PSAA Projects
Portland Street Art Alliance
CULTIVATE, NARRATE, CRAFT
CULTIVATE, NARRATE, CRAFT

CLATSKANIE MURAL FESTIVAL

NEW REGIONAL PARTNERSHIP, THE clatskanie Mural festival

CLATSKANIE, OREGON

 
 

Visiting muralists Hayden Senter, Julia Alexis Hunkler, and Matt Schlosky.

On June 20th, PSAA and the Clatskanie Chamber of Commerce celebrated the unveiling of 6 stunning new murals as part of the Clatskanie Mural Festival! Held during the Clatskanie Farmers & Kids Market, the final day featured two mural tours and a well-attended artist talk. 

Hayden Senter painted Bounty at Clatskanie Farmer Collective and Refuge at Turning Point Community Center

Matt Schlosky painted Bird Song at Checkmate Park and A Slice of Logging History at Colvin's Pub & Grill, with the background completed by youth volunteers during a Community Painting Day

Julia Alexis Hunkler painted Where the Wild Things Grow at NW Connection Trading Post, and gave an artist talk. The mural was such a hit that NW Trading Post printed it on locally-made cookies served to guests, including Clatskanie Mayor Bob Brajcich!

Local artists Tracy & Scott MacGregor unveiled The Land Remembers And So Do We also at Clatskanie Farmer Collective

The Clatskanie Mural Festival is part of PSAA's rural arts initiative, made possible by grants from the Oregon Cultural Trust, the Roundhouse Foundation, and the Columbia County Cultural Coalition. A huge thank you to the town of Clatskanie and to our incredible resident organizers, Jasmine and Kris Lillich, Sierra Trass, and Sarah Johnson, for making this all happen. 💙

Next time you're headed to the Oregon Coast, stop in Clatskanie and check out these amazing murals!

FESTIVAL IMPACT SURVEY

The Clatskanie Mural Festival is part of PSAA’s rural arts initiative and is designed to bring more public art to rural towns across the Pacific Northwest. If you are a Clatskanie community member, area business owner, or festival attendee, we invite you to take this survey! This survey will help PSAA and our grant funders measure the impact of the mural festival.

Take Survey

FESTIVAL SITES

CHECKMATE PARK
Location: 289 N Nehalem St.
Muralist: Matt Schlosky
Title: Bird Song

ARTIST STATEMENT: This mural features a sassy Steller's Jay perched on a stump in full logging attire, a nod to both Clatskanie's rich timber heritage and one of the Pacific Northwest's boldest and most charismatic birds. Known for their striking deep blue and black plumage, Steller's Jays are sassy, intelligent, and fearlessly noisy, making them a fitting symbol for a community with deep roots and a strong character. They are equally at home in the forest canopy and the campground, where they beg brazenly for handouts from anyone willing to share a snack. If you have spent time outdoors in this region, chances are you have already made their acquaintance. Part mascot, part mischief-maker, the Steller's Jay belongs here just as much as the trees it calls home.

CLATSKANIE FARMER COLLECTIVE
Location: 80 Art Steele St.
Muralist: Hayden Senter
Title: Harvest

ARTIST STATEMENT: This mural was created in close collaboration with the owners to find imagery that reflected their values and vision. Together with muralist Hayden Senter, they chose to depict a generous spread of local food across a large wooden table, a celebration of the land, the growers, and the community they nourish. The Clatskanie Food Hub and Farmer Collective is rooted in building a resilient, accessible local food system, connecting over 100 producers to the people of Clatskanie and beyond. The food on display honors the animals, the farmers, and the deeper question of where our nourishment and we as a people come from. The table is a universal symbol of community, gratitude, and our relationship with the land. This mural is an invitation to appreciate that connection.

COLVIN’S PUB & GRILL
Location: 135 N Nehalem St.
Muralist: Matt Schlosky
Title: A Slice of Logging History

ARTIST STATEMENT: This mural tells the story of Clatskanie's logging heritage. Featured prominently is Simon Benson, a visionary lumber entrepreneur who pioneered logging railroads and the iconic cigar-shaped log rafts used to transport timber down the Columbia River. Also depicted is the steam donkey, a steam-powered pulley machine that revolutionized how logs were moved and loaded. Alongside it, oxen and wagons represent the earlier methods the steam donkey eventually replaced.

.NW CONNECTION TRADING POST
Location: 275 E Columbia River Hwy.
Muralist: Julia Alexis-Hunkler
Title: Where the Wild Things Bloom

ARTIST STATEMENT: Rooted in the landscape of Clatskanie and the wider Pacific Northwest, this mural weaves together native birds, pollinators, berries, flora, and wildflowers into a flowing composition that moves with the seasons. Canopy and understory layers overlap in quiet exchange, something always budding, ripening, decaying, or feeding something else. Vibrant color carries this motion across the wall, bringing brightness to Clatskanie while honoring the rhythm of a landscape we are all part of, where everything is connected.

TURNING POINT COMMUNITY SERVICES
Location: 220 E Columbia River Hwy
Muralist: Hayden Senter
Title: Refuge

ARTIST STATEMENT: This mural celebrates the vital work Turning Point provides to the Clatskanie community. At the center of the composition, a house represents Turning Point as a communal gathering place, a sanctuary where anyone can come to eat, rest, and connect. Surrounding it, fresh fruits and vegetables symbolize the open, welcoming spirit of the organization. Together, these elements reflect how essential spaces like this are, and the simple but powerful message that everyone in need is welcome.

CLATSKANIE FARMER COLLECTIVE
Location: 80 Art Steele St.
Muralists: Tracy & Scott MacGregor
Title: The Land Remembers And So Do We

ARTIST STATEMENT: The mural depicts the bounty of the Clatskanie dike lands, which have provided food for the peoples who have lived here for thousands of years. The native people and the farmers, fishermen, and loggers who came after as settlers all recognized the land feeds and houses us and all the beings that surround us. We respect the land and waterways as the givers and sustainers of all life.

ARTIST INFO: Tracy & Scott are a husband-and-wife muralist duo from Clatskanie whose latest work is now featured on the tour route. Their new mural is located on the outside of the Clatskanie Food Hub. Both artists will be present on Festival day to participate in the interpretive tours. 

FESTIVAL PHOTOS

Festival Day

Community Paint Day

WORK IN PROGRESS

FESTIVAL ARTISTS

HAYDEN SENTER

Hayden was born in 1991 in San Jose, California. Growing up in suburbia, he gravitated toward the overlooked and unexpected, finding inspiration in creek beds, sewers, and abandoned buildings. After high school, he attended California State University, Chico, earning a BFA in Printmaking. His work spans printmaking, painting, and murals, drawing imagery from everyday observations like overgrown alley weeds, corner store walks, and forgotten cars. For the past 7 years, he has collaborated with local businesses and artist organizations on murals of all scales.

Julia Alexis Hunkler

Julia Alexis Hunkler is a Portland-based muralist and fine artist whose large-scale works reclaim beauty in public spaces, weaving community narratives with vibrant, expressive imagery. With murals spanning the Pacific Northwest to the Southeast, her work reflects a deep engagement with place, storytelling, and the transformative power of art.

MATT SCHLOSKY

Matt Schlosky is a Portland-based artist, muralist, caricaturist, and designer whose paintings reflect the world of his subconscious. His work draws inspiration from myth, ancient cultures, tribal art, nature, comic books, Art Nouveau, and graffiti. Born and raised in Rochester, NY, Matt has been creating and flexing his imagination since childhood. In 2001, he earned an American Visions Award in the Scholastic Arts and Writing Competition and a scholarship to the Columbus College of Art and Design, where he graduated in 2005 with a BFA in Industrial Design with a focus in toy design.

Scott & Tracy Prescott-MacGregor

Scott & Tracy Prescott-MacGregor bought their farm in the Clatskanie dike lands in 1999. Scott retired from his theatrical construction business, and Tracy retired from her career in animation soon afterwards in order to pursue their interests in self-sustaining farming. They share their homestead with 2 dogs, 50 chickens, 25 goats, 4 ducks, 8 turkeys, 2 donkeys, and a cat.

ADDITIONAL CLATSKANIE MURALS

MURALS BY JESSICA PERKINS

As a Pacific Northwest native, Jessica has a love for the beautiful natural scenery that this part of the country has to offer. The powerful Columbia River is a huge part of the region, both environmentally and economically.

When illustrating this book, Jessica used the water from the Columbia River to Paint with, and most of the paintings were painted on the mighty river bank while watching the locals fish the seasonal Salmon run. She also volunteers with the Clatskanie High School Art Program! 

HOMEWARD BOUND

Designed Seaside resident Mark Kenny and painted by volunteers

RAYMOND CARVER MURAL

Designed by Dyland Eckland and painted by volunteers as part of the Clatskanie Mural Project, led by the Clatskanie Arts Commission.

After a lapse of several years and the choice of the Clatskanie Mural Project to create a mural in Raymond Carver’s honor, the Clatskanie Arts Commission revived the Raymond Carver Writing Festival. 

FESTIVAL SPONSORS & PARTNERS

GRANT SPONSORS

MURAL WALL SPONSORS

COMMUNITY PARTNERS

 

LODGING PARTNERS

 

STILL WE BLOOM

A NEW MURAL AT ONE OF PORTLAND’S OLDEST RESTUARANTS

PORTLAND, OREGON

The exterior of the historic Republic Cafe & Ming Lounge in Portland’s Chinatown neighborhood has been transformed with the addition of a dreamy new mural by PacificNorthwest-based Asian-American artist Derek Wu.

Titled, Still We Bloom, this sublime mural features a branch of plum blossoms atop an ethereal gradient of pink to green overlaid with a white floral pattern. At the end of the branch, the background green leads the eye into a viridescent forest and mountain scene with hints of pink sky. The trees and mountains were rendered in a traditional Chinese style, elegantly tying together the natural elements in the mural with the Republic Cafe’s rich heritage and classic interior. 

The imagery of plum blossoms and a traditional Chinese watercolor-inspired landscape was chosen intentionally. In Chinese culture, plum blossoms symbolize perseverance, resilience, and renewal because they bloom even in the cold of winter. Derek wanted Still We Bloom to reflect that same spirit for Chinatown: the idea that beauty, culture, and community can return and flourish again.

As a former Portland resident, Derek can remember Portland’s Chinatown as a vibrant center of culture and community. This mural honors those roots while also looking toward the neighborhood's future. These memories along with his Chinese heritage made this project incredibly personal.

”Working on this mural gave me the chance to reconnect with my own cultural heritage while contributing, in a small way, to the ongoing story of a place that shaped many memories for me. My hope is that the mural offers a moment of calm, safety and optimism to a neighborhood that deserves the city's love and support. A quiet reminder that neighborhoods, like people, can endure and bloom again.” - Derek Wu, Muralist

A HISTORIC LOCALE

The Republic Cafe has a rich history in Portland. Established in 1922 by the Mui family, in its early years, similar to other immigrant-owned businesses, along with serving their native cuisine, Republic Cafe also served as a social center for Chinese Americans.

In 1951, the restaurant was expanded to include the Ming Lounge, which quickly became a Portland hotspot. So much so that the operator at the time, Dr. Victor Wong, earned the nickname “Mayor of Chinatown.”

Along with serving as a hub for the Chinese community, the restaurant and lounge has hosted a variety of famous diners, including Louis Armstrong, Harry Belafonte, Victor Borge, Tommy Dorsey, Marcel Marceau, and Shaquille O'Neal. Former Portland Mayor Bud Clark enjoyed the Republic Cafe so much that he selected it as the location to propose to his wife.

In 1989, the Republic Cafe and Ming Lounge were added to the National Register of Historic Places as part of the Portland New Chinatown/Japantown Historic District. The Mui Family still operates the Republic Cafe and Ming Lounge, making it one of the oldest restaurants in Portland. 

QUOTES ABOUT THE PROJECT

感谢画家Derek、波特兰街头艺术联盟以及波特兰市为我们提供的这个新壁画。梅花寓意吉祥，劲松代表坚韧不拔，共和楼自1922年已经在Old Town Chinatown经营了100多年，几经变迁，这个新壁画是一份很好的礼物。– Wingwai Mui, Owner, Republic Cafe 


Translation: “Many thanks to artist Derek, the Portland Street Art Alliance, and the City of Portland for providing us with this new mural. Plum blossoms symbolize good fortune, and the pine tree represents resilience and perseverance. The Republic Cafe has been in Old Town Chinatown since 1922. It’s been through many changes over the decades. This new mural is a wonderful gift.”– Wingwai Mui, Owner, Republic Cafe

“It’s wonderful to see the iconic restaurant transformed! Thanks to the City of Portland and artist Derek, who’s done a smashing job paying homage to the essence of the business whilst bringing light and beauty to the block.” – Lori Wiechec, Old Town Chinatown Community Association

“We are always excited to partner with PSAA on mural projects. Collaborating on something that brings the community together is exciting, and to work on a project that also supports a historic business in Portland’s oldest neighborhood makes this even more special. This beautiful mural speaks to the power art has to create positive attention and energy in the community and uplift businesses. I’m proud of our role supporting Republic Cafe and this collective effort.” – Cornell Wesley, Executive Director, Prosper Portland  

“Bringing public art to this space feels like an act of honoring what remains. Derek's mural reflects that weight beautifully. The elegant floral motif flows into a sweeping mountain and forest scene rendered in traditional Chinese style, blending realism with imagination in a way that feels both rooted and timeless.” – Tiffany Conklin, Executive Director, PSAA 

ADDITIONAL PHOTOS

LADIES UP

Artist Kyra Watkins getting started on her first mural in Portland, OR.

Artist Kyra Watkins getting started on her first mural in Portland, OR.

Portland Street Art Alliance’s Ladies Up Project brings rotating new murals to Portland and beyond, all designed and painted by female-identifying artists.

The first Ladies Up Mural Project is located at Morrison Place at 1401 SE Morrison St (along SE Alder St & SE 15th Ave). This mural project was made possible thanks to a partnership with the former property owner Killian Pacific, and current owner KOSS Real Estate Investments, along with sponsors Miller Paint and Metro Paint, and donations from neighborhood association residents.

The Ladies Up Project is an active rotating PSAA Community Art Project, where PSAA is provided curatorial control and artists are provided considerable open creative freedom in their work.

For these collaborations, PSAA selects a line-up of female-identifying artists. Female/femme/non-binary artists are highly underrepresented when it comes to overall access to painting in public space. As a result of this gender inequity, not all perspectives and stories are being told in our artistic landscape. Street art is a very male-dominated culture, so PSAA has been working to create opportunities and safe spaces for female-identifying muralists to paint.

As with all Community Art Projects, these works of art will periodically rotate, to provide new and emerging female artists a chance to display their work and practice their skills. For the community, these projects provide fresh and exciting new work that people come back time and time again to see and enjoy.

MEET THE MURALISTS

SPRING 2026

A powerful new mural titled Wetlands Spirit was created in the Spring of 2026 by Indigenous artist Kitana Connelly. This stunning naturescape of a PNW wetland features the native flora of her ancestral lands surrounding an ethereal portrait.

“Wetland Spirit” highlights Native local plant relatives: the broadleaf cattail, big leaf lupine, and deer fern. The halo of greenery surrounds an Indigenous woman spirit wearing a dentalium headdress, which signifies her spiritual power and connection to water.” – Kitana Connelly 

Kitana was assisted on this mural by her partner, Christopher Spivery. She is a member of the Confederated Tribes of Grand Ronde with ancestral ties to the Molalla and Klickitat tribes.

SUMMER 2024

The first 2024 Ladies Up mural was painted by Seattle-based artist Stevie Shao. The mural, titled Nymph Spell, is a synthesis of Shao’s cultural symbolism and personal narrative, combining animal symbology and the inevitable turn of life’s seasons. A periodical cicada folds its wings post flight - right in front of an outdoor cat poised to strike. A traditional symbol of rebirth and summertime, the large wild insect is about to fall prey to a small domestic animal.

The second 2024 Ladies up mural was painted by Afghan-American artist Saphya Lones. Titled the The High Priestess & The Fool new mural is inspired by the traditional tarot cards, this piece represents the necessary combination of iterative play and wise intention while exploring (life, art, and otherwise). With elements such as the fig (referencing Sylvia Plath’s Bell Jar), and a hot dog (referencing nothing), the mural embodies being anti-solemn with serious intention.

SPRING 2022

The first piece along SE 15th Avenue was painted by Villatose is an interconnected wonder, with two women intertwined by hair and hands in a passionate embrace. The next work by Lynsee Sardell features a magic scene with open hands and soft colors popping atop rays of light. The third panel by Bernadette Little depicts a stunning stylized portrait in her signature style. The last mural is a beautiful tribute to a dearly departed friend, painted by Brenda DePriest.

WINTER 2021

In November of 2021, PSAA teamed up with the Independent Publishing & Resource Center (IPRC) to organize two more murals at Ladies Up by Laura Camila Medina and Angela Saenz. Laura is current working on their MFA at Yale School of Art. Angela Saenz originally from Omaha, NE creates paintings and drawings rooted in personal observation of the human experience.

SUMMER 2020

Along SE Alder Street, the original line-up of the Ladies Up murals painted during the height of the racial justice protests the Summer of 2020. Tatyana Ostepenko was born and raised in Soviet Ukraine and painted three Babushkas gazing out onto a rural Ukrainian landscape. Salomée is a bilingual designer with Algerian and Peruvian decent born in Switzerland who has went onto launch a successful mural career after painting this mural. Amaranta Colindres was born in Santa Ana El Salvador and raised in California and painted a powerful tiger using all spray paint. Isis Fisher born and raised in Hawaii painted a trippy pair of figures using only black and white. Kyra Watkins originally from Cincinnati, Ohio painted a man with a parrot on their shoulder and has went on to start a youth program mentoring foster kids in mural art. Sunny Beard is a tattooist and cancer thriver, originally from Reno, NV, who painted a detailed snake along with red carnations. Finally, N.O. Bonzo a Portland-based contemporary artist who is known for their feminine images and hard hitting political content.

WORK IN PROGRESS

“As an organization, Killian Pacific believes that fueling creative expression in our city leads to healthy vibrant communities. We strive to celebrate the arts in each of our projects and have been privileged to work with the PSAA team on many murals and installations throughout our portfolio. The “Ladies Up” mural project spearheaded by PSAA is one of our favorites to date, as we truly appreciate the intent to support local female-identifying artists in creating an all-women’s mural wall in the city of Portland. Additionally, we feel that in supporting artists during the unprecedented times we are experiencing today we are not only supporting individuals, but also providing beautiful, artistic moments of hope for everyone to enjoy. - Chelsea Rooklyn, Killian Pacific ”

INAUGURAL SPONSORS AND PARTNERS

The Central Eastside Mural District is funded, in part, by the Regional Arts & Culture Council, Prosper Portland, the Oregon Arts Commission, and the Central Eastside Industrial Council’s Central Eastside Together grant program. Additional support from Buckman Neighborhood community members; Dylan Huff and Katherine Kiely.

WE ARE RIP CITY

Trail Blazers x PSAA Street Art

PORTLAND, OREGON

During the first quarter of 2026, PSAA was pleased to team up with the Portland Trail Blazers on three graffiti-style mural productions across Portland. Over a dozen artists came together to create these epic shoutouts to our home team and show our Rip City pride!

RIP CITY ROAR

7 NE Oregon Street at the Steel Bridgehead, Portland, Oregon

Located steps from the Moda Center, where you can almost hear the roar of the gameday crowd, is a new Portland Trail Blazers-themed graffiti art production titled Rip City Roar; the first of a series of collaborations between the Portland Trail Blazers and Portland Street Art Alliance. These productions are part of PSAA's unique Community Art Program, which provides space for creatives to let loose, play, and practice their styles.

Created by the dream team of They Drift, KSRA, and GIVER, the design evokes Portland's "Rip City" ethos. When asked about their approach, artist They Drift summed it up best: "This city doesn't whisper. It plays LOUD."

Spreading across six panels, Rip City Roar contains a mixture of character art and graphic lettering. The first panel features an impressive mashup of the Trail Blazers' logo and a rose, leading into some tight lettering by GIVER reading "Rip City."

The next two panels contain a popping piece by KSRA in crisp wildstyle letters atop a pair of roses. Ending this production with a bang is a slam-dunk portrait of Trail Blazers star Damian Lillard by They Drift.

FOR RIP CITY

FOR RIP CITY is more than just a name; it’s an ethos.

For Rip City located at 66 SE Madison St in the Central Eastside

The Central Eastside Mural District is home to PSAA’s most recent partnership with the Portland Trail Blazers! PSAA’s latest graffiti production, “For Rip City,” wraps around the warehouse near the Hawthorne Bridgehead and features lettering and background art by artists GIVER, KSRA, and THEY DRIFT. 

“For Rip City” side of For Rip City

Across the bottom of each wall is a solid line-up of style writer heavy-hitters, featuring NEKON, GIVER, KSRA, TIMBER, ASKEW, NOTES, and THRIVES. Raindrops and basketballs are interspersed throughout the piece, making for a truly Portland drip n’ drop background! 

Next time you are down in the Central Eastside, channel your Blazer spirit, and come see “For Rip City” in person!

PLAYOFF BOUND!

Playoff Bound, located at 3075 NE Sandy

The Earwig and OPASIT threw down some fire pieces for PSAA's final mural project of the season with the Portland Trail Blazers - and what do you know, the Blazers made it to the playoffs! 

This newest graffiti production is packed with Rip City love: Blazers and Rip City call-outs, a central basketball team with the Blazers logo front and center, a pair of kicks nodding to Portland's legendary footwear culture, and even the iconic PDX carpet as a nod to the Blazers' city edition jerseys.

We are so proud of every artist who brought these Blazer-themed productions to life across the city. This collaboration has been a dream. Here's to Rip City!

ADDITIONAL PHOTOS

A STROLL DOWN MEMORY LANE

Beverly Cleary Mural Debuts at Hollywood Library

PORTLAND, OREGON

A Stroll Down Klickitat at the Hollywood Library

A whimsical new artwork now welcomes visitors to the recently renovated Hollywood Library, bringing beloved Portland author Beverly Cleary's world to life through the eyes of an artist who grew up loving her books. A Stroll Down Klickitat Street, created by illustrator and artist Kyler Martz, features eight illustrated panels celebrating Cleary's cherished characters, including Ralph S. Mouse, Henry Huggins, Ramona and Beezus Quimby, and faithful companions Ribsy and Socks, interwoven with the Portland places that shaped her stories. The backlit installation transforms the library's entrance into a stained-glass homage, celebrating Cleary's lasting contributions to children's literature.

Martz's personal connection to Cleary's work made him an ideal choice for the commission. His earliest memories include his father reading The Mouse and the Motorcycle aloud at bedtime.

"My brother and I were so fascinated with the world of Ralph S. Mouse that we immediately checked out the sequels from the library, followed by every one of her other books. My desire to build my own worlds, like that of Henry Huggins, was a huge part of why I began drawing around the same time. Inspiration from Cleary's themes of anthropomorphic creatures and mischievous household pets is still clearly visible in my work today." - Kyler Martz, Muralist

The mural reimagines scenes from some of Martz's favorite Cleary novels, including Henry and the Clubhouse and Ramona and Beezus, while incorporating landmarks from Cleary's childhood, including her childhood home, Fernwood Elementary (now Beverly Cleary School), Grant Park, and the Hollywood Theatre.

To ensure historical accuracy, Martz participated in an interpretive walking tour of the Irvington neighborhood led by Portland State University Cultural Geography Professor and PSAA board member Dr. Hunter Shobe. The tour included visits to the Beverly Cleary Sculpture Garden, Beverly Cleary School's archive of Cleary artifacts, and the two homes where the author lived as a child. “Learning about Beverly Cleary's real childhood in Portland and what life was like in that era deeply informed how I approached bringing these characters and settings to life,” says Martz.

Working digitally, Martz drew inspiration from decades of Beverly Cleary book illustrations, Ramona paper dolls, and other archival materials, blending them with his nostalgic illustrative style to create original artwork that brings Cleary's most cherished characters to life in a fresh, contemporary way. Once the design was complete, the images were printed on film and installed on the windows in the Hollywood Library entryway. Lighting was installed behind the mural, creating a stained-glass effect, pairing with some of the original library architecture.

A Stroll Down Klickitat Street was commissioned by Multnomah County Library and managed by the Portland Street Art Alliance (PSAA), which facilitated the artist selection, research, and design process. The project came together with invaluable support from Malcolm Cleary (Beverly Cleary's son and estate manager) and HarperCollins Publishers. Graphic Print Solutions printed and installed the artwork.  

“Hollywood Library is such a busy and beloved location, and we can’t wait to see our patrons come through the doors and experience all the new features as part of the library’s Refresh work,” said Annie Lewis, Director of Libraries. “And this work wouldn’t be complete without Kyler’s whimsical, engaging mural that pays tribute to Beverly Cleary’s characters and Hollywood Library’s central role in her world.” – Annie Lewis, Director of Libraries, Multnomah County Library

“This project represents everything we believe public art in civic spaces should be: deeply researched, authentically connected to place, and created with genuine reverence for the subject matter. We were fortunate to have guidance from individuals with intimate knowledge of Beverly Cleary's legacy, which ensured the artwork honors both the author's vision and the artistic legacy of the illustrators who brought her characters to life for generations of readers. When libraries invest in custom, thoughtfully researched artwork like this, they create spaces that don't just house books; they celebrate the stories, storytellers, and artists that shaped our community.” – Tiffany Conklin, Co-Founder and Executive Director, PSAA

IN THE MEDIA

ADDITIONAL PHOTOS

A FRIENDLY NEIGHBOR

NEIGHBORHOOD HOUSE

PORTLAND, OREGON

Nuturing Growth at Neighborhood House SW Portland Headquarters.

In times of uncertainty, community organizations like Neighborhood House become even more vital, offering not just services, but safe spaces where neighbors support neighbors. We're honored to share this new mural celebrating the work they do every day to nurture and uplift our community.

A vibrant mural by local artist Alex Chiu now graces the new home of community nonprofit Neighborhood House. Titled "Nurturing Growth," the 180 square foot mural was painted on four metal panels at Alex Chiu's studio and installed by the artist with assistance from Walsh Construction.

To design the mural, Alex worked closely with Neighborhood House to curate the images used in the work. The mural is based on the organization's logo, with a home at the center and a series of portraits radiating outward. The four background colors reflect the orange, green, yellow, and teal of Neighborhood House's logo.

Each section features the services provided to the community, including their Parenting Program, Head Start and Student Age Services, Senior Center, Food Pantry, Community Garden, Housing, and Community Health.

"For me, the highlight of the project was meeting the staff involved with Neighborhood House. I am thankful for their hospitality and support. The most memorable moment I had was visiting the Chair Aerobics Class at the Senior Center. I painted the instructor, Peggy, in the top right of the mural. I was told that she recently passed and that the Senior Center still continues their Chair Aerobics Class with videos of Peggy." - Alex Chiu, Muralist

"We are extremely thankful to have Portland Street Art Alliance and Alex Chiu create a mural for our new space that perfectly represents who we are as an organization. We're so excited for everyone to see it and to have such a wonderful piece of art welcoming our community into our new home." – Hannah Lee, Director of Development and Community Engagement, Interim Director of Community Health, Neighborhood House

"Alex Chiu has created a vibrant celebration of community across generations and cultures, interwoven with fresh vegetables, flowers, and imagery of home and belonging. This mural captures everything we believe in: that our strength comes from our diversity, that health and nutrition are fundamental rights, and that everyone deserves a welcoming place to call home." - Tiffany Conklin, Executive Director, Portland Street Art Alliance

ADDITIONAL PHOTOS

NORTHWEST STORIES

NORTHWEST LIBRARY MURALS

POrtland, Oregon

Nia Musiba’s mural in the seating area at Northwest Library

As part of our continued partnership with Multnomah County Library, PSAA commissioned two stunning, expansive murals by local artists for the brand new Northwest Library.

KYler martz

The first of 3 sections of Bound for Slabtown

Bound for Slabtown is a 64 ft long mural that takes the viewer from day to night, starting with a crescent moon and ending with a beautiful Portland sunset. The room-spanning mural explores the transformative power of reading and nature through the migratory journey of the Vaux’s Swift. 

Nia musiba

Artist Nia Musiba created this mural by drawing inspiration from Oregon’s natural landscape and its vibrant flora and fauna. The piece takes a colorful, abstract approach to depicting elements of the natural world, abstracted views of irises, ferns, Oregon swallowtails, Vaux’s swifts, oxalis, and more. It serves as a reminder to enjoy the beauty and balance of the environments that surround us.

TEEN WORKSHOP

As part of this project, local teens at a workshop led by artist Kyler Martz revealed that they craved tranquil and comforting spaces with a strong connection to nature. This helped inform Kyler’s approach to the mural, leading to his surreal design, transforming trees into books and books into birds.

A big thank you to the students and staff at Metropolitan Learning Center!

WORDS TO LIVE BY

Public Art Installation Brings Color and Hope to Downtown Portland

PORTLAND, OREGON

7 Pillars Installation at Washington Center

Over the course of the summer and fall of 2025, aspirational words began appearing in downtown Portland. Now, as we enter the holiday season, Washington Center is beautifully wrapped in colorful words of community and goodwill. 

The installation, titled 7 Pillars, sprang from the mind of internationally renowned street artist Askew One (aka Elliot O’Donnell), and is his first major project in Portland since moving here in 2022.

7 Pillars features a thoughtfully curated collection of words that capture this pivotal moment in history while fostering meaningful community dialogue about democracy and civic engagement. With the support of the property owner, Menashe Properties, along with the City of Portland’s Public Environment Management Office (PEMO), and METRO, Askew One and friends painted seven words across the south and eastern walls of Washington Center. The massive mural covers nearly 20,000 square feet and features the words LOVE, CARE, EMPATHY, COMPASSION, DIGNITY, GRACE, and STEWARDSHIP.

“Lately I’ve been thinking a lot about how we practice corporeal politics and which values help us strengthen our communities,” says Askew One. “I think we can all agree that Love, Care, Empathy, Compassion, Dignity, Grace, and Stewardship are amongst the greatest to hold and practice.”

What began as a near-daily practice of sharing graphically rendered words on Instagram in early 2025 evolved over the course of the year into a monumental public artwork. When fellow artists encouraged Askew One to take his distinctive typographic vision beyond the screen, he brought the concept to Portland Street Art Alliance (PSAA).

Recognizing the project's potential, PSAA orchestrated a collaborative effort, uniting property owner Menashe Properties with the City of Portland's Public Environment Management Office and METRO to transform Askew's digital art into a towering installation that now anchors this prominent downtown corner at SW 4th & Washington. The partnership exemplifies how public art can flourish when private property owners, municipal agencies, and cultural organizations align around a shared vision. Downtown, people are already noticing the view and contemplating these pillars of civic living.

“Art is the best tool I have to open doors and enable me to embody this specific mindset – to be at street level and engaged with everyone who comprises this unique Downtown Portland community,” Askew One explained. 

The installation itself was a monumental task. Thankfully, Askew One was diligently assisted by legendary Portland-based creatives Ray from Hand of Dogg Murals, Ruban Nielson (artist and member of Unknown Mortal Orchestra), along with helpers from the street art community, including They Drift, KSRA, B-Side, Jay, Theearwig22, and Aerosolsmith.

Ray from Hand of Dogg

Ruban Nielson

“I am so honored to have had this experience. To have this idea received and enabled by PSAA, Menashe Properties, and the City is incredibly humbling. I moved to Portland 3 years ago and dreamed about painting the Washington Center. To have this become a reality and for it to also be a mural conveying something I believe is so necessary in this moment is a dream come true!” – Askew One, Muralist 

“7 Pillars represents the transformative power of public-private partnerships and what becomes possible when artists receive the support to bring bold visions to life. We think this absolutely massive and prominent mural is already making a meaningful impact in our downtown core. PSAA is truly honored to have collaborated with each of these artists and partners to make it a reality.” – Tiffany Conklin, PSAA Executive Director & Co-Founder 

“This mural breathes life and joy back into a vital part of our city. I'm grateful for the outstanding teamwork with Portland Street Art Alliance and Menashe Properties to fund the mural, illuminate the sculpture, seal the tree wells, and create a space Portlanders can be proud of. What a great way to help local businesses, support local artists, and show the power of art to transform our city and ourselves.” –  Anne Hill, Director, City of Portland Public Environment Management Office

The corner of 4th and Washington hits differently now when I pass by — it’s impossible not to feel something when you see Elliot’s vision come to life on such a key corner in downtown. This mural has become a symbol of what Portland can be, and we hope it inspires more action, creativity, and momentum across our beloved city. We appreciate our partnership with the City of Portland and PSAA in making this possible.”  – Lauren Menashe, Menashe Properties

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A VIEW YOU'RE SHORE TO LOVE

More Murals Spring To Life
in Portland’s Jade District

PORTLAND, OREGON

New mural at Ocean Blue Seafood on Division Street

Located in the heart of the culturally rich Jade District near 82nd Avenue, a once forgettable wall has come alive with a stunning aquatic scene complete with marine life and deep blue ocean hues. The captivating underwater landscape enlivens Division St, providing a relaxing view for this busy East Portland thoroughfare. 

Bing, the owner of Ocean Blue Seafood, had been discussing the possibility of a mural with the APANO for a number of years. This year, the dream turned into a reality as APANO was able to commission a piece by renowned Asian American artist, Jeremy Nichols, with the support of grant funding from Venture Portland and project management support from Portland Street Art Alliance (PSAA).

This underwater mural features expertly rendered corals, with blue flowing waves providing a soothing sensory experience. “I wanted to create something bright and in line with the business,” says artist Jeremy Nichols. “I thought a colorful mural depicting an underwater coral reef scene would be an effective approach that would catch the viewer's eye.”

 APANO was thrilled to be able to bring the mural idea to fruition with Bing, who has been incredibly supportive of the Jade District and APANO's work for many years. For Bing, she's happy she can help bring more public art to the Jade District.

“Thank you, PSAA and Jeremy Nichols, for helping make the Jade District a little brighter! We have been talking with the owners of Ocean Blue about doing a mural for years, and now we're making these conversations a reality. Thanks to Venture Portland's Major Impact Award, we are able to highlight this local business while creating interesting and beautiful street art. We hope it will invite more people to walk through the Jade District and visit our local small businesses!” – Alisa Kajikawa, APANO Community Development Director, Place Based Programs 

The Jade District has long served as a beacon for the immigrant and refugee community, where families have built businesses for decades and shared traditions that define Portland's multicultural identity. 

One of the district’s biggest champions has been APANO, one of Oregon’s longest-standing Asian grassroots advocacy organizations, uniting Asians to build power, develop leaders, and advance equity through organizing, advocacy, community development, and cultural work.

"PSAA was thrilled to partner with APANO on this mural project. Jeremy Nichols brings exceptional artistic vision that perfectly aligns with celebrating the rich cultural heritage and community spirit of the Jade District. This underwater Pacific Ocean scene represents everything we love about street art – authentic community collaboration, cultural celebration, and transformative public art that brings neighbors and businesses together. We're honored to help create this vibrant tribute at Ocean Blue Seafood – a perfect pairing of art and place that celebrates both the Pacific connections of our communities and the entrepreneurial spirit that makes this unique district thrive."  – Tiffany Conklin, PSAA founding Executive Director 

This collaboration between a local artist, two nonprofits, and a business exemplifies how street art can strengthen community identity while honoring both the environment and the immigrant communities that call East Portland home.

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SUNSET OVER THE COLUMBIA

New Mural Brightens Kalama Through Regional Partnership

KALAMA, WASHINGTON

During a warm week in early September, artist Adam Friedman transformed a utilitarian concrete freeway wall, into a stunning work of public art. Known for his landscape work featuring both realistic and abstract mountain scenes, Friedman proved the ideal artist for this project, bringing his signature vibrant palette and crisp details to create a warm beacon of beauty against the stark concrete infrastructure.

Commissioned by Envision Kalama and Portland Street Art Alliance (PSAA), Sunset on the Columbia captures the breathtaking scene of the sun setting over the Columbia River in brilliant, eye-catching colors. The serene landscape offers viewers a glimpse of the natural beauty that lies beyond the concrete barrier - a stunning vista that is a fond sight and appreciated from multiple vantage points throughout Kalama's hillside neighborhoods. This marks PSAA's second collaboration with Envision Kalama, following the successful completion of the Kalama Public Library mural in 2019 with Ukrainian-American muralist Tatyana Ostapenko.

The Sunset on the Columbia mural project received additional support through grant funding from ArtsWA and paint discounts provided by Rodda-Miller Paint, making this community enhancement possible through the combined efforts of multiple stakeholders.

The warmth of Friedman's sunset landscape was matched by the enthusiasm of Kalama's residents. Throughout the painting process, community members offered encouragement and praise, expressing genuine excitement about this beautiful investment in their historic river town's future.

“Painting in Kalama has been a great experience. The community response has been overwhelmingly positive. It's been very humbling how kind and welcoming everyone has been. It is obvious that Kalama has a strong community that cares deeply about its town.” – Adam Friedman, Artist

The project also drew support from regional photographer Jacob Greenslade, who documented the mural's progress. Inspired by the public art movement emerging in nearby Longview, WA, Greenslade connected with PSAA to offer his photography services.

Photos by Jacob Greenslade

“I grew up in a time and place where public art was a rare sight; we maybe had a faded historical painting on Main Street. Unfortunately, it wasn't until recently that I came to a place with a drive for art. In Longview, we have an amazing, growing public art scene driven by The Broad Strokes Project that is transforming downtown Longview into a place of bright optimism. I absolutely love capturing the progression of the mural process; building relationships not only with the artists and volunteers, but with the mural itself.” – Jacob Greenslade, Photographer 

The enthusiastic feedback from residents and supporters like Jacob demonstrates the transformative power public art can have on communities of all sizes. Murals like Sunset on the Columbia help tell local stories, foster connections, and build stronger communities that residents can take pride in.

L: Adam Friedman, with regional photographer, Jacob Greenslade R: Local Residents passing mural

“This project perfectly exemplifies the power of regional partnerships in bringing public art to communities throughout the Pacific Northwest. Art has this incredible ability to connect people; whether they're from Portland or small towns like Kalama, we all share the same appreciation for the beauty around us and local creativity.

Part of PSAA's mission is working with artists across the region to partner with communities of every size, creating murals that make a meaningful impact in the spaces where people live, work, and play. We believe every community deserves access to beautiful public art that reflects their unique character and brings people together around shared experiences.” – Tiffany Conklin, Founding Executive Director, PSAA

Sunset on the Columbia represents the successful culmination of a multi-year collaborative effort between PSAA and Envision Kalama, a non-profit organization founded in 2005 by dedicated citizens committed to enhancing Kalama's livability and future. Under the skilled project management of Eric Yakovich, this vibrant mural demonstrates the power of community partnerships and shared vision.   

“Thank you to artist Adam Friedman and PSAA for the beautiful addition to our community. Envision Kalama worked through the PSAA because of their excellent reputation and the complexity of working on a Washington State Department of Transportation (WSDOT) owned facility in a public street.  We also wish to thank WSDOT and the City of Kalama for their partnership on the project.” – Mark Wilson, President, Envision Kalama Board of Directors

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ADDITIONAL PHOTOS by jacob Greenslade

A SPLASH OF COLOR

Vibrant New Street Murals Transform Portland's Electric Blocks

Portland, Oregon

Street Murals on SE 2nd Avenue and SE Clay Street at Killian Pacific’s Electric Blocks.

Over two sweltering weeks this August, the streets surrounding Portland's Electric Blocks were transformed through an ambitious collaboration between Portland Street Art Alliance (PSAA), Killian Pacific, and SymbiOp Garden Shop. The new street murals feature dynamic multi-color splashes that appear to radiate from the renowned Nova building and flow across the pavement at SE 2nd & Market, creating a visual bridge that unifies the innovative office campus.

A CANVAS DECADES IN THE MAKING

The Electric Blocks, developed by Killian Pacific, is a five-building, 350,000-square-foot campus in Portland’s Central Eastside designed to meet the needs of modern workplaces. It sits at the heart of Portland's Central Eastside Mural District, a creative epicenter where art, innovation, and community converge. The centerpiece Nova building holds special significance in Portland's street art history, having been carefully constructed to incorporate the graffiti-covered remnants of the Taylor Electric Supply Company warehouse, which was destroyed by fire in 2006.

For a decade (2006-2016), those ruins became a nexus of local, regional, and national graffiti and street art, attracting artists and admirers from around the world. When the campus opened in 2018, PSAA partnered with Killian Pacific to create the Taylor Electric Project – a rotating open-air street art gallery that has since featured work by hundreds of artists. In 2023, this artistic collaboration expanded to include the Volta Building's garage gallery across SE Market Street. 

These mural projects are funded through PSAA's innovative Community Art Program, which relies on donations from local businesses and community members, as well as grants that PSAA actively pursues and secures.

COMMUNITY AT THE HEART OF CREATION

Photo Courtesy of Sabin CDC 

This latest project, designed by artist Hayden Senter and installed by Project Lead Kirk Rea of SymbiOp Garden Shop, exemplifies the community-driven approach that defines the Electric Blocks. The installation included Community Painting Days hosted by Sabin Community Development Corporation (CDC), a non-profit dedicated to promoting social equity in Portland's diverse neighborhoods, and property owner Killian Pacific, inviting tenants to literally help put color on the ground.

"A highlight of working on the streets for our mural and landscaping services is having folks passing by, stop, and say hello. It feels good to hear many positive comments, especially from folks that live, work, and play here, and how the mural brightens their day." – Kirk Rea, Project Lead from SymbiOp Garden Shop

“SymbiOp Garden Shop and Landscaping works to do good for people and the planet. While our main services are plant-centric, installing painted plazas and street art is exciting to us as a way of transforming grey spaces and single-use spaces, like streets, into diverse use and magical places. Street paintings are a beacon that life, joy, and beauty are happening here.”  – SymbiOp Garden Shop

MORE THAN ART: PLACEMAKING WITH PURPOSE

For Killian Pacific, the street murals represent a continuation of their commitment to creative placemaking that extends beyond building walls into the public realm.

"Our goal is for the streets that connect our buildings to feel like part of the campus itself, places that invite people to gather, celebrate, and experience art outside the walls of our buildings. These murals are part of our commitment to supporting artistic expression and building community, and we see them as a lasting invitation for people to connect and create together at the Electric Blocks." – Chelsea Rooklyn, Brand & Impact Manager at Killian Pacific

The Electric Blocks street painting was a labor of love for PSAA, and continues our management of rotating art installations at the site since its redevelopment. To PSAA, the project represents something deeper than urban beautification; it has its own special place in the fabric of the organization.

"This site and project are very near and dear to our hearts at PSAA. We used to come here to show people local art before it was redeveloped, and since then, we have spent countless hours here. It feels like our home base, our flagship project. This is how we want it to feel for the community, to have ownership over it, pride in it. We still love seeing how much the community uses and enjoys this space. Every time we are here, we see something new, fun, and exciting going on. This is the energy we want to help infuse in this special site. We think the new street painting helps continue this momentum perfectly." - Tiffany Conklin, PSAA Founding Executive Director

COLLABORATION MAKES IT ALL POSSIBLE

“The Portland Bureau of Transportation is proud to support street murals all over the city, including this beautiful new installation at the Electric Blocks. These projects represent some of the best of Portland – building community and adding beauty to our streets.” – Millicent Williams, Transportation Director, Portland Bureau of Transportation

The ambitious street mural project required extensive coordination and support from multiple partners. PSAA extends gratitude to all workers and volunteers who turned the concept into reality, and to project partners, including the Portland Bureau of Transportation, Rodda-Miller Paint, Melvin Mark, Absolute Cleaning Services, and D&H Flagging, for their essential contributions.

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SCENES FROM GRAFFLAB 2025

Empowering Teens Through Street Art Education

THE ELECTRIC BLOCKS, Portland, Oregon

Apply for GraffLab 2026 here!

Muralist Devin Finley providing spray painting instruction to teens.

GraffLab is PSAA’s new street art workshop for co-ed youth aged 13-17. This program continues PSAA’s mission to empower teens through creative expression in public space, nurturing personal growth, community connections, and artistic leadership. The workshop builds on the success of PSAA’s previous youth programs - Street ED (2021) and YAE! Camp (2018-2019) - and represents a key step toward developing a scalable, community-rooted youth street art education model. 

On Monday, August 11th, 2025, PSAA officially kicked off our inaugural GraffLab street art workshop with fifteen talented teens! The day started with PSAA co-founders Tiffany Conklin and Tomas Valladares leading the group through a tour of the Electric Blocks, where students learned about the history of graffiti and street art. Portland street art legends RX Skulls and Voxx Romana shared insights into how to creatively “get up.” Past YAE! Camp participant Saphya Razaqi Lones also inspired the group talking about her journey as a young artist and design student at Portland State University.

Morning warm up tour of the Electric Blocks, led by PSAA co-founders.

Stickers by RX Skulls, Voxx Romana, and Wokeface.

After fueling up on Baby Doll Pizza, the real magic began! Under the expert guidance of Lead Artist and Master Style Writer Devin Finley and PSAA Board Member Galen Malcolm, the teens learned spray techniques, cap selection, and proper form. Starting with a blank wall, they practiced their skills before collaborating on an incredible GraffLab group mural that showcased their newly learned talents.

Local muralist Damon Smith also came to hang out with the teens! He created a pop-up workspace using a ladder as an easel and spent the afternoon honing his spray can skills while showing the teens new techniques and creative possibilities they could achieve with spray paint.

Accessibility is at the heart of GraffLab's mission. Over half of our inaugural participants received full scholarships to attend at no cost, while others paid a modest fee designed to keep the program within reach for all families. This approach reflects PSAA's deep commitment to ensuring that financial barriers never prevent talented young artists from accessing quality arts education. As we expand the program, maintaining and increasing scholarship opportunities remains a core priority, ensuring that GraffLab continues to serve teens from all economic backgrounds throughout the Portland Metro region.

FEEDBACK FROM THE TEENS

We were truly inspired by these young artists! It was thrilling to watch them freely express themselves with spray paint. The impact speaks for itself - 87% of participants rated their experience as “Excellent” and an incredible 93% gained confidence in their street art skills. What moved us most? Nearly all participants (93%) said the workshop inspired them to continue exploring street art, and 100% would recommend GraffLab to other teens! Most of our teen participants (93%) came in as complete beginners with little to no street art experience, yet by day’s end, 60% felt “much more confident” in their abilities. The hands-on spray painting techniques were the clear favorite activity, followed by creating the collaborative group mural together.

Overwhelming Parent Support Confirms GraffLab Success

Following the inaugural GraffLab workshop, parent and guardian feedback has been unanimously positive, with 100% rating their teen's experience as "Excellent" and all expressing definitive support for future PSAA programming. The survey results reveal that parents were initially drawn to GraffLab for its unique combination of professional art instruction, safe creative environment, and affordable access to street art education. Remarkably, 86% of teens left the workshop "very excited" to continue exploring street art, with parents noting their children's sustained enthusiasm days after the program ended.

The feedback highlights GraffLab's success in delivering exactly what parents hoped for: comprehensive art skill development, meaningful creative expression opportunities, and positive community connections for their teens. Parents particularly valued the multi-faceted approach that included guest speakers, street art history education, and collaborative mural creation. The program's impact extends beyond the single day, with multiple parents requesting expanded programming options, including multi-day workshops and deeper mentorship opportunities with professional muralists.

The overwhelming parent support, with 100% rating youth arts programming like GraffLab as "Very Important" to the region, reinforces PSAA's mission and provides a strong foundation for expanding the program in future years.

Notable Parent Testimonials

"Such a great experience for my kid! They had an amazing time and enjoyed all parts of it (guest speakers, history, collaboration, etc.). I loved seeing what the group created at the end of the day."

"Make it multiple days, one day was just not enough. My kid has been going on and on nonstop about the event and now he's wanting to get more supplies and stickers."

"I am so thrilled with the experience my teen had, and I would definitely sign him up for other opportunities through PSAA if the opportunity presents itself. This was an awesome program and adventure."

"This is a great opportunity for our community teens. Keep up the great work!"

EXPANDING GRAFFLAB

The enthusiastic feedback from both teens and parents is driving our vision for GraffLab's future. With 86% of participants "very excited" to continue and parents specifically requesting "multiple days" and "longer commitment" programs, the demand for expanded programming is clear.

Building on this momentum, PSAA is developing GraffLab into a comprehensive week-long immersive experience that will include extended mentorship opportunities, deeper exploration of mural creation processes, and expanded wall space for individual practice.

To make this expanded vision a reality, PSAA is actively pursuing additional grant funding and community partnerships. We're seeking sponsors who share our commitment to youth empowerment through creative expression and believe in the transformative power of accessible arts education.

GraffLab Assisting Artist, Galen Malcolm demonstrating can techniques to the teens.

The passion and artistic drive of these young creators left us amazed and excited about the future of street art in the PacNW. Their collaborative mural stands as proof that the next generation of artists is ready to make their mark.

PSAA strongly believes in mentoring the next generation of artists and aims to provide support and opportunities as these teens continue their art careers. This pilot program continues PSAA’s mission to empower teens through creative expression in public space, nurturing personal growth, community connections, and artistic leadership.

GraffLab attendees practicing their rattle can skills.

Thank you to everyone who made this workshop possible and to the amazing teens who continue to inspire us! We are excited about what the future holds and are looking to continue to expand GraffLab programming to inspire and teach future generations.

Massive thanks to our teaching artists and our incredible funding partners: Miller Foundation, and Killian Pacific. Appreciation to sponsors: Baby Doll Pizza, Artist & Craftsman Supply, Montana Cans, and Fred Meyer, for providing support that made this possible.

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SPONSORS

TOGETHER WE ARE STRONGER

THE GATEWAY

ASTORIA, OREGON

The Gateway, by Casey McEneny for CareOregon.

PSAA, CareOregon, and the Astoria Armory are pleased to announce the creation of an expansive, nearly 4,000 sq. ft. mural in downtown Astoria, Oregon. The mural, titled ‘The Gateway,’ celebrates Astoria, its history, people, and culture. The mural was commissioned by Portland Street Art Alliance (PSAA) for CareOregon and was designed and painted by regional artist Casey McEneny.

FRESH PAINT AND A NEW BEGINNING 

When the Astoria Armory re-opened as a community center, part of that dream was to help elevate the space with the inclusion of a mural that would draw attention to the building's facade, but cost and logistics were a huge hurdle. Years later, CareOregon and Columbia Pacific CCO were looking to celebrate the North Coast and their dedication to keeping the community healthy. A connection was made, and the dream of a mural on the Astoria Armory sprang to life!

"When Robert 'Jake' Jacob, Robyn Koustic, and I reopened the Astoria Armory to the public in 2014, most of Astoria had forgotten that the building existed. As large as it was, the monochromatic building simply faded into the background. The idea of a colorful mural on the expansive north wall to bring attention to the Armory was central to our efforts to have a community space that was open and accessible to all. I commend the efforts of those involved in moving this beautiful mural forward, and appreciate the contribution of this mural in making people aware that the Astoria Armory is again an integral part of our community." - Sean Fitzpatrick, Mayor of Astoria

With the help of PSAA, the team was able to find a regional artist to capture all the details that make the Oregon Coast special and capture the essence of Astoria. Casey McEneny is an artist, muralist, and high school teacher originally from Seal Rock, OR, and now resides in South Beach. Casey grew up in an artistic family and has a deep love for the Oregon Coast, making him a fitting artist to help visually tell Astoria's story.

A SENSE OF PLACE

CareOregon wanted to help create a mural for and reflective of Astoria. Casey worked with a large team to develop the concept and delivered a stunning design that captures the people, landmarks, and cultural touchstones that make Astoria such a unique and special place.

Astoria is the oldest settlement west of the Rockies, a picturesque port city with Victorian-era homes etched into hills overlooking the Columbia River. The city's character emerges from its unique position, ‘where river meets ocean,’ blending centuries of maritime heritage with a thriving downtown district. From the iconic Astoria Column to the historic waterfront, Astoria seamlessly weaves together its storied past with modern cultural attractions.

Casey's mural perfectly captures this essence: a tight-knit community that honors its maritime roots while welcoming the future, just as Astoria itself has done for over two centuries. Its title, The Gateway, is a reference to the mural’s prominent location in Astoria, where the mural serves as a visual gateway to the city, whether you arrive by car, foot, or boat.

The artist’s vision

“Home and community are the core themes of this mural,” explains Casey McEneny. “At the center of the design is a Chinook Salmon, seemingly leaping forth from the wall. Salmon spend their entire lives migrating from their birthplace to the sea, and then valiantly fighting their way upstream to return home. Many people make similar journeys, leaving to find their place in the world. Often, we come to realize the special place home occupies in our hearts and minds.”

Casey sees himself as one of those salmon. After attending college at Laguna College of Art and Design, McEneny realized how much he loved the Oregon Coast and returned home to create a new life for himself. He even has a salmon tattoo as a reminder of who he is and where he comes from.

The mural weaves together symbols of Astoria's rich heritage and natural beauty. On the far left, an artistic depiction of the historic Astoria Column overlooks the composition, just as it has watched over the city for nearly 100 years. Adjacent to the Column, a ship's wheel pays homage to Astoria's deep maritime culture. Beneath the migrating salmon, the iconic Astoria-Megler Bridge spans the scene as a symbol of movement and connection.

“To the right of the salmon, we incorporated patterns representative of the indigenous tribes whose people have occupied this area for thousands of years,” McEneny notes. “On the far right, wild roses symbolize indigenous culture, good health, and vitality. Wild roses have been used medicinally by indigenous tribes in tinctures, teas, and jellies for generations.”

The mural's vibrant color palette draws inspiration directly from the Oregon Coast. Various shades of blue contrast beautifully with orange, red, and yellow sunset hues that reflect the dramatic coastal light. Casey designed certain elements to "break the plane," creating a three-dimensional effect where parts of the mural appear to leap from the wall.

“Together, these images tell a story of Astoria's past and present, and why so many people, whether they're residents or visitors, feel welcome here,” McEneny reflects. “This mural is ultimately about celebrating the journeys that bring us home.”

"Everybody in Astoria has been great, and the town is amazing! There's so much history here and around this area to learn and explore. I’ve really enjoyed getting the chance to be here for a month. I've gotten immersed in the culture and met a bunch of people. That’s one of the coolest aspects of doing murals, people just wander upon you and see what you're doing, and want to know more."  – Casey McEneny, Muralist

PARTNER QUOTES

“Columbia Pacific CCO and CareOregon are proud to support PSAA's new Astoria Armory mural, ‘The Gateway.’ As part of our commitment to strengthening community health, we look for ways to partner with local organizations that provide unique resources for Oregonians, as PSAA does for street artists, and to promote Oregon artists such as Casey McEneny, who grew up and lives on the north coast, the mural's designer.” – Mimi Haley, Executive Director, Columbia Pacific CCO

“Our community is delighted to have been selected to receive this beautiful, vibrant mural.  Every day, folks come by, some with lawn chairs and picnics to watch the daily progress! The mural is the gateway to the Coast and will bring joy, beauty, and connection for years to come!"  – Susan Hobson, President, Friends of the Astoria Armory

“At PSAA, we believe that murals are more than just art on walls; they are stories of place, people, and purpose. Casey McEneny’s mural at the Astoria Armory beautifully reflects these values. Through vibrant color, local symbolism, and cultural references, this mural honors the unique spirit of Astoria; its indigenous roots, working-class history, and enduring sense of home. We are proud to support a project that not only brings a historic building back into the public’s imagination but also uplifts the voices of local artists and strengthens connections within the community.” – Tiffany Conklin, Founding Executive Director, PSAA

Mural Unveiling

On Thursday, July 24, 2025, Astoria’s largest mural to date was unveiled to the delight of a large gathering of community members at the Astoria Armory in Downtown. Titled “The Gateway,” this mural was painted in partnership with PSAA and Oregon Coast artist and educator, Casey McEneny. At nearly 4,000 square feet, the mural captures the essence of Astoria, with the unifying message “Together we are stronger.”

PRESS

ALBINA ART

ALBINA LIBRARY MURALS

POrtland, Oregon

Mural in the new Teen Room by Nicky Kriara.

PSAA is thrilled to continue our partnership with Multnomah County Library with four stunning murals for the newly renovated Albina Library! The original historic Carnegie building has been transformed with an additional 22,000 SF, making it Oregon's largest library built in over 100 years!

NICKY KRIARA

The new teen room features an expansive digital mural by Nicky Kriara inspired by the rich history of jazz in Portland’s Albina neighborhood.

To help inform the design, a development workshop was held at Harriet Tubman Middle School. Students explored sound and storytelling by designing their own album cover art. Their ideas helped shape Kriara’s final design, which reflects the spirit of improvisation and collaboration found in jazz, blended with the students’ vision for a space that feels calm, safe, inviting - and “full of good vibes.”

JESSILYN BRINKERHOFF

The bold, joyful mural, Albina Blooms, welcomes visitors in the Russel Street lobby. Painted by Jessilyn Brinkerhoff, the work celebrates the cultural renewal and community heritage of Portland’s historic Albina neighborhood. Ablina Blooms is inspired by the rhythms of Jumptown and the shared green spaces of Dawson Park.

The piece features vibrant colors, native species, and the enduring presence of pine, dogwood, poplar, chestnut, and sweetgum trees—sentinels of the community that have witnessed generations. Honoring the past while looking toward a thriving future, the mural invites viewers into a dynamic space of music, memory, and springlike renewal.

CHRISTIAN TELLEZ

The Carnegie Room kids' area contains two PSAA murals. The first is titled Our Roots and Dreams, and was painted by Christian Tellez. The artwork reflects Albina’s rich legacy of cultural expression, artistic innovation, and enduring commitment to learning, growth, and collective empowerment through an abstract and geometric lens.

Julia Alexis Hunkler

The second mural in the kids’ library area is Shaped, by Julia Alexis Hunkler. This piece delves into themes of imagination, wonder, and the shaping of future creators. Drawing inspiration from the symbolism of origami, Shaped celebrates the transformation of young minds, inviting viewers to reflect on the endless possibilities that unfold through discovery, play, and learning.

TEEN WORKSHOP

Artist Nicky Kriara Kirara kicked off the creative process for her mural by collaborating with students from Harriet Tubman Leadership Academy, leading a hands-on workshop rooted in Albina’s rich jazz history.

Students explored classic jazz albums and then created their own original album cover designs using pre-made record sleeves. The result? A burst of creativity that’s helping shape a unique mural for the library’s cozy teen hangout space.

A big thank you to the students and staff at Harriet Tubman Middle School!

DISCOVERY AWAITS

DISCOVER THE CENTRAL EASTSIDE

EASTBANK COMMERCE CENTER
POrtland, Oregon

Illustrator and muralist Alicia Schultz diligently built a delightful design that invites people to “Discover the Central Eastside.” This new landmark mural, titled Discover the Central Eastside: Built to Last, was commissioned and funded by the Central Eastside Industrial Council and Central Eastside Together, with support from Venture Portland.

“We are incredibly proud to commission this 2,000 square-foot mural that invites everyone to explore the Central Eastside. We want visitors to know when they’ve arrived in the District, and we want them to feel inspired by what’s happening here. This artwork reflects both where we’ve been and where we’re going. The cargo boxes nod to the Central Eastside’s legacy as an industrial hub, while the hand, acting as a crane, represents the makers, creators, and innovators who are shaping the district’s future.” – Carolyne Holcomb, Executive Director, Central Eastside Industrial Council

“Discover the Central Eastside: Built to Last” honors the past while lifting it into view, inviting reflection on what we carry forward. It’s a story of a place made not just of steel and structure, but of people, persistence, and community. Working on this project and painting this mural has allowed me to connect with Portland’s Central Eastside Industrial District – a neighborhood layered with history, industry, and resilience. Learning some of the stories behind this neighborhood was inspiring – you can feel how the past still shapes the neighborhood today. Creating artwork on a wall that faces downtown and the constant movement of the highway made me feel in the middle of it all, connected to the pulse of the city. I feel gratitude for being a part of this project and creating the mural that shares this story of the Central Eastside.” – Alicia Schultz, Muralist

Visible from I-5, Alicia’s captivating and colorful design draws attention to the Central Eastside and its transformation to a cultural hub. As a highly visible participant in the Central Eastside Mural District, PSAA is thrilled to help contribute to this iconic new mural in the heart of the well-loved central district.

“This piece is more than just a striking visual landmark; it’s a tribute to the district’s rich legacy and dynamic evolution. We’re proud to have worked closely with artist Alicia Schultz, the Central Eastside Industrial Council, Central Eastside Together, Beam Development, and Cargo to shape a design that honors that complexity. A special thank you to Venture Portland, which was also a major funder of this project. Part of the charm of this mural is its ability to invite people to slow down, explore what’s inside, and discover (or rediscover!) one of Portland’s most iconic neighborhoods. PSAA would also like to thank Carl Abbott for information about the history of Portland’s Central Eastside.” – Tiffany Conklin, Founding Executive Director, Portland Street Art Alliance

Partnering with Portland Street Art Alliance to commission 12 murals in the past year has been a joyful and collaborative effort to bring more beauty and meaning to our streets. We’re especially grateful to Venture Portland for helping to make this project possible.”  – Carolyne Holcomb, Executive Director, Central Eastside Industrial Council

“The Central Eastside Industrial Council has been integral in transforming their business district into a wonderful place to shop, dine, and play with mural projects like this. Venture Portland is proud to support their efforts through our grants program and encourage Portlanders to Venture Out and discover the wonderful small businesses that call the Central Eastside home.” – Venture Portland 

Next time you are driving down I-5, get off at the Central Eastside exit to explore the district and see this mural in person on the backside of the Eastbank Commerce Center. 

PRESS

ADDITIONAL PHOTOS

SPONSORS

TEACHABLE MOMENTS

MURAL WORKSHOP

CENTRAL EASTSIDE MURAL DISTRICT
PORTLAND, OREGON

Titled, So Far and So Close (Nature from Here and There), this amazing mural was painted as part of a mural workshop where artists learned the craft of mural-making from the talented Oliver Casillas.

Casillas’ artistic practice explores identity, memory, and community through the lens of Mexican culture and social engagement. As a Mexican-American artist, Casillas uses public art, murals, and immersive exhibitions to celebrate cultural heritage while addressing issues such as migration, inclusion, and belonging. 

The mural’s design is inspired by Central Oregon’s stunning scenery, highlighting various elements that truly represent the essence of Oregon. Notably, the team included the Osprey, which is currently in contention to become the state bird instead of the current state bird, the Meadowlark. Additionally, Oliver and his team integrated the skull of a ram, symbolizing the themes of life and death. The color palette features vibrant and contrasting hues and the green “life” of the city, along with warm tones that aim to bring a sense of warmth and vibrancy to the streets of Portland, Oregon.

“I believe art has the power to build bridges, create dialogue, and transform public spaces into places of connection and reflection. Guided by narrative, my work is shaped by collaboration, research, and lived experience. Art, for me, is a collective act, a space to amplify voices, honor tradition, and imagine new futures. My goal is to create work that resonates deeply with people and fosters pride, awareness, and unity” – Oliver Casillas, Muralist

The workshop and mural creation were done with the assistance of Portland Street Art Alliance, with support from The Program, and Rodda-Miller Paint. During this 4-weekend workshop, attendees learned the sketching process, techniques in washes & color blocking, and finally, hands-on mural installation using latex and spray paint. During the closing weekend, PSAA’s Executive Director and co-founder, Tiffany Conklin, shared insights about Portland's vibrant mural scene, our past struggles, and future dreams with the group.

“Working with PSAA throughout the mural process was a true pleasure. From initial introductions and conversations with the talented muralist, Oliver Casillas, to securing the permit and setting up the project for success, PSAA made the experience seamless. We couldn't be happier with the partnership and the final mural, which features vibrant and contrasting hues along with warm tones that aim to bring a sense of warmth and vibrancy to the city." – Ethan Smith-Gillespie, Partner, CEO at The Program

ADDITIONAL PHOTOS

BEAVERTON BIRD CALL

BIRD CALL

BEAVERTON, OREGON

Over the course of four weeks, this spring Portland-based artist David created a stunning new mural on the parking structure at the new Modera Beaverton Apartments in downtown Beaverton. 

Work in Progress

The new mural, titled Bird Call, depicts two birds, a Scrub Jay and a Meadowlark, communicating to one another through a layered environment of shapes. Each bird is prominently featured on large sections of the garage, calling back and forth to one another. Connecting the two combines organic and geometric subjects, including yellow daisies and a sprig of magnolia blossoms, creating a balance between the natural world and the digital age we live in.

“The goal of this mural is to connect the people of Beaverton through a fun and interesting visual language. I hope that it becomes a cornerstone of the community, adding to the identity of Beaverton and inspiring creativity.” – David Rice, Muralist 

Meadowlark

Scrubjay

Bird Call was commissioned by the Mill Creek Residential Trust for its stylish new apartment complex located in central Beaverton. The building is decorated inside in out with art - a nod to Beaverton’s nearby Reser Center for the Performing Arts 

“Downtown Beaverton continues to establish itself as a dynamic hub for creativity, community, and cultural expression. With a flourishing arts scene that includes public murals, innovative galleries, live performances at the Reser Center, and year-round cultural events, the district is quickly becoming a standout destination for artists and art lovers alike. Mill Creek is proud to be a part of the community, and we felt like it was important to give something back and contribute to the vibrancy and character of the city.” – Chad Encinas,  Vice President of Development, Mill Creek Residential Trust

This 1,580+ square foot mural is by far the largest in Beaverton and is destined to be a prominent city landmark for years to come. This beautiful piece of public art aims to inspire communities and businesses in suburbs and small towns across the Pacific Northwest to invest in public art. 

“PSAA is thrilled to bring this stunning new duo mural by David Rice to downtown Beaverton as part of the city’s growing public art landscape. As PSAA’s first large-scale mural commission in Beaverton, and in partnership with a valued repeat client, this project marks an exciting step in expanding access to vibrant, community-centered art beyond Portland and across the metro area and region. Thank you to David Rice, Chad & Tim at Mill Creek, and Ryan & Jessica at Star Rentals for helping us with all of the logistics for painting at this complex construction site. We also greatly appreciate all the guidance and support we received from Debi Thompson, the Arts Program Coordinator at the City of Beaverton.” – Tiffany Conklin, Executive Director, Portland Street Art Alliance

Bring the flock out for some birdwatching in Beaverton and see this breathtaking mural in person! 

ADDITIONAL PHOTOS

COLUMNS OF CREATIVITY

VIADUCT ARTS COLUMNS

Arts Organizations Team Up to Paint More Column Murals Under the Hawthorne Bridge Viaduct


PORTLAND, OREGON

Kyra Watkin’s Viaduct Arts Columns under the Hawthorne Bridge.

Since 2022, PSAA has teamed up with local organizations and businesses to transform SE Madison Street (under the Hawthorne Bridge Viaduct) into an Avenue of Murals, transforming a once dark and dreary area into a vibrant public art corridor celebrating the past, present, and future of Portland’s Central Eastside. Over 20 column murals now brighten this once-overlooked space!

Paola De La Cruz’ Viaduct Arts Columns under the Hawthorne Bridge.

For phase III of this initiative, seven new murals were created in partnership with the Regional Arts & Culture Council (RACC) as part of their public art program. With PSAA’s consultation, RACC selected two local Portland-based artists, Paola De La Cruz and Kyra Watkins, for the job. The mural’s content was shaped by ideas gathered through a community and business survey conducted by the Central Eastside Industrial Council. Local businesses and property owners were invited to share concepts reflecting the neighborhood’s past and present, helping to guide the mural’s development.

Paola De La Cruz

Kyra Watkins

 "The Regional Arts & Culture Council is excited to continue building its relationship with Portland Street Art Alliance by partnering on the painting of the murals underneath the Hawthorne Bridge. Bringing artists to these bridge columns has been a goal years in the making. This project symbolizes our commitment to creating new art experiences that invest in the health of our neighborhoods and provide the public the opportunity to engage with art in surprising and unexpected places.” – Salvador Mayoral IV, Deputy Director of Public Art, Regional Arts & Culture Council

MURALS BY PAOLA DE LA CRUZ

Paola De La Cruz, originally from the Dominican Republic and now based in Portland, is known for her work in public art, illustration, and exhibitions. Her vibrant illustrated style often depicts gatherings of people with special attention to detail, with a storytelling narrative. Her notable recent projects include a PSAA-commissioned indoor mural at the Virginia Garcia Memorial Health Center in Hillsboro, Oregon, and a beautifully illustrated tribute to Rosa Parks on a bus wrap for Tri-Met. 

“This project pushed me to think creatively about working on a four-sided mural. I enjoyed exploring movement and designing pieces that encouraged viewers to interact with the artwork from different angles. A huge thank you to my painting assistant, Ashley Cruz Nieves, whose support was invaluable throughout this unique process.” – Paola De La Cruz, Muralist

MURALS by kyra watkins

Next up are four bold new column murals by Kyra Watkins. Each pillar celebrates a different industry that shapes Portland’s Central Eastside. Kyra’s designs highlight the worlds of sports, the produce trade, the fishing and shipping industries, and accessibility initiatives around our local rivers.

A Cincinnati native and now Portland-based artist, Kyra brings her expertise in portraiture and large-scale public murals to the project. Her notable recent projects include a gallery show and artwork for TEDx Portland 2025, and a PSAA-led mural with the non-profit, Project Color Corps for Self-Enchancement, Inc.

“Being able to honor the spirit of the Central Eastside by painting four new columns in this viaduct series is an opportunity I am so grateful for. The Central Eastside is home to my artist’s studio, and I find myself inspired by this neighborhood in so many ways. The amount of industry, artistry, and entrepreneurship that happens here is infectious. I hoped to capture that essence within the theme of each column.” – Kyra Watkins, Muralist


These bold, colorful murals are part of a larger effort to transform the often-overlooked spaces under the bridge into a dynamic public art corridor that reflects Portland’s cultural and industrial heartbeat. Come take a walk and experience this outdoor art gallery for yourself!




"PSAA’s Viaduct Arts and Central Eastside Mural District Initiatives are ongoing efforts to revitalize this area, particularly the underpasses of Portland’s Central Eastside, by transforming once-overlooked spaces into vibrant canvases for public art. Through color and creative expression, these initiatives celebrate local artistic talent and foster deeper connections within the community. We are especially grateful to Kyra and Paola for their vision and dedication in bringing this phase of the project to life. Creating murals on these column sites is no small feat! The physical and logistical challenges are considerable, and we greatly appreciate all of the artists who have taken them on with care and creativity to help shape this world-class mural district in the heart of our beloved city."  – Tiffany Conklin, Executive Director, Portland Street Art Alliance

IN THE MEDIA

ART FILLS THE VOID

ART FILLS THE VOID

Art Fills the Void holds a special place in PSAA's history as our very first mural project. When we set out to restore this beloved work, we had the rare privilege of sitting down with lead muralist Frank DeSantis shortly before his passing. Frank shared original photographs, the original Gorilla Wallfare stencil, and something even more meaningful: his blessing for PSAA to carry this guerrilla art movement forward as its ongoing stewards. That conversation shaped who we are. We are all Gorilla Wallfare, and we can make Art that Fills the Void.

MOTHER EARTH

TERRA MAE RESTAURANT

PORTLAND, OREGON

PSAA is thrilled to share the incredible centerpiece created by the talented Blaine Fontana for one of Portland’s most talked-about new restaurants: Terra Mae. Nestled within the luxurious Cascada Hotel & Spa, Terra Mae offers an unforgettable blend of Portuguese tradition and Japanese refinement, making it a true gem in the city’s renowned culinary landscape.

Work in Progress

Artist Blaine Fontana after install

Blaine collaborated with PSAA, Chef Megan Sky, and Colby Hayden (Director of Food & Beverage) to create a breathtaking 5’ x 18’ acrylic painting titled Minha Mãe, Sua Mãe (My Mother, Your Mother). This awe-inspiring piece spans nearly the entire east wall of the restaurant, setting a tone of beauty and connection that perfectly complements Terra Mae’s unique dining experience.

The painting features Mother Earth, depicted with outstretched hands and deep-set, serene eyes that seem to hold endless wisdom. Dancing waves, flourishing flowers, and vibrant tropical plants surround her, with lush green mountains providing a striking backdrop. The 3D effect and intricate details give the work a sense of life and depth, captivating all who see it.

“This was a transformational journey. With the passionate and collaborative effort of our village, we made something deeply impactful.” – Blaine Fontana

Limited edition PRINT RELEASE BY BLAINE FONTANA

Due to the popularity of this beautiful piece of art, artist Blaine Fontana has created a limited edition print for purchase! Only 100 of these giclee prints will be made. The print is 38” x 12” and signed, dated, and numbered by the artist. For more information or to purchase please see the link below. All proceeds go directly to the artist.

‘MOTHER EARTH’ PRINT by Blaine Fontana

ADDITIONAL PHOTOS