural is to connect the people of Beaverton through a fun and interesting visual language. I hope that it becomes a cornerstone of the community, adding to the identity of Beaverton and inspiring creativity.” – David Rice, Muralist 

Meadowlark

Scrubjay

Bird Call was commissioned by the Mill Creek Residential Trust for its stylish new apartment complex located in central Beaverton. The building is decorated inside in out with art - a nod to Beaverton’s nearby Reser Center for the Performing Arts 

“Downtown Beaverton continues to establish itself as a dynamic hub for creativity, community, and cultural expression. With a flourishing arts scene that includes public murals, innovative galleries, live performances at the Reser Center, and year-round cultural events, the district is quickly becoming a standout destination for artists and art lovers alike. Mill Creek is proud to be a part of the community, and we felt like it was important to give something back and contribute to the vibrancy and character of the city.” – Chad Encinas,  Vice President of Development, Mill Creek Residential Trust

This 1,580+ square foot mural is by far the largest in Beaverton and is destined to be a prominent city landmark for years to come. This beautiful piece of public art aims to inspire communities and businesses in suburbs and small towns across the Pacific Northwest to invest in public art. 

“PSAA is thrilled to bring this stunning new duo mural by David Rice to downtown Beaverton as part of the city’s growing public art landscape. As PSAA’s first large-scale mural commission in Beaverton, and in partnership with a valued repeat client, this project marks an exciting step in expanding access to vibrant, community-centered art beyond Portland and across the metro area and region. Thank you to David Rice, Chad & Tim at Mill Creek, and Ryan & Jessica at Star Rentals for helping us with all of the logistics for painting at this complex construction site. We also greatly appreciate all the guidance and support we received from Debi Thompson, the Arts Program Coordinator at the City of Beaverton.” – Tiffany Conklin, Executive Director, Portland Street Art Alliance

Bring the flock out for some birdwatching in Beaverton and see this breathtaking mural in person! 

ADDITIONAL PHOTOS

AVENUE OF MURALS

VIADUCT ARTS COLUMNS

Arts Organizations Team Up to Paint More Column Murals Under the Hawthorne Bridge Viaduct


PORTLAND, OREGON

Kyra Watkin’s Viaduct Arts Columns under the Hawthorne Bridge.

Since 2022, PSAA has teamed up with local organizations and businesses to transform SE Madison Street (under the Hawthorne Bridge Viaduct) into an Avenue of Murals, transforming a once dark and dreary area into a vibrant public art corridor celebrating the past, present, and future of Portland’s Central Eastside. Over 20 column murals now brighten this once-overlooked space!

Paola De La Cruz’ Viaduct Arts Columns under the Hawthorne Bridge.

For phase III of this initiative, seven new murals were created in partnership with the Regional Arts & Culture Council (RACC) as part of their public art program. With PSAA’s consultation, RACC selected two local Portland-based artists, Paola De La Cruz and Kyra Watkins, for the job. The mural’s content was shaped by ideas gathered through a community and business survey conducted by the Central Eastside Industrial Council. Local businesses and property owners were invited to share concepts reflecting the neighborhood’s past and present, helping to guide the mural’s development.

Paola De La Cruz

Kyra Watkins

 "The Regional Arts & Culture Council is excited to continue building its relationship with Portland Street Art Alliance by partnering on the painting of the murals underneath the Hawthorne Bridge. Bringing artists to these bridge columns has been a goal years in the making. This project symbolizes our commitment to creating new art experiences that invest in the health of our neighborhoods and provide the public the opportunity to engage with art in surprising and unexpected places.” – Salvador Mayoral IV, Deputy Director of Public Art, Regional Arts & Culture Council

MURALS BY PAOLA DE LA CRUZ

Paola De La Cruz, originally from the Dominican Republic and now based in Portland, is known for her work in public art, illustration, and exhibitions. Her vibrant illustrated style often depicts gatherings of people with special attention to detail, with a storytelling narrative. Her notable recent projects include a PSAA-commissioned indoor mural at the Virginia Garcia Memorial Health Center in Hillsboro, Oregon, and a beautifully illustrated tribute to Rosa Parks on a bus wrap for Tri-Met. 

“This project pushed me to think creatively about working on a four-sided mural. I enjoyed exploring movement and designing pieces that encouraged viewers to interact with the artwork from different angles. A huge thank you to my painting assistant, Ashley Cruz Nieves, whose support was invaluable throughout this unique process.” – Paola De La Cruz, Muralist

MURALS by kyra watkins

Next up are four bold new column murals by Kyra Watkins. Each pillar celebrates a different industry that shapes Portland’s Central Eastside. Kyra’s designs highlight the worlds of sports, the produce trade, the fishing and shipping industries, and accessibility initiatives around our local rivers.

A Cincinnati native and now Portland-based artist, Kyra brings her expertise in portraiture and large-scale public murals to the project. Her notable recent projects include a gallery show and artwork for TEDx Portland 2025, and a PSAA-led mural with the non-profit, Project Color Corps for Self-Enchancement, Inc.

“Being able to honor the spirit of the Central Eastside by painting four new columns in this viaduct series is an opportunity I am so grateful for. The Central Eastside is home to my artist’s studio, and I find myself inspired by this neighborhood in so many ways. The amount of industry, artistry, and entrepreneurship that happens here is infectious. I hoped to capture that essence within the theme of each column.” – Kyra Watkins, Muralist


These bold, colorful murals are part of a larger effort to transform the often-overlooked spaces under the bridge into a dynamic public art corridor that reflects Portland’s cultural and industrial heartbeat. Come take a walk and experience this outdoor art gallery for yourself!




"PSAA’s Viaduct Arts and Central Eastside Mural District Initiatives are ongoing efforts to revitalize this area, particularly the underpasses of Portland’s Central Eastside, by transforming once-overlooked spaces into vibrant canvases for public art. Through color and creative expression, these initiatives celebrate local artistic talent and foster deeper connections within the community. We are especially grateful to Kyra and Paola for their vision and dedication in bringing this phase of the project to life. Creating murals on these column sites is no small feat! The physical and logistical challenges are considerable, and we greatly appreciate all of the artists who have taken them on with care and creativity to help shape this world-class mural district in the heart of our beloved city."  – Tiffany Conklin, Executive Director, Portland Street Art Alliance

IN THE MEDIA

MOTHER EARTH

TERRA MAE RESTAURANT

PORTLAND, OREGON

PSAA is thrilled to share the incredible centerpiece created by the talented Blaine Fontana for one of Portland’s most talked-about new restaurants: Terra Mae. Nestled within the luxurious Cascada Hotel & Spa, Terra Mae offers an unforgettable blend of Portuguese tradition and Japanese refinement, making it a true gem in the city’s renowned culinary landscape.

Work in Progress

Artist Blaine Fontana after install

Blaine collaborated with PSAA, Chef Megan Sky, and Colby Hayden (Director of Food & Beverage) to create a breathtaking 5’ x 18’ acrylic painting titled Minha Mãe, Sua Mãe (My Mother, Your Mother). This awe-inspiring piece spans nearly the entire east wall of the restaurant, setting a tone of beauty and connection that perfectly complements Terra Mae’s unique dining experience.

The painting features Mother Earth, depicted with outstretched hands and deep-set, serene eyes that seem to hold endless wisdom. Dancing waves, flourishing flowers, and vibrant tropical plants surround her, with lush green mountains providing a striking backdrop. The 3D effect and intricate details give the work a sense of life and depth, captivating all who see it.

“This was a transformational journey. With the passionate and collaborative effort of our village, we made something deeply impactful.” – Blaine Fontana

Limited edition PRINT RELEASE BY BLAINE FONTANA

Due to the popularity of this beautiful piece of art, artist Blaine Fontana has created a limited edition print for purchase! Only 100 of these giclee prints will be made. The print is 38” x 12” and signed, dated, and numbered by the artist. For more information or to purchase please see the link below. All proceeds go directly to the artist.

‘MOTHER EARTH’ PRINT by Blaine Fontana

ADDITIONAL PHOTOS

STREETS OF HOPE

STREETS OF HOPE

CENTRAL EASTSIDE, PORTLAND

 Art has the power to amplify voices and bring untold stories to light. Portland Street Art Alliance (PSAA) is proud to unveil Streets of Hope, a powerful mural that shares the experiences of Portland’s houseless community through their own lens, exploring the theme of ‘we take care of each other.’

Prominently displayed on two large walls at SE 8th and Yamhill in the Central Eastside, Streets of Hope celebrates the resilience, creativity, and grassroots support systems within Portland’s unhoused population. Created by local muralist and comic book illustrator Damon Smyth, the piece combines striking visuals with a deeply collaborative and community-focused approach.

Through soft, glowing imagery, the mural portrays messages of hope, illustrating how the houseless community fosters care and mutual aid. It also captures moments of joy and togetherness, reflecting the humanity and strength of a community often overlooked.

A community-Driven initiative

This project is part of PSAA’s ongoing initiative to collaborate with houseless service organizations and people experiencing housing insecurity, ensuring their stories are centered in the public art-making process. PSAA has worked on similar projects since 2022, including the Housekeys Not Handcuffs and Leroy Memorial murals. These projects aim to highlight and uplift the voices of Portland’s houseless community while dispelling stigma and fostering more compassion and understanding for those struggling.

Spanning over 2,500 square feet, Streets of Hope transforms once-drab walls into a beacon of resilience and solidarity. Its imagery highlights moments of joy, self-expression, and the grassroots systems of care created within the houseless community.

““Everyone has value. Our project partners collaborated to come up with each element of the design. When it was time to start applying paint, everyone arrived eager and excited to beautify their community. The care and dedication they put into this mural truly inspires me, and I am grateful to have had the honor of working with all of them.””
— Damon Smyth, Muralist

Streets of Hope was supported by grants from the Fred W. Fields Fund of Oregon Community Foundation, Prosper Portland, and the Oregon Arts Commission. The mural took nearly three years to come to fruition. Property owners WYSE Real Estate provided site access and logistical support to make the mural happen. Miller Paint also provided PSAA and the artist a discount on base coat paint products. 

collaborating with community

To ensure authenticity and a community-driven process, PSAA partnered with local nonprofits: p:ear, Ground Score Association, Street Books, Street Roots, and Sisters of the Road.

  • P:ear, a youth mentorship organization that builds positive relationships with youth experiencing homelessness, ages 15 to 25, through education, art, recreation and job training.

  • Street Books, a bicycle-powered library that provides access to books for the houseless community across 13 locations in Portland. 

  • Street Roots, a weekly social justice newspaper that is sold by over 250 vendors that are experiencing housing insecurity and poverty. 

  • Sisters of the Road, a social justice organization with a 45-year history, providing low- or no-cost meals, education and training programs, a barter work system, advocacy efforts, and a well-loved cafe welcoming all (now closed, with plans to reopen when a permanent location is secured).

  • Ground Score Association, an association of informal recyclers, canners, dumpster divers, and other waste pickers who create and fill low-barrier waste materials management jobs.

Street Books Library

Street Roots, hot off the press!

Damon’s creative process began with Listening & Learning Sessions, where he, alongside PSAA Executive Director Tiffany Conklin, met with these organizations providing essential support and services to the houseless community. Smyth learned about the function of each organization and how the community interacts with it. From touring the Street Books lending library to interviewing Street Roots newspaper vendors, the goal was to collaboratively design a mural that felt authentic and inclusive for all.

These discussions played a key role in shaping the mural’s design, which incorporates imagery that reflects the community’s contributions and experiences, such as blank books symbolizing open narratives, a book delivery bike, and a rolled-up newspaper, honoring the work of our project partners.

PSAA and Damon also met with Street Roots newspaper vendor Tony Boone to gather input on the mural’s design. Tony helped PSAA manage two of PSAA’s Houseless Initiative Murals, the Leroy Memorial and Housekeys Not Handcuffs. Thanks to his job selling Street Roots newspapers in SE Portland, Tony is now employed at Belmont 34 Grocery. With this income and more stability, Tony was able to buy work tools and a laptop. He is now working with other local businesses (Stumptown Coffee, Hoda’s Lebanese Restaurant, and more), providing them with building maintenance support.

Street Roots vendor, Tony Boone

Brainstorming with Ground Score Association

Throughout the design phase, Damon worked closely with p:ear youth, who shared their stories and contributed creative ideas for the mural. Their collaboration not only shaped the mural’s design but also provided participants with valuable skills and paid work opportunities. Ground Score workers also played a key role in the design and painting, offering essential support while creating paid work opportunities for members of the houseless community.

Streets of Hope features a large green pear to honor p: ear youth, paint buckets, and brushes, as well as musical instruments representing p:ear’s youth arts services. On the south wall of the mural the mural Ground Score workers can be seen canning and cleaning up city streets. 

A variety of figures are placed throughout both walls of the mural. The faces on the figures are deliberately less detailed, allowing many to see themselves in the faces of these figures. The objects the people are carrying and how they are grouped together were based on feedback from the houseless community, and demonstrate how they support one another and gather together.

"It was a unique and exciting opportunity to be a part of the whole process, and I hope to be able to be a part of a similar experience in the future. Having the artist actually speak with us about our lived experience to generate ideas and then seeing our words reflected in his art, felt like an honor, and I really appreciated him doing it in a genuine and sincere manner." – Becky, Ground Score Association 

CREATING TOGETHER

To kick off the project Damon and PSAA hosted two four-hour Community Painting Days, providing a unique opportunity for p:ear youth and Ground Score workers to actively participate in the mural’s creation. These sessions allowed participants to learn painting techniques, from brushwork to spray-painting, and contribute directly by applying the base coat colors for the mural. They were compensated for their work, reinforcing the value of their contributions and offering financial support.

"Thank you so much for letting me be a part of the project! Painting with the group was inspiring and helped me learn new things too. And getting paid for it was a sweet bonus. The whole vibe was nice. I'd definitely be down to do it again sometime." – p:ear youth

For at-risk youth, community painting days can have a profound impact, beyond artistic skill-building. They fostered a sense of accomplishment, belonging, and creative expression, empowering participants to see themselves as integral contributors to a transformative community project.

The experience of working alongside professional artists and peers in a collaborative environment helped to build confidence, nurture teamwork, and inspire hope for future opportunities. These projects are compelling demonstrations of the power of working together to beautify neighborhoods, sharing the untold stories of those often under-represented, unheard, and overlooked. 

"It was an amazing experience, I loved how much the community was involved. I enjoyed the teamwork and meeting the other people we painted with. I liked learning the spray painting techniques Damon shared with us. PSAA created a space and peace for us that day, I am grateful for the experience." – p:ear youth

p:ear youth practicing newly learned spray skills

A Ground Score worker helping apply base layers

IT TAKES A VILLAGE

Streets of Hope stands as a powerful testament to the impact of community collaboration. Through a multi-faceted approach that involved houseless service and advocacy organizations, the mural helps create space for sharing voices and perspectives from the houseless community. By integrating these grassroots organizations into the creative process, this mural not only highlights the experiences of those who are often marginalized but also bridges the divide between the housed and unhoused populations of Portland. It serves as a reminder of the strength, resilience, and unity that can be found in communities facing adversity.

“PSAA and Damon are very community-minded. I had a great time and I'd do it again many times over. It's for a great cause! And it was an honor to see waste pickers like myself recognized in this way." – Psyon, Ground Score Association

This project could not have been realized without the invaluable support and partnerships of organizations like p:ear, Ground Score Association, Street Books, Street Roots, and Sisters of the Road. 

“This mural captures the spirit of hope, resilience, and collective action within our unhoused community, as well as the dedication of local organizations that provide our most at-risk community members with vital support and compassionate care. We are thrilled to collaborate once again with muralist Damon Smyth, whose artistic vision continues to bring profound meaning to our city. Thanks to the incredible partnerships with p:ear, Ground Score Association, Street Books, Street Roots, and Sisters of the Road, along with generous funding from Prosper Portland, the Oregon Arts Commission, and the Oregon Community Foundation, we are excited to see this project come to life after nearly three years of planning.” – Tiffany Conklin, Executive Director, PSAA

“Street Books believes in access to good books and the community at the street level, which is why the collaboration with PSAA is such a good fit. Street art is by the people for the people, and everybody is invited to enjoy it. Long live art and the community that creates it together!” – Laura Moulton, Executive Director, Street Books

“Art has a unique power to build a sense of belonging in the communities we serve, especially when it is the result of partners coming together in a collaborative and creative process. The ‘Streets of Hope’ mural project is exactly the kind of place-making Oregon Community Foundation is proud to support.” – Colin Fogarty, Communications Director, Oregon Community Foundation

“We are very excited to partner with PSAA and support the Streets of Hope Mural. The power that projects like this one have to unite people in the creative process and in the appreciation of the finished mural is unique. This project is a testament to the critical role art plays in creating community and augmenting the inclusivity and vibrancy of Portland.” – Shea Flaherty Betin, Interim Executive Director, Prosper Portland

Streets of Hope has not only transformed a physical space but also fostered a sense of community and inclusion, enriching Portland’s cultural landscape for years to come. PSAA plans to continue its houseless initiative, fostering livability for all and empowering unhoused individuals through art. The organization remains committed to creating public murals that reflect and celebrate the diverse stories within Portland’s communities.

IN THE MEDIA

LADIES UP WESTSIDE

LADIES UP WESTSIDE

HILLSBORO, OREGON

In 2024, PSAA expanded the Ladies Up Community Art Project by bringing it to Hillsboro, creating even more opportunities for female artists! 

In 2020, PSAA launched Ladies Up to empower female-identifying artists in the local community. This groundbreaking initiative has grown steadily, and we’re thrilled to announce its expansion to Downtown Hillsboro, thanks to the generous support of First Tech Credit Union!  Inspired by the success of our original Ladies Up location, featuring 12 rotating murals along SE Alder St & SE 15th Ave in Portland, First Tech Credit Union partnered with PSAA to bring this program to the west side.

The first mural at Ladies Up Hillsboro was created by talented illustrator and muralist Mandy Arroyo. A Pacific Northwest native, Mandy drew on her love of nature and trail running in Forest Park and around Mt. Hood to craft her stunning piece, “Mt. Hood Forest View.” Here’s what Mandy shared about her inspiration:

"This mural was inspired by the feeling of being connected to nature in the forest and the delight of stumbling upon a view of Mt. Hood through an opening in the trees. I hope it gives passersby a moment of joy and connection as they walk down 3rd Street in Hillsboro." - Mandy Arroyo

Despite the rain and chill of November, Mandy worked tirelessly to complete this lovely mural, which captures the magic of Mt. Hood framed by towering trees and an alpenglow sky. 

Programs like Ladies Up give artists the freedom to choose their mural content, empowering them to grow their practice and share their unique perspectives. PSAA is proud to support Mandy and many other artists in shaping a more inclusive street art community.

“Over the last decade, First Tech has proudly invested over $20M into the community to support the next generation of leaders, thinkers, and innovators. The work of the Portland Street Art Alliance and their Ladies Up Project is inspiring. We are so proud to have been able to partner with our Board Member, Margo Fowler, to support this beautiful street art in Hillsboro.” – Chylon Pappas, CUDE VP, Corporate & Government Engagement

Thank you to First Tech Credit Union and everyone who makes programs like this possible! We also are incredibly grateful for the support from Adam at State Farm and Karl at the City of Hillsboro for helping us with logistics and permitting. 

BROOKLYN BOUND

BROOKLYN BOUND

Brooklyn neighborhood, PORTLAND, OREGON

Brooklyn Bound is an expansive mural at Heckmann & Thiemann Motors, a family-owned and operated specialty repair shop, perched above the busy underpass of SE 19th & Powell Blvd.

The first historical landmark is the iconic Aladdin Theater sign. The names on the marquee credit the contributing writers and lead muralist. Brooklyn Park’s splash pad water slide is featured, a favorite summertime destination for many neighborhood kids and adults on hot summer days.

Next to the marquee, is the famous Poulsen House, a beloved local landmark that has overlooked the Willamette River since 1892; a major example of Queen Anne architecture in Portland. Poulsen was one of Portland’s lumber barons and was said to have hand-picked the highest quality mahogany, oak, and old-growth Douglas Fir used in its construction. 

Tucked amid the neighborhood’s Trimet MAX tracks is a piece by TRUE 54. The tracks lead to a collage of symbols of Brooklyn, including a train, cargo bike, and a sneaker representing Phil Knight who attended nearby Cleveland High School. Following along the tracks is another piece, by legendary writer, KANGOE. 

The next set of images honors Brooklyn’s long history of being a working-class neighborhood with many beloved local brewers and vintners. Amongst a pair of chrome taps, sits a bottle of wine. In a clever twist, the imagery on the label is the logo of Devin’s company, Define Arts. The final piece is a colorful cotton-candy like swirling piece, from local writer OTHER, next to tracks that softly curve into the Ross Island Bridge. 

“This was a fun project encompassing several facets of the Brooklyn neighborhood. Focusing on historical landmarks, tradition, modalities, amenities and this unique location. We wanted to add elements of style writing and tie in the aesthetic of the spray painted imagery. Creating harmonious movement between the two concepts.” – Artist Devin Finley 

ADDITIONAL PHOTOS

IRVINGTON'S ROSE

HONORING A NEIGHBORHOOD TREASURE

IRVINGTON, NORTHEaST PORTLAND

The Irvington neighborhood of Northeast Portland has a vibrant new landmark: a breathtaking mural that celebrates the cherished legacy of the historic Irvington Theatre, a cultural treasure and community hub for 65 years.

Titled Irvington’s Rose: A Tribute to the Historic Theatre, this captivating mural was designed and hand-painted by renowned Portland muralist Julia Alexis Hunkler. Through her meticulous artistry, Hunkler masterfully evokes the spirit of the theatre, which opened in 1925 as a 640-seat neighborhood cinema and became a beloved gathering place for generations.

Employing the intricate trompe l’oeil technique, Hunkler’s mural creates the illusion of stepping back in time. The scene draws the viewer into the theatre’s vibrant interior: a grand stage framed by rich burgundy curtains with golden accents. Rows of iconic red seats seem to extend into the foreground, while a green archway cleverly integrates the mural into the building’s historic facade. Adding to the mural’s charm are delicate yellow roses, a nod to Portland’s nickname, the City of Roses, and a poignant tribute to the theatre’s enduring significance.

At the heart of the mural are six blooming yellow roses, symbolizing the six decades the theatre served as a cherished neighborhood fixture; a place where stories unfolded on-screen, and connections blossomed off-screen.

“Every brushstroke became a way to reclaim the neighborhood's memories and pride for this historic theatre. This mural is a tribute not only to the theatre but also to the vibrant community it united,” – Julia Alexis Hunkler, Muralist

This mural also underscores the importance of community spaces in cities like Portland. Irvington’s Rose honors a piece of Portland’s history while celebrating the sense of belonging that the theatre inspired among residents of the Irvington and Boise neighborhoods.

While the original theatre space has transformed, it remains a vital community hub. In 2023, the beloved Milo’s City Cafe reopened in the theatre's historic location, thanks to Albert Escobar, a longtime former employee.

“When the curtain rises on any new mural project, it not only adds character and beauty to the location but is also the result of a months-long collaborative effort by neighbors, business owners, artists, art organizations, and the city. NEBBA had a great experience working with The Portland Street Art Alliance on the large mural on the back of the Broadway Grill & Brewery and did not hesitate to recommend them again for this project for their organization and helpful direction. We would also like to thank Metro and The Irvington Community Association for their help in funding this project!” – Bonnie Paisley Scott, Northeast Broadway Business Association

The mural was made possible through the collaboration of many community members. Funding came from building owners Kathy Schroeder and Tom Gustafson, a grant from Oregon Metro, support from the Northeast Broadway Business Association. Special thanks to Miller Paint for providing discounted materials to help bring this vision to life. This mural is now part of the city’s official public art collection, managed by the Regional Arts & Culture Council.

“PSAA is always excited to create historically-inspired murals in the communities we serve. These projects offer us a unique opportunity to explore local history and immerse ourselves in the stories of these places. This project was especially rewarding, as we had the chance to create artwork that seamlessly complements the timeless Art Deco design of the building on Broadway. Julia did an outstanding job bringing the Irvington Theatre to life through her work, ensuring that future generations will have the opportunity to connect with and learn from this piece of Portland cinematic history.” – Tiffany Conklin, PSAA Executive Director

Whether you’re a longtime resident or a visitor, be sure to stop by and see the Irvington’s Rose. This vibrant new treasure is more than just a mural, it’s a testament to the power of art to honor the past, celebrate the present, and bring a community together.

A Look Back: The Legacy of the Irvington Theatre

Built in 1925, the Irvington Theatre was a beloved 640-seat, single-screen cinema that became a vibrant hub for residents of the Irvington and Boise neighborhoods. For decades, it served as a cherished gathering place, bringing the community together to enjoy the magic of film.

The theatre was home to a remarkable Estey Organ, custom-built specifically for Irvington Theatre. This II-manual, 10-rank organ, featured a luminous push-button console, was a state-of-the-art marvel of its time. According to the Encyclopedia of the American Theatre Organ, it cost $10,036; a significant investment for the era. Unfortunately, the organ was dismantled and recycled for parts in the 1930s, marking the end of a unique chapter in the theatre’s history.

In its later years, the Irvington Theatre endeared itself to the community by screening second-run films for just a dollar per ticket, cementing its reputation as a local favorite. However, as multiplex theatres began to dominate the movie-going experience, the Irvington Theatre struggled to compete. In 1990, it was forced to close its doors; a poignant loss for the Irvington neighborhood and for Portland’s cultural history.

The building's legacy began to reemerge with the installation of a striking new sign, crafted in collaboration with its owner and Security Signs in the early 2000s. 

Side By Side: Historical sign and new mural segment

Today, that vision has come to life with the completion of a breathtaking mural, fulfilling the long-held dream of the building’s current owners, Kathy Schroeder and Tom Gustafson.

“Since we purchased the Irvington building 15 years ago, we’ve dreamed of a large mural that would honor its rich history as a 1920s theatre. The journey began with the restoration of the iconic Irvington Theatre sign (by Security Signs of SE Portland) and now, with this incredible mural, the vision has finally come to life. We’re deeply grateful to the Northeast Broadway Business Association, Portland Street Art Alliance, METRO, the Regional Arts and Culture Council, and muralist Julia Alexis Hunkler for helping make this dream a reality.” –  Kathy Schroeder & Tom Gustafson, Property Owners 

The mural stands as a vivid tribute to the theatre’s golden era and a powerful reflection of the community spirit that shaped its history. More than a celebration of art, its completion marks a revival of Irvington’s cultural legacy, fostering a sense of connection and pride among residents, both past and present.

ADDITIONAL PHOTOS

IT TAKES A VILLAGE

THE VILLAGE

Tony Hopson Sr., Center for Self EnhancemenT

As part of a nearly year-long initiative PSAA teamed up with the non-profit Project Color Corps (PCC) and Portland Muralist Kyra Watikins to create and install a new 1,500 SF mural at The Tony Hopson Sr., Center for Self Enhancement, the central location for the Self Enhancement, Inc. (SEI) SEI is a non-profit African American organization that serves youth and families of North/ Northeast Portland and was the perfect location for a Project Color Corps. Mural.

The initial process started with Project Color Corps working with the youth at SEI to develop a mural that would help foster feelings of belonging and a sense of community. As part of Project Color Corps process, students were invited to take a survey connecting their emotions about how they wanted to feel when entering SEI to color, ultimately resulting in the upbeat and energetic color palette chosen for the mural, and how different colors can affect how a space feels. At the end of PCC’s work with SEI youth, they selected the final color that Kyra used in her design. 

To kick off the mural installation, a Community Painting Day was held by Kyra and Project Color Corps. Community members of all ages came together to paint the foundation of the new mural which is a centerpiece of the facility.

Portrait of SEI Founder Tony Hopson Sr.

The design was created based on SEI’s newest mandate. Originally a resource for North Portland youth, SEI has expanded their focus to include community members of all ages, with a long-term goal to become the African American Cultural Center in Portland. To reflect this, the phrase “The Village” was selected.

Kyra’s design incorporates SEI’s font, and within the lettering are overlaid images of members of the community participating in events fostered by SEI. Most of the imagery is non-representative, however, the first portrait nestled in the letter “T” honors SEI’s recently retired founder, Tony Hopson Sr. Hopson founded SEI in 1981 as a one-week summer program servicing Black Youth. Through the last 43 years, he fostered and expanded the non-profit to include programs for students at 19 schools in four different school districts: Portland Public Schools, Parkrose, David Douglas, and Reynolds.

"I am so thrilled with the new SEI mural and enthralled by the process of bringing this piece to fruition. "The Village" was really behind the creation of this one. Seeing the community come together to embrace this project and lend their capabilities to making it come to life is the ultimate personification of the phrase that now adorns the walls of SEI. I am truly humbled that the community members and stakeholders at SEI believed in my abilities to bring their vision to life, and I am so thankful to the village that helped me do it."  – Kyra Watkins, Muralist

“The mural at the Tony Hopson, Sr. Center for Self Enhancement is titled "The Village," to represent our identity and commitment within the community. In partnership with Project Color Corps and Integrus Architect Firm, we have created a powerful multi-generational replica that will stand proudly in our building for years to come. This collaboration was deeply rooted in the voices of our students, staff, and community members, who contributed their ideas on design, color, and scale.” – Tamra Hickok, Director of Program Innovation, Self Enhancement, Inc.

“Project Color Corps believes in the mission of SEI to provide a safe haven for thousands of children in Portland.  We are proud of our Portland Chapter's hard work and dedication and celebrate the power and message of “The Village” created by Kyra Watkins from Portland Street Art Alliance.” – Laura Guido-Clark, Founder, Project Color Corps

“It has been an honor to work with Kyra Watkins and Project Color Corps again, and SEI for the first time on this inspiring new collaborative mural - which really took a VILLAGE to create! From mural content ideas, color palette selection to painting, the mural came to life thanks to the helping hands of many. A mural for the community, by the community.”  – Tiffany Conklin, Executive Director, Portland Street Art Alliance

MAKING A VILLAGE

COMMUNITY PAINTING DAY

Artist Kyra Watkins giving painting tips. 

On Saturday, September 21, 2024, a well-attended Community Painting Day was held at SEI. Community members painted multicolored homes that form the background for the mural. 

Some of the same students who helped with the design and color palette attended the Community Painting Day as well, allowing them to participate in the project from start to finish.

Other volunteers included the Portland Chapter of Project Color Corps, SEI leaders, and members of the community. Everyone came together on a wonderful day of community-building and now can take pride in the mural they’ve helped to create!

Artist Kyra Watkins (middle) and the members of the Portland Chapter of Project Color Corps Sondra Jakuwboski, Alison Selby, Puji Sherer, and Gabrielle Enfield (L to R).

IN THE MEDIA

PROJECT SPONSORS

ADDITIONAL PHOTOS

BUILDING COMMUNITY, TOGETHER

BUILDING COMMUNITY, TOGETHER

EAST PORTLAND

PSAA is excited to announce the completion of a new mural located at The Rosewood Initiative. The mural, titled The Eastside, celebrates the vibrant and diverse community of East Portland, where so many stories of resilience and growth take root. Set among a garden of iconic Portland roses and new blooms, the mural honors the strength of immigrant journeys and the pride in the many cultures that shape this community. Though often overlooked and underserved, East Portland continues to strive, thrive, and uplift its members, standing as a vibrant hub of economic growth and opportunity. 

The Portland Environment Management Office (PEMO) of the City of Portland provided a grant to support the creation of this mural.

The mural was designed and painted by Portland-based mural artist, Daren Todd. Daren creates vibrant, community-driven artworks that blend abstract art and graphic portraiture, capturing the interconnectedness of humanity and nature. If you look closely, you can spot him in the mural.

The Eastside represents the diverse community that the Rosewood Initiative serves, and includes stylized portraits, symbolic of the many cultural groups who call East Portland home. Daren thoughtfully illustrated the spirit of this well-loved social service hub and its important role as an anchor in the East Portland community, along with their slogan “Building Our Community Together."

This mural came to life through a process of carefully selecting images from The Rosewood Initiative's archives, capturing moments from community events and the everyday life of East Portland. By combining the emotion and pride in the portraits with a variety of Oregon’s native plants and flowers, Daren aimed to create a design that would brighten the previously faded yellow exterior of The Rosewood Initiative.

“The Eastside took about a week to complete, with the help of a small, dedicated team of assistants. I’m incredibly proud of the outcome and deeply grateful for the opportunity to visually represent what The Rosewood Initiative stands for. My hope is that this mural truly reflects the spirit of the people who make East Portland what it is.”  – Daren Todd

"We are thrilled to see this mural come to life! Daren’s art brings together an important piece of our growing community hub. It has transformed the outside of our building into a welcoming space that invites community members in, and captures the resilience, diversity, and beauty of East Portland. We have so much gratitude for Portland Street Art Alliance and the Portland Environment Management Office for being great partners in this process and making the mural possible.” – The Rosewood Initiative Team

“PSAA is honored to support the creation of The Eastside mural, a vibrant visual celebration of the resilience and diversity that defines East Portland. This collaboration reflects the power of art to connect people, amplify and elevate marginalized voices; stories that too often go unheard. Daren’s thoughtful design and skilled execution not only enhance Rosewood Initiative’s building, but also serve as a lasting testament to the strength and spirit of this neighborhood. We’re proud to see public art continue to play a vital role in transforming our city and bringing communities together.” – Tiffany Conklin, PSAA Executive Director

ADDITIONAL PHOTOS

CULTIVATE, NARRATE, CRAFT

CULTIVATE, NARRATE, CRAFT

CENTRAL EASTSIDE, PORTLAND

A new initiative is taking root this fall, Portland Street Art Alliance (PSAA) recently teamed up with JAM Makery LLC, partner of Open Urban Practice and Bridge Rats Artist Studios in the Central Eastside, and PDX Farm. 

Working together, this team is undertaking a full revitalization of 831 SE MLK in the Central Eastside. While PSAA muralists conjure up haunting visuals on the building, PDX Farm is working to install edible gardens with native species and seasonal interactions.

Vibrant new community-driven artwork is being painted, along with extensive building renovations and a major dig-up to create an event space immersed in a regenerative urban and edible garden. 

This multi-faceted project and partnership aims to create a focal point to the Central Eastside’s Mural District to celebrate the production of community-driven local street art and the next generation of ecological urbanism. The project's goals include:

  • Amplify Portland’s historic industrial district as a world-class destination of public art 

  • Restore a native edible microecology with public programming around visualizing underrepresented narratives utilizing food foraging 

  • Inspire a civic imagination to reshape the district towards resilience, inclusion, and socio-economic prosperity 

  • Support a mural along the full block frontage of SE MLK & Morrison streetcar/transit stop as a vibrant and informative gateway to the district

  • Activate an abandoned space into a welcoming space for art, food growing, and community building

"Our dream is to seed a greater civic venture that celebrates the geography, heritage and dynamic future for the Central Eastside’s. A future that is in dialogue with the socio-economic significance of this part of the city, the natural ecology as foundational to urban prosperity, the people who have shaped the creative, nuanced and diverse voices of the district’s cultural production, and new possibilities for how we imagine our city’s future vibrancy."  – Alexis Sanal, AIA, partner of JAM Makery 

The team’s intention is to activate underrepresented narratives and communities as well as stories of urban ecology and cultivation, including the significance of the river ecology and economy. To create an active gateway to the Central Eastside as a welcoming, creative and production oriented district. Visitors, district locals, enterprises, as well as existing and new communities of interest can participate in a community approach to public art side-by-side with a commitment to ecological city-design.

"Our crew plans to cultivate a beautiful, creative, and bioactive growing space that will inspire and encourage those visiting to care for the land and nourish their community. This transformation comes to us on a patch of land that has been long neglected and forgotten. The team aims to utilize regenerative management methods to create and support habitat for urban creatures, both human and non-human.  In addition to this, our studied team of urban farmers will share their knowledge through community workshops." – Dan Campbell, PDX Farm

A FRESH PSAA COMMUNITY ART PROJECT

As part of PSAA’s innovative Community Art Program, the mural work is being supported by a grant from Metro Regional Refresh Fund, along with donations from the public. With incoming donations and ongoing grant support, this mural project will periodically rotate (about once a year) to provide fresh canvases for new artists to express themselves and network with the creative community that is blooming onsite. 

"PSAA is thrilled to unveil PSAA’s latest Community Art Project site. Partnering with JAM Makery LLC and PDX Farm, we’re transforming this bustling corner of the Central Eastside’s Mural District into a lively celebration of community-driven public art and ecological urbanism, with a bountiful garden being installed. It has been a long time dream of PSAA’s to paint a Halloween-themed mural production in Portland. We are thankful to the property owner for letting us actualize this vision. Artists were thrilled to be a part of this one." – Tiffany Conklin, Executive Director, Portland Street Art Alliance 

The inaugural round of murals conjures up a spellbinding theme, ‘Halloween & Harvest’ showcasing a tapestry of autumn-inspired imagery, from ominous owls and grinning jack-o-lanterns to ghostly graves and creepy critters.

CLASSIC HALLOWEEN

First up is local artist Brayniac with a perfectly vintage Halloween vibe mural, setting the eerie tone of this production off right!

WE DIG IT!

Next up, it is hard not to dig Tyler Shrake’s newest creation, a hauntingly beautiful graveyard scene cast in perfect autumn colors. 

"Halloween is an invitation to embrace not only spooky thrills and darker days, but also death itself and all of the regeneration that comes with that part of the cycle of life. In this autumnal mural, I chose to create a blood moon graveyard scene with a tombstone that has inscribed in Latin "nihil est creatrix quam mors" which is a quote from Alan Watts that means "nothing is more creative than death." This is to suggest that through the acceptance of the impermanence of life, we become free to live fully in the present moment. Alan Watts has been a huge influence on my art for several years now, so I thought it would be fun to sneak in one of his teachings related to death for this Halloween-inspired mural." – Tyler Shrake, Muralist 

Beetlejuice, Beetlejuice, BETTLE…

In a healthy garden, you have worms! Watch out for this slithering and writhing sandworm bursting through the building and pavement in the Central Eastside, searching for its next gruesome and gory meal. For his second piece, Tyler expertly recreated a slithering sandworm that emerges from the sidewalk and slithers through the building’s facade.

KEEPING WATCH

Up next on the painting team was local artist Quomni, who is also assisting the Property Owner with site management and coordination.

This dynamic piece features a surreal garden scene - a maze of flowing pumpkin guts intertwined with sword ferns and Oregon Grapes. Emerging from this vivid landscape is Quomni’s creature, a gargoyle-esque figure with bat-like ears, piercing eyes, and ravenous teeth, standing as a watchful sentinel over the site.

Quomni explains their inspiration: “We all have an inner substance brewing within us. The goal then becomes figuring out how to express it and what it looks like. This substance spills from a deity that represents some concept. In the same way that Greek gods had their power from those who believed in them, these deities manifested and gained power from those who dedicated their passion to their concept.”

GARDEN LIFE

Along the south wall of PSAA’s harvest-inspired production in the Central Eastside, local writers ORIEN and CHAIR have created a few garden curiosities. Behold - a wacky flower swaying in the breeze, serpentine vines creeping around, and a radish spirit rising up from the earth, acting as guardian of the garden.

IN THE MEDIA

TERMINAL 1

VANCOUVER WATERFRONT WELCOMES VIBRANT NEW MURAL 

VANCOUVER, WASHINGTON

In August of 2024, muralists Jeremy Nichols and Hayden Senter worked two-stories above the skyline in Vancouver, Washington collaborating on their latest public art mural. This beautiful piece covers the corner of the new Port of Vancouver’s Terminal 1 development at 330 W Columbia Way, which is part of the re-envisioning of Vancouver’s waterfront.

This project was long in the making. In 2022, PSAA began consulting with the Lincoln Property Company (LPC) team regarding site artwork for the two new mixed-use buildings. The idea was to include wall murals, artistic wayfinding, rotating gallery space, and more.  In the end, LPC reserved two prominent walls on both buildings for hand-painted murals. Other cool features of this site include a public boardwalk, green space, public seating, historic boardwalk, and bike/walking paths along the waterfron

PSAA provided LPC consultation on the proposal process and helped spread the message about the open RFQ. PSAA applied with 3 teams, and the winning concept from Jeremy Nichols and Hayden Senter was selected for Mural 1, which now graces the NE corner of Cascade & Columbia Streets. The artists worked with Star Rentals Vancouver and Robertson & Olson Construction to navigate around this active construction site in a challenging spot over an awning.

Photo courtesy of the artists.

Photo courtesy of the artists.

“We wanted to create a mural that grabs the viewers attention, sparks curiosity, and brings the community together to start a conversation. We went into this knowing that our imagery needed to represent the area's history, culture, geography, nature, industry, and growth. The mural needed to be able to tell stories in a subtle manner in order to leave room for people to discover something new from their own perspective.” – Artists Jeremy Nichols and Hayden Senter

Starting with the background of the mural, Hayden and Jeremy chose a color that would compliment the surrounding architecture and give a natural, fluid feeling. The use of large graphic rain drops helps break up the composition and adds to that rainy feeling of the Pacific Northwest.  The background depicts a darker blue organic graphic, which not only provides the mural with natural movement, but also a graphical rendering of the Columbia River from a topographical map. The lines are also a nod to the Hispanic population, who were some of the the first to create in-depth topography and scientific studies of Washington State.

In the center of the east facing wall, is a giant Purple Martin bird. The Port of Vancouver has worked with the nearby Ridgefield Wild National Refugee to increase their nesting grounds at the Columbia River Wetlands Mitigation Bank to increase the population of this rare migratory bird. 

The use of tall grass throughout the mural represents these essential Vancouver wetlands and the Port’s Habitat Enhancement Program. The depiction of the Purple Martin represents the growth of Vancouver and its sustainable-minded approach to future community-building.

Above the Martin is a floating black beaver hat. This hat is a subtle representation of the fur trade, and the Hudson Bay Co’s. beaver hats, that were an essential part of men's fashion and were extremely valuable. Hudson Bay Company, who occupied the Fort of Vancouver for a time, was an important contributor to the fur trade and played a large role in the port's establishment and relationship with Asia.

The North facing wall features flora and fauna to tell Vancouver's story. The cherry blossom blooms in the upper right corner reference the 100 cherry trees Japan gifted to the City of Vancouver to commemorate Washington's 100th anniversary of statehood.

The purple Camas flowers that appear on both panels are a subtle nod to the indigenous tribal communities. The flowers reference the Native American story of Grandma Camus, who in order to save her family and community from starvation, transformed into camas bulbs. Camas are native flower species to Washington and were a food source for Native tribes for several generations. Before sugar was introduced, roasted camas flowers were used to sweeten other food. Lastly, sitting atop an old pier log is the American goldfinch, Washington’s state bird

The remainder of the images are representative of the industry and the port itself in more of a literal way. At the corner of the wall the artists used a large RxR sign to represent the BNSF train yards/Amtrak across the way.

Down the street from the mural site is a large cannery and metal scraping plant represented by two rustic looking cans. These images were included to represent what existed at the site before the new waterfront. Other design elements honoring the site's history include pier logs and red nautical rope that weaves through both panels of the mural, tying the panels together.

RIBBON CUTTING

Muralists Hayden Senter and Jeremy Nichols.

Ribbon Cutting Ceremony.

On Thursday September 19, 2024, a well-attended ribbon cutting ceremony was held at the new Terminal 1 development in Vancouver, Washington. The celebration included the artists and principles for the project. 

Muralists Jeremy Nichols and Hayden Senter. 

“PSAA was excited to partner with the Port of Vancouver and Lincoln Property Company on this new piece of public art at Vancouver’s waterfront district. Being on the planning team for this project gave us an early understanding of what the goals were for the artwork and site flow. Muralists Jeremy Nichols and Hayden Senter were a perfect fit to blend this site's unique history and geography. We always love an opportunity to blend nature and industry, and the artists did this masterfully well.” – Tiffany Conklin, Executive Director, PSAA

“When considering the Terminal 1 development and how it would find its place on the Vancouver Waterfront, we knew that we would need to adopt an aesthetic that provided individualism as well as a critical tie to the important stories of the area. The Port of Vancouver site, rich with history of commerce and connection to the river, needed artwork that reflects those themes and the prominence of the development. We love the boldness and color that Hayden and Jeremy's mural brings to our building at a critical and visible intersection. We are proud to have such an original piece showcasing our building and hope that it brings joy to the waterfront community.”  – Aaron Van Dyke, Senior Vice President, Lincoln Property Company

ADDITIONAL PHOTOS

EAST PORTLAND BOYS & GIRLS CLUB CELEBREATED

THE STORY OF CLEGG BOYS & GIRLS CLUB

LENTS, Portland, Oregon

The recently renamed Clegg Boys & Girls Club has a new mural honoring the clubs’ history and celebrating its future. Artist Miche McCausey was tasked with creating a visual ‘timeline’ of the club’s history. Miche included various portraits of individuals that were a part of the clubs’ history, all atop a transitioning landscape background.

The mural starts at ‘Katy Beach.’ Katy was a beloved employee at the club who passed away in a car accident. Along with working with youth, Katy loved the beach, which is where Miche chose to add her portrait.

The next image is of a young Mike Kuiawa. Mike attended the club as a youth and continued working with the club into adulthood. A portrait of a younger Mike stands in the forest, next to a trailhead sign for the imagined ‘Mike Kuiawa Trail.’ The trailhead sign includes a full timeline of the club, while the trail through the forest contains stepping stones with phrases that describe all the types of ways youth benefit from the club, including things such as “friendship,” building “confidence,” and more.

As the forest transitions into a city scene, the viewer is welcomed to ‘Wattles Street’ by the former club namesake, Mike Wattles. In 1999, Mike donated a million dollars to support the clubs’ long-term programming. Next, a girl dribbling a basketball leads the viewer into a scene of kids and adults painting a street mural in front of the club.

The final portrait on the wall is of beloved Woodlawn neighborhood teacher Lionel Clegg, the new namesake for the club. In fall of 2023, Clegg was honored by the Boys & Girls Clubs of Portland Metropolitan Area for his many years of service and dedication to the community. The organization also renamed their Wattles location in SE Portland to the Lionel Clegg Boys & Girls Club.

Along with the portraits, Miche included a variety of ‘easter eggs’ for the kids to discover, including a starfish, salmon, squirrel, owl, cat, and a dog.

When planning the mural, Miche considered the environment and audience. A natural initiative artist, Miche chose a trauma-informed color palette to create a calm and caring space. This was PSAA’s first opportunity to work with Miche and we are so impressed with their creative and thoughtful approach to this mural.

ADDITIONAL PHOTOS

IRCO'S PACIFIC ISLANDER & ASIAN FAMILY CENTER

Celebrating 30 Years of IRCO's Pacific Islander and Asian Family Center

Portland, Oregon

‘Uplift’ by Alex Chiu, located at 8040 NE Sandy Blvd in Portland, Oregon. 

Over three weeks this summer, delicate images began to emerge from the facade of a building on NE Sandy Blvd and 80th Ave. The series of portraits, done in soft blue and teal tones, are part of a large mural by muralist Alex Chiu. The mural was painted in celebration of Portland-based non-profit, the Immigrant and Refugee Community Organization (IRCO) and the 30th year anniversary of their Pacific Islander and Asian Family Center (PIAFC), of which the mural now graces. 

Titled Uplift, the mural features a portrait of a Samoan mother lifting up her young daughter as she softly ascends through the air. Both figures are supported and surrounded by a beautiful array of community members.

“When choosing the imagery for the Pacific Islander and Asian Family Center, I was inspired by an old photo of Juliannah and her daughter, Leupeti. The image shows Juliannah lifting her daughter in the air in a gesture of celebration. For the mural, I incorporated an image of a rose in Leupeti’s hands as a symbol of the city of Portland. To me, this image encapsulates the love of a parent for their child while celebrating and uplifting the future generation and I wanted this image to be the focus of the mural.”

“I was honored to have the opportunity to paint for an organization as important to the immigrant community as IRCO. I am proud to feature several local Portland figures, including Juliannah and Leupeti of the Island Soul Dancers. I used a new design style that worked out well for the mural concept. The use of monochromatic portraits allowed me to include several portraits within the image without detracting from the main image of a mother with her daughter.” – Alex Chiu, Muralist

The portraits represent the various cultural communities that live in the Portland area and receive services from the PIAFC. While not all of the cultural communities served by PIAFC were able to be included in the mural, this mural includes many Pacific Islander communities, as well as major refugee communities from Southeast Asia. Some of the communities depicted in the mural include Cambodian, Vietnamese, Lu Mien, Hmong, Micronesian, Yap, Tongan, Laotian, and Zomi. The flowers in the mural include a rose, a symbol of Portland, the city of Roses; a plumeria, the national flower of Laos; a lotus flower, the national flower of Vietnam; and a hibiscus flower, the national flower of Malaysia. 

As a child of immigrants and a participant in the IRCO community, it was important to Alex to be able to represent and honor PIAFC and its community warmly and accurately. He worked closely with IRCO as they sought to honor the vibrant cultural heritages of the Center’s clients and staff while reflecting the way that immigrants and refugees of all backgrounds have found community through IRCO’s Pacific Islander and Asian Family Center. 

The mural was developed through extensive community feedback and celebrates IRCO’s nearly 50 years of serving Asian and Pacific Islander communities in the Pacific Northwest. Uplift serves as a visual commitment of IRCO’s work and stands as a beacon of community.

“PSAA was honored to partner with community muralist Alex Chiu and IRCO on this project. An expert in his field, Alex always goes above and beyond to ensure that diverse voices are heard and included in the artwork he produces. Great care was given to locate inspiration imagery for this mural, to highlight some of the Asian and Pacific Islander communities IRCO has supported over the past five decades in Portland. It was also a pleasure to work with Christian Chase, IRCO’s Communications Designer and co-project manager for this mural. This new piece of public art is a beautiful addition to Sandy Blvd and celebrates a much loved local organization and the Asian and Pacific Islander community here in Portland.” – Tiffany Conklin, PSAA Executive Director

Alex Chiu with PIAFC staff. Photos provided by the artist.

With this new piece of public art, IRCO would like to thank, Alex Chiu, Connie Nguyen Truong, Anny Hsiao, Cayle Tern, Kathleen Jonathan, Sam Phan, Sam Bessas, Sokho Eath, An Bui, Kolini Fusitua, Nelyn Phillip, Lisa Sin, Christian Chase, Esther Kwak, Nhu Nguyen, Diem Nguyen, Nhu Hoang, Susan Lam, Stefan Saing, Makarano Yim, Francis Kham, and Khamille Newman. Additional thanks to any and all IRCO staff and community members that gave their time and input to make this project possible.

COMMUNITY MEMBER PORTRAITS

MURAL UNVEILING

Ribbon Cutting Ceremony. Photos provided by Alex Chiu.

On Thursday September 12, 2024, an unveiling celebration was held featuring a ribbon cutting and cultural dancers. Also in attendance were many of the Portlanders featured in the new mural.

“The unveiling of this mural marks 30 years since IRCO began culturally specific services through PIAFC’s wraparound model. I hope that it serves as a message of belonging to our communities and a celebration of the rich diversity found in our Asian and Pacific Islander communities. Thank you to the artist, Alex Chiu, our PIAFC advisory board, all of IRCO, and our communities for their contributions to make this mural happen.”  – Sokho Eath, Director of PIAFC

EVENT PARTICIPANTS

WELCOME TOAST: Lee Po Cha, IRCO Executive Director Sokho Eath, PIAFC Director
REMARKS: Representative Khanh Pham
RIBBON CUTTING: Dedication by Alex Chiu, Muralist
PERFORMANCE: Blue Vahine
CLIENT SUCCESS STORY: Muoi Chuong
ON BEHALF OF SENATOR WYDEN: Grace Stratton
PERFORMANCE: Roseway Middle School Dancers
PERFORMANCE: Tongan Youth
PERFORMANCE: Beautiful Ladies of Tonga
REMARKS: Lippe Ezra, Chuuk community leader
PERFORMANCE: Zomi Innkuan Portland Oregon (ZIPO)
REMARKS: Dr. Connie Nguyen-Truong, PIAFC Advisory Council Member
PERFORMANCE: Rose City Girls
PERFORMANCE: Rose City-Malo e Lelei Tongan Youths
PERFORMANCE: VietFans Dance Group

ADDITIONAL PHOTOS

IN THE MEDIA

 




50 YEARS OF HIP HOP

50 YEars of hip hop TRIBUTE PRODUCTION

Portland, Oregon

Located at NE Grand Ave & Halsey St., this new PSAA Community Art Project celebrates the 50 year anniversary of Hip Hop. This project came to life thanks to a team of incredibly talented PNW style writers and celebrates this milestone through one of Hip Hop’s most visible pillars – graffiti wildstyle art. The production also includes elements from all 5 Pillars of Hip Hop, including MCing/DJing, Breakdancing, and Knowledge.


Hip Hop is a groundbreaking genre that took the world by storm 50 years ago, reshaped our culture from coast-to-coast, and continues to reverberate throughout the world today. Hip Hop isn’t just music, breakdancing, or graffiti; it’s a voice for those unheard, a rhythm of defiance that continues to this day to captivate new generations and push new boundaries and breakthrough barriers. This year also brings another new milestone as Breaking (aka Breakdancing) is included at the Olympics for the first time.

Artist KANGO

Artist THEY DRIFT

““Hip Hop has always been there for me since a very young child. Kept me in a creative, competitive and grounded state of mind. Also kept me out of gangs and dealing which was also a heavy influence in my surroundings. I have met my very favorite people with the same goals and passion as I that I still build and develop with today. I can’t express enough about how powerful the lifestyle and culture can be for one person let alone worldwide.” - KANGO

As an artist, I am honored to be part of a project that commemorates over 50 years of hip hop. I selected Queen Latifah and Tupac as my subjects due to the profound influence they wielded not just within the realm of hip hop, but across broader cultural landscapes. Their commitment to amplifying their voices in the fight for social justice serves as a powerful inspiration for my own artistic journey.” - THEY DRIFT

“With this mural production, Portland Street Art Alliance wanted to honor the 50th year anniversary of the birth of Hip Hop. For us, it's not just about celebrating a groundbreaking new genre that took the world by storm, it is also about recognizing a movement that reshaped our culture from coast to coast and continues to reverberate throughout the world today. Hip Hop isn't just music, breakdancing, or graffiti; it's a voice for the voiceless, a resounding rhythm of defiance that continues to captivate new generations, push new boundaries and break barriers.

We hope that this mural in NE Portland celebrates the spirit of Hip Hop and stands as a vibrant tribute to the pioneers of Hip Hop. In painting this mural, we're not just commemorating the past; we're celebrating the enduring spirit of Hip Hop, a spirit of resilience, creativity, and most importantly passing down knowledge, and building a community of respect and unity. It's a reminder that art has the power to transcend barriers and inspire change. As you pass by the new mural, we hope it serves as a reminder of the stories of a movement that continues to shape our world, one rhyme, beat, and break at a time.” – PSAA Board of Directors

Thanks to all the artists who participated: GIVER, BRUE, THEY DRIFT, OTHER, KSRA, KANGO, DEPTHS, THRIVES, and ADJUST. With additional painting and organizing support from Hayden Senter, Galen Malcolm, and Jeremy Nichols. 

We would also like to thank project sponsors PacifiCorp, Metro, Miller Paint, and Montana Cans for recognizing the power and expression of this artform, and for supporting regional artists and creative freedom.

ADDITIONAL PHOTOS

PROJECT SPONSORS

LADIES UP

Artist Kyra Watkins getting started on her first mural in Portland, OR.

Artist Kyra Watkins getting started on her first mural in Portland, OR.

Portland Street Art Alliance’s Ladies Up Project brings rotating new murals to Portland and beyond, all designed and painted by female-identifying artists.

The first Ladies Up Mural Project is located at Morrison Place at 1401 SE Morrison St (along SE Alder St & SE 15th Ave). This mural project was made possible thanks to a partnership with the former property owner Killian Pacific, and current owner KOSS Real Estate Investments, along with sponsors Miller Paint and Metro Paint, and donations from neighborhood association residents.

The Ladies Up Project is an active rotating PSAA Community Art Project, where PSAA is provided curatorial control and artists are provided considerable open creative freedom in their work.

For this collaboration, PSAA chose a broad theme: a line-up of emerging female-identifying artists. Female/femme/non-binary artists are highly underrepresented when it comes to overall access to painting in public space. As a result of this gender inequity, not all perspectives and stories are being told in our artistic landscape. Street art is a very male-dominated culture, so PSAA has been working to create opportunities and safe spaces for female-identifying muralists to paint.

As with all Community Art Projects, these works of art will periodically rotate, to provide new and emerging female artists a chance to display their work and practice their skills. For the community, these projects provide fresh and exciting new work that people come back time and time again to see and enjoy.

MEET THE MURALISTS

SUMMER 2024

The first 2024 Ladies Up mural was painted by Seattle-based artist Stevie Shao. The mural, titled Nymph Spell, is a synthesis of Shao’s cultural symbolism and personal narrative, combining animal symbology and the inevitable turn of life’s seasons. A periodical cicada folds its wings post flight - right in front of an outdoor cat poised to strike. A traditional symbol of rebirth and summertime, the large wild insect is about to fall prey to a small domestic animal.

The second 2024 Ladies up mural was painted by Afghan-American artist Saphya Lones. Titled the The High Priestess & The Fool new mural is inspired by the traditional tarot cards, this piece represents the necessary combination of iterative play and wise intention while exploring (life, art, and otherwise). With elements such as the fig (referencing Sylvia Plath’s Bell Jar), and a hot dog (referencing nothing), the mural embodies being anti-solemn with serious intention.

SPRING 2022

The first piece along SE 15th Avenue was painted by Villatose is an interconnected wonder, with two women intertwined by hair and hands in a passionate embrace. The next work by Lynsee Sardell features a magic scene with open hands and soft colors popping atop rays of light. The third panel by Bernadette Little depicts a stunning stylized portrait in her signature style. The last mural is a beautiful tribute to a dearly departed friend, painted by Brenda DePriest.

WINTER 2021

In November of 2021, PSAA teamed up with the Independent Publishing & Resource Center (IPRC) to organize two more murals at Ladies Up by Laura Camila Medina and Angela Saenz. Laura is current working on their MFA at Yale School of Art. Angela Saenz originally from Omaha, NE creates paintings and drawings rooted in personal observation of the human experience.

SUMMER 2020

Along SE Alder Street, the original line-up of the Ladies Up murals painted during the height of the racial justice protests the Summer of 2020. Tatyana Ostepenko was born and raised in Soviet Ukraine and painted three Babushkas gazing out onto a rural Ukrainian landscape. Salomée is a bilingual designer with Algerian and Peruvian decent born in Switzerland who has went onto launch a successful mural career after painting this mural. Amaranta Colindres was born in Santa Ana El Salvador and raised in California and painted a powerful tiger using all spray paint. Isis Fisher born and raised in Hawaii painted a trippy pair of figures using only black and white. Kyra Watkins originally from Cincinnati, Ohio painted a man with a parrot on their shoulder and has went on to start a youth program mentoring foster kids in mural art. Sunny Beard is a tattooist and cancer thriver, originally from Reno, NV, who painted a detailed snake along with red carnations. Finally, N.O. Bonzo a Portland-based contemporary artist who is known for their feminine images and hard hitting political content.

WORK IN PROGRESS

“As an organization, Killian Pacific believes that fueling creative expression in our city leads to healthy vibrant communities. We strive to celebrate the arts in each of our projects and have been privileged to work with the PSAA team on many murals and installations throughout our portfolio. The “Ladies Up” mural project spearheaded by PSAA is one of our favorites to date, as we truly appreciate the intent to support local female-identifying artists in creating an all-women’s mural wall in the city of Portland. Additionally, we feel that in supporting artists during the unprecedented times we are experiencing today we are not only supporting individuals, but also providing beautiful, artistic moments of hope for everyone to enjoy. - Chelsea Rooklyn, Killian Pacific ”

INAUGURAL SPONSORS AND PARTNERS

The Central Eastside Mural District is funded, in part, by the Regional Arts & Culture Council, Prosper Portland, the Oregon Arts Commission, and the Central Eastside Industrial Council’s Central Eastside Together grant program. Additional support from Buckman Neighborhood community members; Dylan Huff and Katherine Kiely.

LADD'S CIRCLE

A Mural of LADD’S Past, Present, and Pedals

LADDS ADDITION, Portland, Oregon

Portland has a new mural to add to its collection, at SE 20th & Hawthorne designed and painted by Portland-born and based muralist, Allison McClay. ‘Ladd’s Circle’ is a homage to the nearby neighborhood that celebrates its people, architecture, and unique charm, showing iconic Ladd’s Circle, blooming with colorful roses and being enjoyed by pedestrians.


This new landmark is dappled with so much detail that the viewer can find new things to see each time they pass by. ‘Ladd’s Circle’ features cyclists big and small, as a nod to the local community and the Ladd’s 500 Bike Ride, a skateboarder, two beloved dogs, a cat, a teddy bear, and the tiniest little bird. The architectural detail in the buildings is stunning as they glow with light. The entire piece is capped-off in a translucent yellow frame, mimicking stained glass. Karim, the 7-Eleven franchisee owner, is also featured in the mural.

Allison wanted to depict the charming feeling of wandering down an angled street and ending up at Ladd’s circle; a little unsure of which direction you are facing, but awed by fragrant rose gardens, stunning architecture, and the rich canopy of leaves above your head. The centerpiece tree is inspired by the American Elms that line the nearby streets, and the rich gold tones they turn in Autumn. The geometric details are a nod to the shape of the neighborhood itself, and the map that was once painted on this wall, before a car accident destroyed the wall in the ‘90s and it had to be rebuilt.

“I met so many community members while working on this. I appreciate everyone who stopped by to tell me stories about their lives and the history of the neighborhood. As a Portland native, it felt so nice to get to learn more about an area I’ve always loved. I even learned that I had family members who lived in Ladd’s Addition in the ‘60s. Thanks to everyone who helped make this such a lovely experience!” – Allison McClay

McClay’s background made her the perfect artist for PSAA’s latest mural created thanks to a grant from the City of Portland’s Public Environment Management Office (PEMO). This was PSAA’s first opportunity to work with Allison and we are so impressed with this beautiful new mural that welcomes all into the charming Ladd’s Addition neighborhood.

ABOUT ALLISON MCCLAY

Allison McClay attended California College of the Arts before moving back to her native Portland. She was excited for the opportunity to paint a mural in the area, as she lived in the nearby Hawthorne District when she first returned to Portland and passed by this 7-Eleven on a regular basis. 

Allison’s traditional style often invokes feelings of history and place. She especially excels at representing architecture and has completed an impressive series of historic murals in the small town of North Plains, Oregon just outside of Portland. 

ADDITIONAL PHOTOS

IN THE MEDIA

 

PORTLAND'S PUNK MUSIC HISTORY

MAKING PORTLAND PUNK HISTORY

OLDTOWN, Portland, Oregon

A new full-building wrap mural has hit the streets of Portland, designed, and painted by Portland tattoo artist and illustrator, Notsik. Notsik moved to Portland from California determined to createtheir unique style of art which was a perfect match for this mural. Notsik incorporates a bold, limited palette, often using only black, red, and white in their artwork. The mural showcases an incredible amount of detail, from the patches on the back of the jacket to intricate tattoos hand-painted on the  arms of the punk rocker.


"It has been an incredible honor to be able to do a tribute for legendary PDX punk bands and the many venues and bars that made the punk scene thrive here.” – Notsik, Muralist Prominently positioned in Old Town’s Ankeny Triangle, this pie-shaped building is within sight of iconic Portland punk cultural and historical locations. In these few blocks (and near SW Yamhill and 2nd) the heart of Portland’s punk culture in the 70’s and 80’s thrived.

The mural fully wraps the tiny building at 33 SW 3rd. Avenue, owned by longtime Portland real estate investor Jim Atwood, who also owns the building that is home to Dante’s, one of the last large Portland venues that consistently host punk and hardcore shows in town.

Extensive community outreach was completed by the PSAA team to help inform the design of the mural. Leading the way, Caleb Ruecker reached out to over two dozen bands to ask for their blessing to be included in the artwork. Ruecker was born and raised in Portland and has always identified with the punk community.

“This mural is well deserved to the punk scene. For many decades of amazing musical talent, rad venues, raw style, great shops and incredible people. Thanks for everything and welcoming me in, even if I ride BMX.” – Caleb Ruecker, Community Member

While there was no way to include the full breadth of bands originating from Portland, we squeezed in as many as we could. Featured in patches on the back of a rocker’s jacket are: The Exploding Hearts, Sado Nation, Final Warning, The Procrastinators, Nightmares, Religious War, Cut Throat, Rotten Cadaver, Death Charge, Another State of Mind, and more.

Around the corner, another band line up appears, this time as buttons displayed on the front of a musician’s jacket. Included are: Defiance, Dead Moon, The Wipers, The Rats, Poison Idea, Pierced Arrows, The Jackals, The Riffs, Black Jack, Napalm Beach, Soda Pop Kids, Red Dons, All Out, Long Knife, The Bellicose Minds, and Antiworld.

“We feel honored to be included in the new mural representing the Portland Punk music scene, thanks to Portland Street Art Alliance for recognizing some of the bands, clubs and people who have been a part of making our city stand out in the worldwide music scene! “ – Mike Arrogant, Defiance

Also featured on one of the musicians are symbols of classic punk fashion, including a padlock and chain necklace, made famous by the infamous Sid Vicious of the Sex Pistols. Legend goes, Chrissie Hynde of The Pretenders gifted Sid with the lock and chain, and Sid, being Sid, lost the keys and therefore never took it off. There is no denying that British punk music had a big impact on Portland’s scene. Sten recorded that at first, Portland wanted to hear British-sounding punk. Along the jacket brim, three safety pins are fastened. Safety pins, while serving a practical purpose of holding things together, became associated with punk in the UK in the late 1970s. Some claim the look was originally taken originally from Richard Hell (of Neon Boys, Television, Heartbreakers, Richard Hell & the Voidoids), whose style British punks emulated.

The mural also features much-loved places such as record stores, punk clothing shops, music venues, recording studios, etc. On the ‘Places 2 Go’ list, the following are featured: Another State of Mind (currently still in business at SE 34th and Hawthorne), The Satyricon, Meow Meow, Club 21,EJs, Paris Theatre, La Luna, X Ray Cafe, Berbati’s Pan, Ozone Records, Twilight Cafe, Discourage Records, 2nd Avenue Records (currently still in business at 400 SW 2nd Ave), Black Water Recording Studio, X House, Revenge, Second Foundation, Clockwork Joe’s, New Arts Center, Captain Whizeagle’s, Renaissance Records, Mildred’s Palace, Wave Studio, New Ritz Disco, Euphoria, and Noize Magazine.

Prominently featured in the mural is the iconic Portland punk fashion shop, Another State of Mind. Still operating today, the shop opened its doors in 1994 – providing a place for “local studs and spikes youth.” First in Old Town and now on SE Hawthorne Blvd., Another State of Mind is owned and operated by Connie Wallace and Frank Schaefer. It’s a classic mom-and-pop shop specializing in traditional 80’s gear, rebellion wear, memorabilia, accessories, and more. As in the early 90’s, Another State of Mind continues to be a meeting place for the PDX punk community today.

“PSAA is honored to be a part of this special mural project celebrating our distinct character and legacy in the punk music scene. As a fan, I have been dreaming of painting this mural for many years now, and am excited to finally see it come alive! We hope it serves as a reminder that our DIY and edginess as a city has a long history and roots in our early punk culture. We have always been testing limits, experimenting, and going against the normative grain as a city.”– Tiffany Conklin, PSAA Executive Director

This mural project was generously sponsored by a grant from the City of Portland’s Public Environment Management Office (PEMO). Paint discounts were provided by Miller Paint. Sign painting across the top of the building for the property owner was completed by artist and PSAA Site Manager, Hayden Senter.

A Brief Portland Punk History

In the 1970s and 80s, Portland was the epicenter of one of the most thriving hardcore and experimental punk rock scenes in the Pacific Northwest, if not the country. This explosion of new sounds reflected the gritty and radical culture of the city. Portland’s thriving punk scene was due in part to its fluid and non-genre-specific nature, making it accessible and attractive to a new generation of musicians and fans. In Mark Sten’s book All Ages: The Rise and Fall of Portland Punk Rock 1977-1981 (published in 2015), he explains the rise of punk culture in Portland and the conditions of the time:

“By 1977, Portland was starting to take its current shape. Portland had just finished outgrowing its constricting small town Republican outlook, and it was turning into an urban magnet for all kinds of new lifestyle visionaries: potheads, homosexuals, vegetarians, topless dancers, etc. With no conservative power structure left, local punk was born.” - Mark Sten

The Wipers were one of the first major bands out of Portland, with their raw and gritty new sound, influencing everyone from Nirvana to No Age. In a 1993 interview with Kurt Cobain, he was asked if there was a Seattle scene or if this was all a myth, in reference to the music of time. Cobain replied “Yea, but in Portland. It started with The Wipers in 1977. It’s a real dirty, grungy place.” According to Sten, the first bands to take the stage were King Bee and Noize in 1977, producing a few dozen shows and bringing in out-of-town punk bands. King Bee notoriously played a few early shows at Vernonia High School, including at their Senior Prom.

Sten continues to explain that: “Conflict with Portland’s newly dominant liberal ethos provided an ideal stimulus for post-modern creative tension, during a period when geographic isolation gave the emerging punk scene room to breathe. American punk was streamlined by large mass audiences in a few metropolitan centers. In contrast, punk rock in Portland was at liberty to set its own standards and follow its own pace. At the beginning of 1978, overlapping clusters reached critical mass and fused into a single contentious community that turned itself into an efficient production cartel.”

Even the PDX pups dig the PDX Punk Mural! Photo Credit: @Rangerstay

Later, Sten described some of the unique characteristics of Portland’s scene. Portland’s punk scene was unanimously anti-racist and welcoming of the queer community. In downtown, some of the first venues to host punk music were Mildred’s Place and Second Foundation. Mildred’s Palace was anall-ages queer-friendly disco owned and operated by Lanny Swerdlow. Swerdlow kept similar clubs going for decades, including an earlier one called Second Foundation at 258 SW Alder. Lanny was ahead of his time. Lanny ran all his clubs as refuges where ‘lonesome gays’ of every age were encouraged to mingle with alienated minors of all sexual persuasions.


Women also played an important role in Portland’s punk scene. Sten noted that “It was women in Portland who were doing the intensive research into punk’s evolving fashions in 1977, keeping up by scrutinizing the newest British magazines for any late-breaking developments. Piercings were rare, while tattoos were still novel and slightly exotic. Flannel was more common than leather because it was cheaper.”

Notable women in the early scene included Andrea Lafayette who helped get Mildred’s Palace started and DeeDee Morin from the bands Hazel Dell and Terror Wrist. Portland’s historical punk scene is emblematic of our city and culture today. Even though the city has morphed and changed in recent years, Portland still is on the cutting edge of culture-making, doing things ourselves, and in our own unique way. It is this pioneering spirit that continues to draw people to this unique gem of a city, and we hope, will continue to do so for years to come.

MURAL UNVEILING

On Sunday June 30th, 2024, Portland punks from near and far came together for the unveiling of the mural and an after-party gathering and performance by Deathcharge, at the iconic Star Theater in Old Town. In attendance were Mike Arrogant from Defiance, Mira Sonnleitner from The Bellicose Minds, David Corboy from The Jackals and Sado-Nation, Tony Mengis from The Riffs, Connie Wallace and Frank Shafer co-owners of Another State of Mind, and Sandy from the Future Boutique. After the unveiling at the mural wall, Deathcharge played at Star Theater to celebrate the mural.

ADDITIONAL PHOTOS



AVENUE OF MURALS

AVENUE OF MURALS UNDER THE VIADUCT

Portland, Oregon

The Central Eastside Industrial Council (CEIC) partnered with PSAA to extend our Viaduct Arts Initiative, to create an ‘Avenue of Murals’ stretching from the Eastbank Esplanade to 2nd Ave along Madison Ave.

Viaduct Arts & Avenue of Murals are inspired by the creative artistry already occurring under bridges. These partner initiatives aim to infuse vibrancy into the often-overlooked spaces beneath bridges. This multi-partner effort has a central mission: to use public art to revitalize and invigorate our shared public spaces.

In the spring of 2024, muralists Jeremy Nichols and Devin Finely wrapped 11 columns under the Hawthorne Bridge (near the esplanade). Jeremy completed 5 murals with vibrant art honoring the Central Eastside’s historic role as a center for fruit & vegetable import and sale, and the natural flora & fauna of the river. A final column celebrates outdoor recreation in the Willamette River and advocacy work of the non-profit The Human Access Project.

Devin Finley’s 5 CEIC-sponsored columns honor the historic shipping and rail that made the Central Eastside an economic engine in the 20th century, S.T.E.A.M. education initiatives from OMSI, the USS Blueback submarine, and the makers and tradespeople that have long worked in this thriving Industrial District. An additional column was sponsored by our friends and business partners at Killian Pacific. This pillar celebrates the musicians that have come to define the district today, and recognizes all the hardworking bands that turned old warehouses into practice and recording spaces and the DIY nature of Portland’s creative scene.

PSAA’s larger Viaducts Arts Column Initiative (Phase 1) kicked off in fall 2023 with murals that honored the historic Lovejoy Columns, the Portland Rose Festival’s Dragon Boats, and Ground Score Association.

"Thanks to almost a decade of hard work by various organizations, the dream of painting the bridge viaduct columns in the Central Eastside has become a reality. PSAA is incredibly thankful for our project partners and all the artists who have contributed so far. We also would like to acknowledge the support of the Ground Score Association and their assistance with wall preparation and mural base coat paint. We hope these murals become pillars of the industrial district, bridging its past, present, and future. A symbol of what makes this such a unique and fun place to work and play.” – Tiffany Conklin, Executive Director, PSAA

"We are surrounded by incredible people doing transformative work every day. Inspired by the artists already committed to this project, we saw an opportunity to expand this effort significantly. As the District's advocate for a prosperous and vibrant community, we leveraged significant funding from Prosper Portland's Community Livability Grant, enabling us to help transform the Hawthorne viaduct into the 'Avenue of Murals.' We hope visitors and locals will experience this creative corridor and then explore Central Eastside’s bustling business district.” – Carolyne Holcomb, Executive Director of Central Eastside Together.

Phase 2 Project Sponsors: Central Eastside Industrial Council, Prosper Portland, Killian Pacific, Multnomah County Transportation Division Bridges, Ground Score Association, RACC. NorthRim, Miller Paint, Star Rentals, and Montana Cans.

JEREMY NICHOLS COLUMNS

DEVIN FINLEY COLUMNS

IN THE MEDIA

KGW Story

TOLEDO OREGON SENSORY MURAL

A MURAL That arouses the senses

TOLEDO, Oregon

Oregon Artist Emma Berger has created a delightful new mural for the City of Toledo. It is a special ‘Sensory or Tactile’ Mural, with textured 3D elements that can be seen, as well as touched. The mural adorns Toledo’s Public Library and highlights the natural beauty of Toledo and the surrounding area. The mural features the Yaquina River, trees and plants and local wildlife including a heron, harbor seal, salmon, and a perfectly perched goldfinch.  

To prepare for the mural, Emma sketched out different elements in mortar and carefully crafted texture for certain objects. For the leaves, Emma took casts of real native plants from the Toledo area and transferred them to the wall. Other tactile elements include rocks along the shore, bark on trees, fuzzy blooms on flowers, and the feathers of a heron.

“For this mural, I took inspiration from the Yaquina River that stretches between Toledo and Newport, Oregon. It is a picturesque stretch of landscape, lush with wildlife. The plants and animals pictured are all native to the area or inspired from native plants. I like to think it’s a view of a perfect moment on the river. This mural is also a sensory mural, meaning I incorporated 3D elements so that the library patrons and children who visit can feel the rocks, the tree bark, and the imprints of plants.” – Emma Berger, Muralist

This mural is part of PSAA’s larger regional initiative to bring more public art to cities and small towns across Oregon. Thank you Art Toledo and the City of Toledo Oregon for this opportunity. 

“Bringing a tactile mural to rural communities fosters connection, inclusivity, and pride. It allows everyone, including those with visual impairments, to engage with art personally and in an immersive way. Art Toledo hopes this project can strengthen community bonds and ensure that the joy of art is accessible to all. It's a testament to art's transformative power, honoring the character of the community.” – Lisa Figueroa, Art Toldeo

ABOUT EMMA BERGER

Born on the Northern California coast, Artist Emma Berger attended Pratt Institute in Brooklyn, New York. After leaving the west coast for school, Emma decided to locate in Portland, Oregon. 

Emma is an illustrator, tattoo artist, and muralist who also has done set design and backgrounds for stop animation movies with famous Laika Studios in Portland. She has created multiple murals around the Portland area and enjoys painting imaginary gardens and other leafy friends.

ABOUT ART TOLEDO

The City of Toledo, Oregon has recently launched the Arts Revitalization of Toledo (ART) initiative. The goals for this initiative are to energize Main Street and the business district with an art-centric focus and to celebrate our City’s industry and history – to the end of enticing more visitors from the coast to travel the eight miles east to experience Toledo, as well as engaging and energizing local residents.

ART Committee members include: the Timbers Restaurant and Lounge; Crow’s Nest Gallery; Port of Toledo; the Economic Development Alliance of Lincoln County; Yaquina Pacific Railroad Historical Society; Yaquina River Museum of Art; Oregon Coast Visitors Association, local artists; Toledo High School; Bank of the West, members of the community, and more.