PSAA Projects
Sara Sjol
CULTIVATE, NARRATE, CRAFT
CULTIVATE, NARRATE, CRAFT

WELCOME TO VOLTA

The Inaugural Volta Garage Murals

CENTRAL EASTSIDE, PORTLAND

PSAA is excited to announce a new project at the Electric Blocks! The Volta Garage contains 10 walls that will rotate art periodically, similar to those at Taylor Electric. These 10 new spots allow emerging and veteran artists a canvas to create new works.

L to R: Fairywulf, Empwo and Oliver Castillas

For the inaugural set of murals, PSAA invited artists from a variety of styles and experience levels. Working together in a space like this offers artists to network and help each other out with logistics and supplies. Several of these murals also included artist mentorship programs, where the muralists have mentees assisting them, learning the process of mural making.

First time murals Fairywulf with a little help from her friends. Photo by Philip Woodrigde.

Thank you to all the artists that helped kick off this new space. We also thank the property owner Killian Pacific for supporting spaces for art across all of their sites. We are stoked to have another location where local artists can practice and showcase their craft!

L to R: Brett Bowers, Kyra Watkins, Monk

Inaugural Artists: Notsik, Caleb Jay and Hazer, Kango, Giver, Monk, Kyra Watkins, Brett Bowers, Oliver Castillas, Empwo, and Fairywulf.

REMEMBERANCE IN PAINT

JASON BROWN MEMORIAL WALL

PORTLAND, OREGON

Portland Street Art Alliance partnered with artist Jaymeer to help him implement his vision to organize the painting of a new memorial wall, honoring J. Brown and his advocacy work that helped push the City of Portland to loosen its restrictive mural laws.

New mural titled “J Brown Remembrance In Paint,” located on the back of All Service Moving (66 SE Morrison) in the Central Eastside, blocks away from where New American Casuals was located in the early 2000s.

Portland-based muralist and Burnside Skatepark (non-profit board member & art director) community manager, Jaymeer, organized a team of aerosol artists from all over the West Coast to paint a massive mural production honoring the late Jason “J.” Brown (1970-2011), former owner of New American Casuals (NAC), a pioneering Portland streetwear shop located in the Central Eastside in the early 2000s. This new mural is fittingly located just blocks away from NAC’s original location at 326 SE Morrison St. 

“J Brown Remembrance In Paint” was painted in a classic graffiti style by internationally respected and recognized graffiti artists. This all-star lineup included Jaymeer, Leon, Mez, Clown, Fresh, Nick Sawyers, Kadie, Nekroe, Flash, Hagr, Hand of Dogg, Saroe, Mewz, and many more.

The production features quotes from J. Brown, and related imagery from the original mural on NAC that sparked a fiery debate about freedom of expression in Portland and the City’s sign and mural codes. If you look very closely along the bottom, taken together, the various wildstyle pieces spell out “Portland” in an abstract style.

To appreciate the messaging and symbology behind the mural, one needs to understand Portland’s unique and complicated history of laws regulating freedom of expression and art in public space. Prior to 1991, artists could paint outdoor murals in Portland with a simple agreement between themselves and the building owner, as is the case in many other cities across the US.

In 1998, the City of Portland was thrust into a lengthy and complicated legal battle with AK Media (a company that was later absorbed by Clear Channel). Sadly, many historic and community murals were lost during this time, commonly known as Portland’s “mural moratorium.” Some murals like the “Art Fills the Void” banana mural on Division (1982) and the “Malcolm X Black Pride” mural off Alberta (1984) were thankfully spared and saved.  

A handful of art advocates rose up and pushed for the art of mural-making to be recognized and respected by the City of Portland.  

Late muralist Joe Cotter, was perhaps the best known champion of murals in the Portland area, with his activism group Portland Mural Defense. Cotter wasn't an attorney, but he learned about the legal process and used that knowledge to work with a tireless group of mural advocates who fought for greater expression of murals in Portland. Along with fellow Portland Mural Defense advocates Mark Meltzer and Joanne Oleksiak, Cotter worked for many years to make the city sign code less restrictive toward murals. Read more about Portland Mural Defense here and here.

In the early 2000’s New American Casuals was not only a clothing store, but a gathering place that celebrated all thing street.

A lesser known, but equally important hero of Portland mural history was Jason “J.” Brown, owner of New American Casuals. NAC was a streetwear clothing shop / boutique & carried art supplies & had gallery art displayed. NAC was more than a clothing shop or store he hosted gallery shows for artists around the country & world, it was a creative hub for Portland’s aerosol artists – a place where they could gather, sketch in their black books, network, and provide mentorship for kids interested in graffiti-style artwork.

Original New American Casuals Mural

Original New American Casuals Mural

In 2003, Brown allowed graffiti artists to paint a mural on the east wall of NAC. The mural featured a mix of graffiti-style writing and a large figure posing with a can of Belton spray paint. A similar character also is now featured again in the new mural at All Service Moving, the painting includes some of the original artists, like Jaymeer almost 20 years later. 

Brown was aiming to show off local artists’ talent and beautify the “drab belly” and “poop-splattered underside of the Morrison Bridge” where NAC was located. Brown said, “we’ve had more honks and cheers from people going by than people stopping to gripe about it.” Brown’s vision was to host a Legal Wall, an ongoing graffiti project that would rotate twice a month, “ranging in everything from graffiti art to stenciling to fine arts” Brown said. 

City of Portland's 2003 Graffiti Abatement Notice and Jason Brown's Letter of Appeal to the City. 

The NAC mural was painted without a City permit, however, making it technically “illegal graffiti” under the city's sign code. Brown received a graffiti abatement notice and was ordered to paint over it within 10 days or face fines. 

Brown appealed, but before the removal deadline approached, the City’s graffiti removal crew painted over the mural, the following day an in progress mural was removed from the opposite side of the building.

After the murals removal Brown and a group of artists began painting other murals, on both sides of the NAC building in protest of the City’s actions. The murals displayed a political message from Mahatma Gandhi; "Civil disobedience becomes a sacred duty when the state becomes lawless and corrupt." 

The Oregonian newspaper reported that Art Hendricks, the manager of the City’s Crime Prevention Program in 2003 (later called Graffiti Abatement / Graffiti Program), said the murals were “considered graffiti, subject to removal if not approved under city sign codes.” 

The City also issued Brown a citation for failing to obtain a permit. Brown did not have a permit for the mural and said he didn't know he needed one. The City said it was responding to complaints from local businesses it had received about the NAC mural. 

Brown consulted with an attorney and sent an appeal letter to the City. He and the artists involved hosted fundraisers and rallied supporters, like Jaymeer, to speak out and come out in defense of legal aerosol art and overly restrictive laws. 

“After spending over 2 weeks painting and on scaffolding, I felt my artistic freedom of expression and speech had been suppressed. I had permission from the property and business owners. An appeal to the City was sent in. Our artwork was destroyed without even a reply from the City.” - Jaymeer

"I would have followed the rules, had they been laid down to me and been respected by the people laying them down,” said Brown. It would have cost $1,600 to register the 250-square-foot mural. A substantial cost in 2003, and even so now. At that time, Brown and the artists would have also had to navigate a complicated land use review process and gained approval  from the neighborhood association  regarding the mural’s style and content. 

Brown and other advocates were eager to see the City “loosen the code and allow a greater proliferation of public art that reflects and affirms community and local character,” explained Marjorie Skinner, a local reporter who covered this controversy over the years. 

The situation that flared up under the Morrison Bridge at NAC was one of the sparks that ignited a fiery debate over government regulation and freedom of artistic expression, pushing groups like Portland Mural Defense to rise up in support of murals.

Press from The Portland Mercury circa 2003

"These are not illegal graffiti bombers, these are artists," Brown said back in 2003. He wanted to give the artists an outlet and help them get recognition for their work. Brown’s vision was to transform the underside viaduct of the Morrison Bridge in the Central Eastside. Twenty years later that process has finally begun with murals throughout the industrial district, now coined by local artists as the Central Eastside Mural District.

After many years of legal battles, artist protests, and whitewashed permission murals, in 2005 the Regional Arts & Culture Council (RACC) began its Public Art Mural Program. Following the closing of the Clear Channel trial in 2009, the City of Portland’s new mural program was created. 

The Future of Street Art in Portland

Until those two pathways (which we still have today) were forged, community murals were either not painted, or were done without City permission, risking citations and fines for building owners for being out of compliance with the City’s sign code.

The bureaucratic process and costs of obtaining permission to paint in Portland continues to be a sticking point and is a cause of much confusion for local and visiting artists. 

“Thankfully, thanks to the hard work of artists and advocates throughout the years, the City currently charges $56 for a BDS-issued Original Art Mural Permit. It takes 21 days to secure, and requires certified letter notifications to the neighborhood associations/coalitions, and a public posting notice on the wall. With this permit route, we don’t need to get mural designs approved by anyone other than the property owner. The BDS has no say in what content we paint, who the artist is, or what paint mediums we use.” explains PSAA director Tiffany Conklin who was at the table during the City’s last mural code revision process in 2018. 

“Even though the permit system is better, it still doesn't allow for rotations and murals need to be planned well ahead of time. Not all public art has to be static and planned. At PSAA we advocate for a legal route that allows for more organic free expression and less barriers for young and emerging local artists and those who are visiting the city.” 

“Recent progress has been made in getting the City to consider allowing for a Free Wall / Legal Wall, though the process is still in its early stages and there’s a lot of huddles to get over.” explains Conklin. Thanks to a PSU research study on the topic, in 2019 Portland City Council said they would consider a pilot Legal Wall program, if an appropriate site was secured. 

IN MEMORIAM

Artist gathered to paint for and remember Jason Brown

Sadly, Brown never got to see what the Central Eastside has transformed into today. He was killed in a tragic accident, a house fire in 2011. But thanks to Jaymeer and the local street art community, his image and memory will live on in the heart of the Central Eastside Mural District.

“Jason Brown was a good friend to many Portlanders. I think Jason would be proud to see so much art in the Industrial Central Eastside, close to where his business was located and where his heart was. Twenty years later, I still am advocating and waiting for the day that Portland has a City-sponsored and supported Legal Free Wall for art, perhaps in a park or next to a skatepark. We need accessible walls that diverse people from all walks of life can use to express themselves.”
- Jaymeer 

ABOUT JAY MEER

Jay’s Wildstyle on the J. Brown Memorial Wall.

Artist Jaymeer has been managing the mural work at Burnside Skatepark since 1993. An early volunteer at Burnside Skatepark, he helped with construction, building, and maintaining the now world-famous skatepark. With roots in the Midwest, Jaymeer travels nationwide creating commissioned art and donating murals to skateparks. Jaymeer has been a prominent member of the local Portland skateboarding, art, and activist community since 1994. He started drawing at an early age. In 1988, under his mentor, Leon Henry, Jay started to paint with aerosol & airbrush. He now has murals all over the country. He also helped work to build, fundraise & paint for Marginal Way D.I.Y. Skatepark in Seattle, WA est. 2004.

ABOUT PSAA

PSAA started The Central Eastside Mural District this mural initiative in 2018, applying for grants, gathering letters of support, and networking with Central Eastside property owners and businesses. We wanted to carry on the torch of J. Brown, Joe Cotter and other art advocates who have fought for public art in Portland.The goal of the initiative is to promote more inclusive engagement and access to public art-making in the city for those who want to paint legally,”  explained PSAA Board President Tomás Valladares.

Read more about PSAA’s Central Eastside Mural District Initiative. Jason Brown famously said “There are amphitheaters for murals, there’s basketball courts for kids that are into sports, but where are the walls?”

Since our founding, PSAA has helped create over 300 street art installations, collaborating with hundreds of artists in the region and facilitating commissions resulting in over $950,000 paid to working artists. Street art is inherently democratic; providing access to artistic expression for the entire community, not just a privileged few who have access to museums, galleries, and private art collections. In everything we do, from murals to virtual learning sessions for students, PSAA aims to create strong visual, cultural, and economic impacts through public art.

PSAA Partners

Ground Score Association, a peer-led initiative of the non-profit Trash for Peace assisted with wall preparation for this mural project. This special work program helps folks with housing insecurities gain access to paid work and job training opportunities

Project Sponsors: Metro, Metro Paint, Miller Paint, All Service Moving

Photography: Jay Meer, Sara Sjol, Tiffany Conklin

TOGETHER WE BLOOM

Juntos Florecemos: A Celebration of Cully’s Spirit

NORTHEAST PORTLAND, OREGON

Portland has a bold new community-inspired mural in its public art collection, painted by Michelle Ángela Ortiz at Hacienda CDC’s Las Adelitas project. Las Adelitas a 142-unit affordable housing community nearing completion in the Cully neighborhood at 6723 NE Killingsworth Street.

“Together We Bloom / Juntos Florecemos”

This project was spurred by community grassroots efforts and will provide much needed affordable housing to the Cully neighborhood. During the building’s design process, local community members expressed interest in a public mural and art installation. In response, Hacienda CDC incorporated a large-scale mural above the main entrance. They then teamed up with PSAA to commission the work. The goal of the project is to celebrate the neighborhood’s culture, diversity, and strength.  

The final design, by Michelle Ángela Ortiz, is a beautiful expression of the Cully community. As part of her process Ortiz connected with several Cully residents to draw inspiration for the mural’s design. Together We Bloom (Juntos Florecemos) was directly inspired by the stories of community members from the interviews Ortiz conducted.

The images of light and growth emerge from their stories. The quote “We belong to you and you to us, together we bloom” is an excerpt of a poem created by local community member, Lizet. Her elegant words encompass the overall essence of the mural. 

Photo courtesy Michelle Ángela Ortiz

Michelle Ángela Ortiz is a visual artist based in Philadelphia, PA. Ortiz has completed over 50 large-scale public works nationally and internationally. She is known for using her art as a vehicle to represent people and communities whose histories are often lost or co-opted. Michelle was assisted by artist OIiver Casillas of Portland and Guadalajara, Mexico.

“I am a child of immigrants, a woman of color, a mother, a product of two people that experienced extreme poverty that led them to immigrate to this country. It is within this context, that I see my work as an artist as cultural currency that I use to invest back into the communities I am connected to and to reflect what we contribute to our society. I am pleased to be in Portland to honor the people of the Cully neighborhood through this mural.”

– Michelle Ángela Ortiz, Muralist

“We are honored to have Michelle Ángela Ortiz commissioned to paint this piece at Las Adelitas. This mural paints a true picture of our community. It captures who we are, where we have come from, and our vision of where we want to go. Youth and children will look at this mural and see themselves, their families, and images that represent their culture and surroundings. Community members from Cully, where all of Hacienda’s work began, will see themselves in this mural as they walk into our community event space or pass by Las Adelitas. The impact of this mural will reverberate throughout our community for years to come.”

– Ernesto Fonseca, Hacienda CDC CEO,

MAKING A MURAL

Juntos Florecemos, a project video by artist Michelle Ángela Ortiz . Click on image for link.

BEHIND THE SCENES

LAS ADELITAS IN THE PRESS

A story on Together We Bloom on OPB Radio. Click on image to view.

A story on Together We Bloom on Univision Portland. Click on image to view.

Photography: Sara Sjol, Tiffany Conklin, Tomas Valladares for PSAA.

POLLINATOR'S PARADISE

METRO GARAGE MURAL

PORTLAND, OREGON

As pedestrians and cyclists cross the newly opened Blumenauer Bridge, they will be treated to a striking tableau.

Renowned Portland muralist Jeremy Nichols has transformed Metro’s parking garage with a mural featuring various modes of transit, interspersed with local flowers and pollinators a plenty. The mural wraps around two sides of the building and is dotted with wildflowers that pop between bikes and scooters as butterflies and bees flutter throughout. This mural project was sponsored by the Lloyd Community Association.

Local flora depicted in the mural include: Trillium Flowers, Doug Fir, Blanket Flowers, Camas Flowers, Oregon grape Flowers, western blue flax, dandelions. These beautiful plants are paired with local fauna including: Monarch Butterfly, Oregon SilverSpot Butterfly, Bumble Bees, Honey Bees, and a Rufous Hummingbird. All of which are representative of the Pollination Corridor that surrounds the mural.

Along with nature inspired elements, Nichols also included his signature bold graphic lines and elements which bind his compositions together. One of graphic elements in this work, a stylized bow-tie, is a subtle nod to Congressman Earl Blumenauer, who can always be seen wearing his trademark bicycle lapel pin and a bow-tie. Other elements include a TriMet MAX line map, Railroad I-Beam Tracks, and a silhouette of both a bicycle and an adaptive bicycle.

“It’s fitting that the Metro Regional Center can be a canvas for a mural that resonates with our goals and values of conserving natural areas and planning for the region's long-term transportation needs! With this new mural, we look forward to inviting our communities across the Blumenauer Bridge, into the Lloyd District and their Metro Regional Center.”

– Ryan Kinsella (he/him), Metro’s Capital Asset Management Director

“Lloyd Community Association is excited there is a new beautiful mural welcoming people as they enter our neighborhood! This project is just one of many that local businesses, residents, and groups are working on to improve Lloyd. We invite community members to attend our October Coffee Chat and Mural Opening Celebration on Thursday, October 6th from 8:00 to 10:00 at the mural site. Swing by to start your day with free coffee, meet your neighbors and Lloyd Community Association members, and learn about the details of Lloyd's newest public art from the muralist.”

– Keith Jones (he/him), Lloyd Community Association’s President

“I wanted to create a timeless, hip, energetic mural that grabs the public attention, creates a conversation, and ultimately creates a public landmark/ point of interest. Given the location of the mural, the primary focus of these designs is movement, alternative means of transit, pollinators, and a subtle nod to Earl Blumenauer.”

 – Jeremy Nichols, Muralist 

BEHIND THE SCENES

IN THE NEWS

Click here to read about the Lloyd Center mural on Bike Portland.

 

Photography: Sara Sjol, for PSAA.

Housekeys, Not Handcuffs

HOUSEKEYS, NOT HANDCUFFS
SOUTHEAST, PORTLAND

Housekeys, Not Handcuffs is an advocacy mural in support of our houseless neighbors who often get pushed aside and overlooked. The mural was painted in partnership with local homeless residents, Street Roots, and a team of local artists.

Housekeys, Not Handcuffs mural on SE Belmont St near 34th Ave.

This was a special project, in that PSAA provided pro-bono volunteer management services, and worked with a team to fundraise and secure a budget for artist stipends and paint supplies.

The mural was designed and painted by a team of 4 local muralists, including Jade Sturms, Maddo, and friends. It is designed in a style similar to other Sunnyside Neighborhood murals PSAA has assisted with including the Keep on the Sunnyside Mural (SE 30th & Belmont) and the mural at the historic F M Knight Building (3300 SE Belmont St.), making it the perfect addition to the neighborhood's art collection.

Street Roots vendor Tony Boone, and Caleb Ruecker in front of the Leroy Memorial Mural. A longtime member of the Sunnyside community, Caleb helped manage the Leroy Blocks mural projects along with PSAA.

With both these new murals, PSAA has been helping to host free BBQs for the local houseless community in the Sunnyside neighborhood and Leroy’s freinds.

Mural detail: housekeys, a Street Roots newspaper, and a nearby tree where Leroy once carved his late wife’s name into.

INHERITANCE

INHERITANCE

PORTLAND, OREGON

In Spring of 2022, Portland muralists Alex Chiu and Jeremy Nichols took their skills to new heights – Eleven stories to be exact! After over a year of planning with PSAA, the tenant, and property owner, Chiu and Nichols spent 10 days towering above the city to create their new stunning mural, “Inheritance.” This landmark mural in downtown Portland is PSAA’s tallest mural to-date.

Inheritance at the corner of SW 2nd and Salmon 

With its location at the very top of the building, the mural required training and certification on swing stage scaffolding for both artists. As part of the mission of Portland Street Art Alliance, we aim to create opportunities for artists in the Pacific Northwest to continue to grow their skill sets. With this project, PSAA was thrilled to help Alex and Jeremy take the next steps in their already amazing muralist careers. 

“This is the first time I’ve ever worked so high up by far,” said Chiu after his first day on the scaffolds, “The craziest part of the process was stepping over the railing into the scaffold for the first time at a hundred feet up and being told to start painting.”

Artists Jeremy Nichols and Alex Chiu

The piece's title ‘Inheritance’ defines the visual story. At the base of the mural are the hands of an elder placing a bowl in the hands of a child – illustrating the passing on of knowledge and a more sustainable, nourishing and bountiful world for future generations. The bowl is a metaphorical heirloom, brimming with lively symbols of the Pacific Northwest, including ferns, Oregon Grape blossoms, a pinecone, raspberries, blackberries and trillium flowers – all topped with a perfectly perched bluebird. After all, this is Portland, and we love to put birds on things! In the background, three monarch butterflies flutter through the air with Douglas Fir trees framing a silhouetted Mt. Hood – symbolizing home, regional familiarity, and nature.

“This mural was not only an amazing opportunity, it was truly an absolute blast to paint with Alex again. This was our first time working so high up, which I think only added to the fun experience. I am honored to have worked on this project, and to add a little color and life to the city of Portland for everyone to enjoy.” – Jeremy Nichols 

“The theme of inheritance is one that has become important to me as the father of young children, and something that I reflect upon as my parents grow older. For me, the mural is a hopeful depiction of the relationship between the older and younger generations. We become who we are because of the elders, mentors, and teachers in our lives. It eventually becomes our responsibility to pass down our legacy to the next generation. The mural is also a celebration of the beauty of life in the Pacific Northwest.” – Alex Chiu

Inheritance is 11 stories up and can be seen from many vantage points across Portland.

Located at 250 SW Taylor St (at the corner of SW 2nd & Salmon), this massive 52' x 50’ piece of art looks like it’s floating in the sky – providing our beautiful skyline with a locally-made artistic gem to be enjoyed by future generations. 

BEHIND THE SCENES

Photography: Sara Sjol, Tiffany Conklin, Alex Chiu and Jeremy Nichols for PSAA.

A CELEBRATION OF CULTURE

PORTLAND MERCADO FENCE

FOSTER-POWELL, PDX

 On February 12, the Portland Mercado (@portlandmercado) hosted a celebration to mark the completion of Portland muralist Christian Tellez (@w_esi) new mural at the Mercado. The celebration began with a ceremony and dance by Huehca Omeyocan Aztec Dance (@huehcaomeyocan) and closed with music by Ache Son. 

Artist and architect Christian Tellez’s vibrant new mural spans the entire parking area fence, providing a striking tableau for patrons and passers by. This captivating new work evokes the feeling of being at a traditional Latin American Mercado, and is rich in color and cultural references. 

ABOUT THE WORK

Artist Christian Tellez

“The happiness of giving and sharing inspires the Portland Mercado Mural. For Latin American culture, sharing a table with food is a common sign of care and love. We want to share the same with the Portland community. The vibrance of colorful ingredients and fruits, reflects the happiness of sharing a good time with friends and family, and music can't be missing on those occasions. 

In our countries, going to the Mercado means tons of colors, noises, music, people shouting, chatting, laughing, good food, pretty much like a party. A party without friends means the same as a table without people to share food and love for our culture. And the people who work in the Mercado become extended family, and hopefully, the mural becomes a warm welcoming to the community. Hence, we always have room for you to join our table.” – Christian Tellez 

THANK YOU TO OUR PARTNERS

This beautiful new mural is part of the improvement project at the Portland Mercado, made possible with support from Travel Oregon (@traveloregon) and Prosper Portland (@prosperportland).  

“We are thrilled to have this beautiful addition to the Portland Mercado which will enhance community space and serve as a testament to the colorful, bold, and dynamic individuals that make up our community at the Portland Mercado and the vibrant and eclectic cultures that are a part of our heritage.” 

– Ernesto Fonseca, CEO Hacienda CDC @hacienda_cdc 

READ AN INTERVIEW WITH THE HACIENDA CDC AND CHRISTIAN TELLEZ

Photography by Sara Sjol for PSAA.

Green Means Go

GREEN MEANS GO MURAL

CENTRAL EASTSIDE, PDX

A brand new mural now greets visitors to the Central Eastside Mural District! This new mural was painted by Maggie Wang (@mag.dre) with the assistance of Portland Street Art Alliance. It’s located in Southeast Portland, next to Taylor Electric.

“It was important for me to do this mural with Leafly because I believe that anyone, and especially Black and brown communities, should be able to enjoy weed without stigma. It’s about joy, and the mural captures what I love most about my hometown: that anyone can do what makes them happy, no matter what other people think.” - Maggie Wang

The mural was also made into a NFT to benefit Oregon Handlers, an organization that helps BIPOC community members get their handler’s card, in an effort by Leafly. The NFT has sold out, but luckily everyone can still enjoy this smokin’ new mural. Roll on over and check it out!

This project was commissioned with the help of Bay Area company, Media Ventures

Time To Get Down

THE GET DOWN

SOUTHEAST, PORTLAND

Geometric wizard Xavi has transformed a drab space in SE Portland in to a funkadelic spot to get down! His colorful abstract aesthetic was the perfect fit to bring this new Portland venue to life.

Using the newly created branding as inspiration, Xavi created a series of record-like shapes across the bar area’s two main walls. Behind the bar the wall is accented by more abstract circular patterns that perfectly frame the Get Down’s neon sign. The same record style is extended to the front entrance and the logo was painted on the interior wall, greeting guests as they enter the venue.

The Get Down is a versatile event and music space, equipped with state of the art sound and lighting equipment. See the their full event calendar at thegetdownpdx.com

Finished interior photos provided courtesy of the The Get Down.

Welcome to Toledo

WELCOME TO MAIN STREET

TOLEDO, OREGON

363 North Main Street, in the heart of downtown Toledo. Toledo’s new mural will span the entire north side face of the historic building, owned by the Krause Family.

The delightful Oregon Coast town of Toledo now has a welcoming mural, designed and painted by the fabulous Jeremy Nichols. Titled Welcome to Main Street, this mural is all things Toledo!

In the mural, you will find: from left to right:

  • A paint brush and splatters to represent Toledo’s artist community

  • Boomer the mountain beaver (Toledo’s high school mascot)

  • Railroad spikes (historic and present-day rail line hub; check out their awesome railroad museum!)

  • Flora: Logs and logging equipment (symbols of Toledo’s major paper mill industry, still in operation)

  • Fauna: Deer antlers and the mural’s centerpiece - a majestic Painted Lady butterfly common in Oregon

Working through high winds, heavy rain, and hail, Jeremy and his assistant Hayden Senter created this beauty in just one week!. This job site was particularly tricky to paint due to the uneven and extreme slope. Thankfully, the City of Toledo hooked PSAA up with a City bucket truck and operator!

““This mural at the entrance to Main Street will help to distinguish one of the remaining true Main Streets here on the Oregon Coast and bring more awareness to our history and culture here in Lincoln County.””
— Rod Cross, City of Toledo Mayor

Public art can be an economic driver for smaller cities, especially in rural areas like Toledo with its natural beauty and convenient location off of a major highway. Murals bring together members from all aspects of the community, help create dialogue, create shared spaces where the community and tourists can gather, and instill pride in the community. PSAA is committed to helping bring art to rural areas across the Pacific Northwest, and we were thrilled to work with the City of Toledo.

Muralist Jeremy Nichols at work on the Welcome to Toledo Mural on Main St.

Welcome to Main Street was the first in a series of new murals in Toledo, Oregon. Supported by ART Toledo, committee members raise funds for community murals, discover local building owners who are interested in having a mural on their buildings, and connects them with regional artists. In 2023, PSAA was pleased to be able to help create an additional mural in Toledo, a sensory mural, by PNW artist Emma Berger.

Big thanks to the City of Toledo, ART Toledo, and Sequoia Consultants for making this happen! Even though it can be a challenge, we love painting on the Coast and in small rural towns across the Pacific NW! It’s very rewarding and amazing to see everyone’s reactions.

““I wanted to create a bright energetic mural that creates a sense of wonderment and curiosity, and help tell a story of the area. This is an exciting opportunity to brighten up the neighborhood, bring people together, and get to know the local community.” ”
— Artist Jeremy Nichols.

ADDITIONAL PHOTOS

IN THE MEDIA

We Are Portland

WE ARE PORTLAND

CENTRAL EASTSIDE, PDX

Portland muralist Devin Finley and 7 regional graffiti artists completed an expansive mural titled “We are Portland.” In true PacNW style, this mural took several months to complete amid a wet winter season.

Located at SE 7th & Division, the mural features 6 large colorful portraits of Portlanders. This massive full city block mural can be seen from the 99W bridge, greeting viewers as they head into the Central Eastside, and overlooking the Rail Heritage Center.

Also featured prominently on the wall, brightly between each person, a stellar line-up of prominent Portland & Bay Area writers: Other, Nimby, Purge, Twigs, Raskoe, Norse, and Ckos.

Artist Devin Finley with a self-portrait

“We are Portland” is a mural focusing on several portraits, showing our city’s diversity; LGBTQIA+, people of color, various ages and gender identities, folks who are unhoused, and people living with disabilities. I wanted to turn away from the typical skin tones used to represent people, and experiment with an array of other colors. The additional portions of graffiti are a nod to the roots of where I acquired my skill set for this line of work.” – Devin Finley

The west wall features a self-portrait based on a high school photo. Surrounding the portrait are loving graffiti call outs to his daughters Ki and Miko. The next portrait on the south section of the building is Devin’s wife - completing his family tribute.

The Leroy Blocks

THE LEROY BLOCKS

SOUTHEAST, PORTLAND

In December of 2021, Portland Street Art Alliance and a group of local artists and community members came together to create a mural dedicated to Leroy Sly Scott (1956-2020), a longtime houseless neighbor in the Sunnyside neighborhood of Portland. Artists Kyra Watkins, Caleb Ruecker, Sarah Farahat and Tammy MacKinnon designed and painted the mural. Tony Boone, a community member and Street Roots vendor, helped assist. The mural was painted on the side of the historic Belmont Market located at SE 34th & Belmont, owned by Nick & Genevieve Clock. Many who have lived, worked, and played in this neighborhood likely recognize Leroy. He lived on the streets of Belmont for three decades. Many of us remember Leroy fondly as he always greeted people with a smile and kind gesture.

In August 2019, Leroy finally moved from the streets into housing, thanks to the hard work of his friends who advocated for him until the end. Leroy lived happily in his own apartment, but always missed his friends on Belmont. Less than a year later, Leroy was rushed to the hospital. He was unable to eat or drink for many days because of immense back pain. After a lot of tests, doctors found cancer had spread throughout his entire body. Leroy sadly passed away two weeks later at the Peace Hospice House with his friends by his side, listening to Frank Sinatra’s “My Way.” Folks from all around the city and world sent Leroy video messages, stuffed animals, cards, and his favorite candies. Friends held a socially distant memorial outside of Belmont Market for Leroy in which dozens of neighbors came to pay their respects and share stories about their dearly departed friend.

The Leroy Scott Memorial Mural now graces the side of Belmont Market, right next to the stoop Leroy spent many of his days. The portrait was painted by a muralist, Kyra Watkins. Next to it, in type designed by local artist Alicia Schultz, is his favorite saying, “All around the world, the same song," inspired by the Digital Underground song. 

The lettering and alcove were painted with the help of Caleb Ruecker, Tiffany Conklin, Tony Boone, Sarah Farahat, and Tammy MacKinnon. Additional designs are being added by the team, created by local artist Woke, who also painted the new Belmont Market sign a few years ago

House Keys, Not Handcuffs.

A SECOND MURAL has been created at the Leroy Blocks on the back of Tao of Tea, in a parking lot at 35th & Belmont. This mural is an advocacy piece to support our houseless neighbors that often get pushed aside and overlooked. The mural was painted by a team of local muralists with the message “House Keys, Not Handcuffs.” Also included are call outs to the Street Roots newspaper.

DETAILS OF HOUSE KEYS, NOT HANDCUFF S MURAL

The mural was created by a team of 4 local muralists including Jade Sturms, Maddo Hues, and friends. It is designed in a style similar to the Keep on the Sunnyside Mural (30th & Belmont) and the mural at 3300 SE Belmont St, making it the perfect addition to the neighborhood's art collection. With both these new murals, PSAA has been helping host free BBQs for the local houseless community, working in partnership with Street Roots vendor, Tony Boone. 

Once a year, PSAA chooses one pro-bono community project where we volunteer our management time and work to fundraise to secure a budget for artist stipends and paint supplies. These two murals are 100% community-driven and supported.

LEROY BLOCKS IN THE NEWS

Friends of Leroy, Tony Boone, Frank Sinatra (the dog) and Caleb Ruecker.
Photo Courtesy of: John Notarianni, OPB

PHOTOS OF LEORY AND FREINDS

PHOTOS OF THE IN-PROCESS MURAL WORK on THE FIRST MURAL

Salt and Straw

SALT AND STRAW PRODUCTION

CENTRAL EASTSIDE MURAL DISTRICT

Portland Street Art Alliance is pleased to announce the completion of a tasty installation at Salt & Straw’s Production Kitchen in the Central Eastside Mural District. After nearly a year in the making, in December of 2021, seventeen artists from Portland and Seattle came together to wrap the nearly 7,000 square foot building in a confectionery dreamland!

The Snow Miser by BOSE

All artists worked with aerosol spray paint over a three week period to transform their portion of the Salt & Straw warehouse walls. Artists had the freedom to paint what they pleased, but were asked to keep a loose color scheme and an ice cream and candy theme in mind. 

The South wall runs along SE Ash Street, which is now transformed by three crisp and colorful Candyland-inspired works by GPK crew artists BOSE, FLASH, and CALM.

The East wall that runs along SE 3rd Avenue is anchored by two amazing throw-backs by artist BOSE from the 1974 claymation classic cartoon, The Year Without A Santa Claus.

The Ash Street side begins with Snow Miser spraying snowflakes across the wall. Down the way, a classic work by ABNR (4SK) covers the wall in candy-colored style. Two works on this wall are by street artist OUCH (MLS) with a shout out to HOPS (Seattle). These pieces include a rainbow colored work with a smiley scoop of ice cream on top.

In the center of the wall is a beautiful bombshell named “Candy” decked out with clever candy callouts by artist Villatose, who recently moved to Portland from Miami FL.

Next up are works by notorious Portland graffiti artist ZAE of the MLS crew, and BUNDY, another longtime Portland artist. The end corner is held down by another massive character painted by BOSE, this time a sundae-slinging Heat Miser, another familiar classic from the 1974 cartoon The Year Without A Santa Claus. The end corner is held down by another massive character painted by Bose, this time a sundae-slinging Heat Miser, another familiar classic from the 1974 cartoon The Year Without A Santa Claus.

The entire North facing wall of the Salt & Straw Community Project was managed by longtime artist and community organizer, Jay Meer, and is an ode to the cultural and historic landmark Burnside Skatepark, located just around the corner on SE 2nd Ave under the Burnside Bridge.   

The wall includes several pieces, a massive transition, and is capped at both ends with a skate rat and an ice cream eating, skateboard riding wild hare. Jay Meer pulled together a stellar painting crew including VIDEO (Seattle), YETI (Seattle), Sam Harang (PDX), and Grreviews (PDX).

And there’s an extra sweet surprise on Salt & Straw’s recycling shed on the South side of the building which is covered with delicious works by artists GIVER and EKOSE of the 4SK crew. 

Artwork by Jay Meer

Thank you to all our partners!

PSAA would like to thank the property owners, Michael and Patsy Myers for their support and partnership on this ground breaking new project.Michael Myers built this warehouse decades ago, after starting Coastal Produce when he was just 19 years old.

Not only were they part of making Produce Row what it is today, Coastal Produce was one of the largest produce distributors in the United States and revolutionized the produce distribution industry during its time in business.

“Having done business in the Central Eastside of Portland for almost six decades, I have never seen such a beautiful, rapid, ongoing transformation of a business district as what I am seeing with Portland Street Art Alliance’s mural projects in our Central Eastside. Building by building, mural by mural, Tiffany Conklin and Tomas Valladares of the Portland Street Art Alliance, along with these gifted artists are making Central Eastside such a beautiful place to live and work. I would strongly encourage other business and property owners to work with PSAA to be the next building in this transformation of our beloved Central Eastside.”

– Michael Myers, Property Owner

PSAA would also like to thank the ownership and management of Salt & Straw (a local Portland based ice cream maker) for their incredible support in this effort, from property owner negotiations, to site preparations, and oversight – and for the delicious ice cream party they hosted for the artists and PSAA team!

"We are beyond excited to be a part of this project. We love Portland and the Central Eastside is becoming a hub of local food makers, so investing in this part of the city is very important to us. These artists are incredibly talented and giving them a canvas to display their art is truly an honor. We feel so lucky to be graced with their beautiful work on a daily basis as we come to work - it makes every day better for hundreds of people in the area!”

– Kim Malek, President & CEO, Salt & Straw 

Thanks to The Painter Guys, LLC for laying down such a yummy minty palette and for their help creating the larger-than-life sprinkle motif featured across the top of the building. The Painter Guys are an artist-led commercial painting company.

PSAA would also like to thank Todd DeNeffe for their ongoing support and guidance in the Central Eastside navigating painting sites like this.

Also, a big thank you to the Safety for All team efforts ensuring that our artists have safe access to the walls for painting.

Although we got rained out, PSAA would also like to thank Trash for Peace’s Ground Score for helping us get houseless day workers lined-up for wall prep at this site.

An empowered Villatose, learning to operate a large boom lift for the first time.

And thank you to Tomas Valladares of PSAA for providing free several of the artists with free aerial lift OSHA safety training in preparation for this mural project. These skills help artists grow and gives them the ability to take on larger, well-paying projects.

Photography by Sara Sjol for PSAA. Additional photos by Chris Christian.

Vernonia Mural Festival

VERNONIA MURAL FESTIVAL

VERNONIA, OREGON

October, 2021 (Portland, OR) – Portland Street Art Alliance is pleased to announce the completion of eight new murals in downtown Vernonia. Working alongside PSAA, and local resident Rachael Organ, the Columbia Economic Team secured a grant from Travel Oregon to help beautify downtown, selecting several walls around town to be painted with murals. 

Artists Oliver Casillas and Francisco Morales

This fall, six Pacific Northwest based artists came together to paint at various sites through downtown Vernonia. Artists Jeremy Nichols (@plasticbirdie), Francisco Morales (@laylowcreative), Maddo Hues (@yomaddo), Hayden Senter (@chairboy), Oliver Casillas (@casillas_oliver) and Dan Lee (@bigtroublehandpainted) weaved together stories of Vernonia’s past and present, all while creating art to help expand its future. The area features a variety of outdoor activities including camping, biking the lush Banks-Vernonia trail and fishing on Lake Vernonia. Vernonia’s outdoor beauty combined with its restaurants, shops and murals make Vernonia the perfect locale for a taste of rural Oregon with an urban flair.

Panels from Artist Maddo Hues mural at R&S Market.

With materials ranging from latex to spray paint, artists worked in a variety of styles to create a vibrant mosaic of new public art in Vernonia. While concepting the mural artists worked closely with community members and building owners to bring the best of Vernonia to the walls of its downtown.

Themes include both historic and modern-day commerce – with highlights honoring Vernonia’s rich logging history and references to the historic Vernonia Oregon Lumber company and railroad, the region’s flora and fauna, local outdoor recreation, and Vernonia’s cinematic history.

Since Vernonia is over an hour's drive from Portland down winding roads in the mountains, artists stayed at the Caden Inn, located in downtown Vernonia. This unique experience allowed artists time to enjoy the charming town, eat at its restaurants, and to interact with residents.

I felt like I was a part of Vernonia for that week or two. Seeing the same kids run around the block, or the same few people who couldn’t sleep at night coming up and talking when I was wrapping up painting for the day. I feel lucky being able to paint in a place where public art doesn’t happen that much or at all.”
- Hayden Senter

“Painting in Vernonia was truly an incredible experience. I did not know a lot about this area beforehand. Through my time there, I fell in love with this town. It’s amazing to learn so much about a town and the locals in just a few days. The local community was welcoming, supportive, and very excited to see all of us brighten up the town. Being able to interact with the locals, I was able to learn about their history, the history of the town, and the local culture.”
- Jeremy Nichols

INAUGURAL VERNONIA MURAL FESTIVAL

On September 4, as artists were wrapping up, Portland Street Art Alliance, local non-profit Hands on Art, and community members across town, held an Inaugural Mural Festival to unveil its new gallery of public art. 

Attendees chatted with artists, took photos, and even created a bit of art themselves with chalk provided by Hands on Art. Community members from Hands on Art also hosted a mural festival information booth, handing out maps so people could find the new artwork.

People came by foot, car and bike to see the artists in action and to take in a beautiful rural Oregon day. Both locals and tourists alike enjoyed talking with the artists, learning more about the process and the inspiration behind the art and, of course, taking photos. 

The new public piano, painted by artist Oliver Casillas was put to good use at the festival as locals serenaded passersby with piano and mandolin music. PSAA directors Tomás Valladares, Tiffany Conklin, and Galen Malcom were at the festival talking to locals and visitors, taking impromptu groups of people on mural tours throughout the day.

After the festival wrapped a seventh mural featuring scenes from the classic 1961 film, Ring of Fire, was completed by artist Dan Lee on the side of the old Joy movie theater.

COMPLETED VERNONIA MURALS

Mariolino's Pizza - Artist Francisco Morales, Assisted by Oliver Casillas

For the festival, artist Francisco Morales created a vibrant mural with call-outs to Vernonia's logging traditions both past and present. The mural also features visual cues to Vernonia's classic car (and motorcycle) meetups that begin in Vernonia and zip through mountains of the Coast Range. White trilliums that dot the bottom are native to Vernonia’s forest in the spring.

Extra, Extra!

This location had extra space on its walls, and visiting artist Oliver Casillas (Talent, Oregon / Guadalajara, Mexico) was able to create an impromptu mural during his stay. Casillas was also able to paint another impromptu project, thanks to a local resident donating an old piano that was painted with leftover supplies. It now resides in one of Vernonia public plaza’s for all residents to use and enjoy.

Black Iron Grill + Island Grill - Artist Jeremy Nichols

During his stay, Jeremy Nichols completed two murals in Vernonia. The first mural, located on the back of the Black Iron Grill, focused on the local bird species found in the area. The great white egret can often be spotted at Vernonia Lake, while the red-winged blackbird is common at sites across the area. The stumps lining the base of the mural are a nod to local loggers. 

Nichols’ second mural is located in a community park/alleyway next to Island’s Grill. Featuring a rooster, strawberries and local greens, this mural was a homage to area farmers and Vernonia’s farmers market.

 Rock Creek Professional Building -  Artist Hayden Senter

Mural by Hayden Senter

Artist Hayden Senter enjoys painting subtle scenes derived from his surroundings. His murals tend to contain antique and discarded objects that are often overlooked. 

Senter’s double mural gives the viewer the impression of looking from one window and seeing through it to the mural on the other side.

On the front panel, entangled in wildflowers, sits an old bicycle parked next to a wooden window pane. On the right side of the window rests a glimmer of Vernonia’s past - a rusted steam donkey. A steam donkey, or donkey engine, was a steam-powered winch once widely used in logging. Abandoned and rusty old steam donkeys can still be found in the mountains surrounding Vernonia.

“ I hope my mural functions as a place for people to stop and look. Maybe take them somewhere else for a moment. I’m looking forward to the way people interact with these elements in my mural - that they are relatable enough to recognize as familiar - but also used differently enough to allow for a different perspective.”
- Hayden Senter

R & S Market - Artist Maddo Hues

Gracing the entire front of the R&S Market, this multi-panel mural by Portland-based artist (and ex-train hopper) Maddo Hues tells the story of Vernonia. The tall dividing panels feature representations of natural commodities of the area with lumber, fish and flora. 

The first wide panel depicts a fisherman on the Nehalem River that runs through town. The second features bike riders on the Banks-Vernonia Trail. The last large panel on the right is an homage to the Banks-Vernonia railroad which is now the site of the Rails-to-Trails project that created the Banks-Vernonia Trail.  

“I decided to paint a handful of different scenes and objects that represent both the history and present day activities that make Vernonia such a nice place to be. I got to meet many of the locals since I was painting at the only grocery store in town. I could hardly go 15 minutes without receiving a compliment from someone. It is very fulfilling to have had the opportunity to use my skills to create something that the community of Vernonia enjoys so much.”
– Maddo Hues

Gretchen’s Saddlery & Joy Theater -  Artist Dan Lee

Artist Dan Lee took his inspiration from Vernonia’s cinematic history. His mural is a conglomeration of scenes from the 1961 movie Ring of Fire. Vernonia is where much of the town and the burning mill scenes were filmed, including the iconic steam engine crash from atop a local trestle. Lee also recreated the type from the original movie poster to tie the mural together.

In 1961, Georgia-Pacific Corporation had just phased out its fleet of steam locomotives in its closed down Toledo, Oregon logging operations. Some locomotives went to local community parks for display, but one was sacrificed for the Ring of Fire shoot.

I feel very fortunate to have been allowed this opportunity to paint on this beautiful historical landmark and hopefully to have made something that resonates with residents in the community. It’s hard to put into words how palliative the experience was, painting in that idyllic setting during early fall, and the kind words of encouragement from those passing by. I can only hope that the rest of the projects I’m lucky enough to be a part of are as special. Thanks to all the folks at Portland Street Art Alliance, Travel Oregon and Miller Paint for the opportunity and support, and thank you Vernonia for having me! - DAN LEE

All Eyes on Vernonia

While Vernonia has struggled economically and was hit hard by the pandemic, there are creative bright spots that make it unique. Starting with 1961’s Ring of Fire, Vernonia has enjoyed a rich cinematic history including movies such as Twilight and Vernonia’s most recent production, Harpo Film’s The Waterman. A key feature that brought the production crew to Vernonia was another creative bright spot in town, the ‘Old Mill’ or locally known as the “Chip Shed”.

The Vernonia mill, located at Vernonia Lake, was one of the last remnants from the timber mill that was set aflame in Ring of Fire. It sat empty and mostly unused for years, aside from a bit of graffiti by local kids. 

Six years ago, with the owner’s permission, PSAA began coordinating with the mill owner and visiting artists to give the Old Mill in Vernonia a second life. Since the Old Mill project’s inception, Vernonia has become an unexpected epicenter for street art, far beyond the confines of the city. This touchstone started a partnership that directly led to the creation of this mural festival.

Murals help communities create a long-lasting shared experience, as well as providing social and commercial value. By creating compelling spaces for people to visit, spend time at, and pose for photos on social media, these permanent pieces of public art will assist Vernonia with its economic recovery by helping bring in more tourism dollars – all while fostering better understanding to help overcome the rural-urban divide.

With local Vernonia support, the Portland Street Art Alliance has applied for an Oregon Community Foundation Grant in the hopes to expand the festival in 2022. Special thanks to the City of Vernonia for being so welcoming, Rachael Organ for all her hard work securing walls and helping with festival planning logistics, Paul Vogel and Wela Negelspach at the Columbia Economic Team for their administrative support, Josette Mitchell at the City of Vernonia for processing all the permits, Kyle LaMontagne for his videography support, Brenda Fielding at the Caden Inn for help with accommodations, and the entire artist team,project partners, and local community residents for all their hard work and support in making this event a reality.

Vernonia Mural Festival Locations

805 Bridge St @plasticbirdie 
735 Jefferson @yomaddo 
712 Bridge St @plasticbirdie 
622 Bridge St @chairboy_
721 Madison  @laylowcreative
919 Bridge St @casillas_oliver
715 Bridge St @bigtroublehandpainted
733 Bridge St @gatsptv 
Video Recap: https://vimeo.com/632555082

IN THE MEDIA

Living Building Murals

3 New Murals at PAE Living Building

DOWNTOWN , PORTLAND

Artist Jessilyn Brinkerhoff in front of her coastal inspired mural.

Three new murals now grace the walls of Portland’s newest Living Building. Portland Street Art Alliance worked with PAE Engineers to produce a mural for each level of their new headquarters in the PAE Living Building in downtown Portland. Each floor depicts a different Oregon ecosystem. The third floor is inspired by the Oregon coast, followed by a forest scene on the fourth floor, and on the fifth floor; an alpine landscape.

Forest Landscape

Alpine Landscape

Eugene-based artist Jessilyn Brinkerhoff was a natural choice to bring the Oregon outdoors in. Brinkerhoff’s rural Oregon roots along with her love of wild places and bold design made her a perfect fit.

Jessilyn spent a year completing regional research and site visits to craft a distinct look for each ecosystem. Both an experienced graphic designer and muralist, Jessilyn combined her skill sets to create three graphically compelling and visually stunning murals. 

Each mural features both flora and fauna found in each ecosystem tied together with a series of concentric circles inspired by the Fibonacci spiral. The colorways were selected with inspiration from the colors of each region. 

All materials in the building, including the mural paint, were held to the strict standards of the International Living Future Institute’s Living Building Challenge Red List. The Red List represents the “worst in class” materials, chemicals, and elements known to pose serious risks to human health and the greater ecosystem that are prevalent in the building products industry.

Brinkerhoff’s Design on Paper

“I was honored to paint for the new PAE Living Building, a truly incredible space that is paving the way for others to learn from.” - Jessilyn Brinkerhoff

COASTAL ECOSYSTEM

The coastal ecosystem features a palette of tawny browns, pastel orange and coral colors, depicting Oregon’s rocky coast. The scene features gooseneck barnacles, razor clams, coastal climate wind patterns, kelp, waves, seabirds, coral, ocean fish, starfish, a brackish estuary, and an ancient ammonite fossil. Offshore monoliths including Haystack Rock anchor the scene.

ABOREAL ECOSYSTEM

The Forest mural features rings of the forest ecosystem including the mycorrhizal layer, soil, the canopy, old growth trees, butterflies, fiddle ferns, earthworms, sword ferns, colonies of mushrooms, and multiple species of flowers. The colors were drawn from the hazy blue of distant trees and the vibrant yellows and greens of Oregon’s temperate rainforests.

ALPINE ECOSYSTEM

The top floor of the PAE Living Building features Oregon’s alpine ecosystem. The mural contains clouds, rain, snow and native plants including pinecones, evergreens, fir trees, beargrass and wildflowers. The center scene highlights a snow-capped peak overlooking a tree- lined valley. The colors are inspired by the bluebird skies and powder white of Oregon’s alpine environments in winter.

What is a Living Building?

Living Building Certification is the world’s most rigorous proven performance standard for buildings. A building that achieves Living Building Certification must meet all performance imperatives of seven Petals: Place, Water, Energy, Health and Happiness, Materials, Equity, and Beauty. Three of the most notable requirements are 1) that the building must generate all of its own energy, 2) capture and treat all of its water onsite, and, 3) meet the imperatives of the Materials Petal. Living Buildings achieve their full certification after one year of occupancy. Learn more at: https://living-future.org

Why is the PAE Living Building different?

Located at SW First and Pine in the heart of the city’s historic Skidmore/Old Town District, the mixed-use PAE Living Building is designed to be the first fully certified Living Building in Portland and the largest commercial Living Building in the world. 

Designed to last for 500 years, the approach marries the look and feel of a historic neighborhood with the highest possible energy performance and sustainability standards. Inside, healthy materials meet ILFI’s Red List requirements, ample daylight, views, operable windows, and other biophilic strategies to support occupant health, comfort, and productivity. The building is set to help achieve Portland’s 2050 renewable energy target of 100 percent renewable energy 30 years ahead of schedule. Notably, all of the building’s water and energy needs will be produced via rainwater capture, and onsite and offsite solar arrays.

MORE INFO AT: https://www.pae-engineers.com/projects/pae-portland-living-building

Photo Gallery

Downtown Details

NEW MURAL IN DOWNTOWN PDX

PORTLAND, OREGON


PSAA is excited to share Chet Malinow’s latest mural creation, working in partnership with CBRE (@CBRE). This mural is located in CBRE’s newly renovated office building in downtown Portland, ASPECT, at 400 SW 6th Ave.

“I enjoyed the mathematics and intense planning of this project. I call this style of painting “Pill Paintings.” The solid fields of color or pills, where mapped out with a laser level to keep everything straight. Then, I filled in all the black shapes with a variation of paint pens. This work is extremely meditative, and I really enjoy filling in all the black background. I have developed the black shapes from years of drawing and learning how to use each shape to fill in a void of space.”

Upper Left Cities

READ ALL ABOUT IT!

From the authors of Portlandness comes Upper Left Cities, a new book that compares and contrasts San Francisco, Portland, and Seattle through innovative cartography. In 150 infographic maps, this compelling book compares and contrasts the great cities of the Upper Left part of the US. Upper Left Cities explores unexpected and diverse topics like lost jazz clubs, Japanese food, church bells, and Sasquatch through creative infographics leveraging forms like crossword puzzles and musical notation.


Upper Left Cities was co-authored by Portland Street Art Alliance board member and PSU Professor Hunter Shobe. PSAA Executive Director, Tiffany Conklin has also co-written a section about the graffiti scene in these great west coast cities.

Custom Fonts by Galen Malcom

Custom Fonts by Galen Malcom

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Graffiti section co-written by Tiffany Conklin

Graffiti section co-written by Tiffany Conklin

Upper Left Cities redefines modern cartography by going into uncharted territory to create a narrative about three great cities through informative and detailed infographic maps. Who needs Rand McNally when you can explore a city by taking a trip through wildlife and city trails or by drilling down into your city's voting records, commutes, marathon routes, and food and drink patterns? Better yet, why not compare three great cities at once?

The work of two geographers and their team, this cultural atlas includes more than 150 maps, each using data around a given topic and then translating that to a visual format that blends traditional cartographic skills with modern graphic design. A perfect blend of form and function, each map is meticulously and ingeniously designed. The collection of maps cover history, geography, social and economic issues, and pop culture, offering readers a visual, intellectually stimulating experience that they will want to dip into again and again.

About the Authors

Hunter Shobe is a cultural geographer and assistant professor at Portland State University. He holds a PhD in geography from the University of Oregon and has more than twenty years of experience researching the cultural, political, and economic dimensions of how people connect to places and environments. Past studies focused on diverse topics, including the role of Football Club Barcelona in constructing urban identity in Barcelona, and national identity in Catalonia. 

Additional Photography by Rachel Escoto. Additional Research provided by Lourdes Jimenez.

Additional Photography by Rachel Escoto. Additional Research provided by Lourdes Jimenez.

David Banis has managed the Center for Spatial Analysis and Research in the Geography Department at Portland State University since 2006, working with a wide variety of partners at the federal, state, and local levels. His work explores the diverse ways that cartographers can tell stories with maps, focusing on the mapping of nontraditional subjects.

GET YOUR COPY TODAY!

POWELL'S

INDIE BOUND

AMAZON

BARNES AND NOBLE

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Mt Whitney Blocks

Sixteen New Murals Pop on Portland’s Central Eastside

CENTRAL EASTSIDE , PORTLAND

Jack Graydon, Matt Schlosky and Jesus Torralba

Jack Graydon, Matt Schlosky and Jesus Torralba

Portland Street Art Alliance is pleased to announce one of our largest Community Art Projects to date. This August, sixteen artists from across the city came together to paint The World Pac, Inc. building at 636 SE 10th Avenue in SE Portland. This new project, named the Mt. Whitney Blocks, contains a gallery of new works in a wide range of styles and techniques.

Lawson Buemio

Lawson Buemio

Jesus Torralba

Jesus Torralba

Sunny Beard

Sunny Beard

Using a mix of spray paint and latex bucket paint, each artist worked over a three week period to transform their portion of two city blocks in Portland’s Central Eastside Mural District. 

Artists had the freedom to paint what they pleased, as they continued to hone their skills. Each artist was given a section of the World Pac, Inc. building that wraps around SE 11th and Alder.

The first wall begins on SE 11th street, which is now transformed with murals. Splashes of color delight as one walks by each unique panel. The content of the murals is as varied as the artists themselves. Subjects range from fun scenes, to stories of the past, friendly reminders (such as ‘plants are our friends’) and themes of identity and culture.

Works by Boycott Yourself, Daniel Santollo and John Vance.

Three murals on the 11th street side of the project

The Mt. Whitney Blocks contain works from established artists like Matt Schlosky, a 15-year Portland veteran artist, to a piece by first time solo-muralist Victor Bizar Gomez. 

“The genuine excitement I saw from people on the streets about my mural has been so refreshing, and I can't wait to get out there again in the future. Much thanks to Portland Street Art Alliance for inviting me into this project.”
– Victor Bizar Gomez

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“Huge thanks to Portland Street Art Alliance for including me in this group mural project in SE Portland. I had an amazing time meeting all the artists and spending a few days painting in the sun. Looking forward to doing more murals in 2021!” –Jade Strums

These projects give artists the opportunity to build their portfolios by allowing them to work at scale and in their preferred style. Artists from various PSAA Community Projects have since been selected from PSAA’s Artist Roster for market-rate commissioned work across the region.

Sponsors & Partners

The Central Eastside Mural District is funded, in part, by the Regional Arts & Culture Council, Prosper Portland, the Oregon Arts Commission, and the Central Eastside Industrial Council’s Central Eastside Together grant program.

WALL MANAGER: 
Lawson Buemio

PHOTOGRAPHY:
Sara Sjol

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Calligraphy and Culture

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Portland Street Art Alliance Hosts Qatari Artist Fatima Al Sharshani

CENTRAL EASTSIDE , PORTLAND

Artist Fatima Al-Sharshani at her mural.

Artist Fatima Al-Sharshani at her mural.

Portland Street Art Alliance was pleased to work with Qatari artist Fatima Al-Sharshani via our partners at Gradient (NYC) and Qatar-USA 2021 Year of Culture program. In 2021, Year of Culture paired with JEDARIART, to bring Qatari muralists to the United States. JEDARIART is a public art initiative and international cultural exchange designed to deepen understanding between nations and their people. This is the first year JEDARIART is travelling internationally, pairing local partners with visiting artists in 5 cities across the U.S.

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Over a two week period, artist Fatima Al-Sharshani worked with the assistance of Portland artist Sarah Farahat to create a stunning calligraphy-based mural at the Mt. Whitney Blocks in Southeast Portland. This was Fatima’s first visit to the U.S. and their second public art mural production.

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After laying down the brushed portion of the circle, Fatima began adding letters in Arabic calligraphy. While each letter stands on its own, the bounty of letters flowing together help one appreciate the beauty of calligraphy in an altogether new way. As a finishing touch, splatters were added in an organic fashion.

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The mural, titled "Never Ending / Endless" is an abstract piece that merges Arabic letters into a shape of a circle, representing continuity. The piece is intended to be viewed clockwise (Arabic writing reads right to left). Following along the circle, one’s eyes are transported down and around to Fatima’s expressive calligraphy that finishes the form. 

The inner depth of the circle is a “sensory expression that sparks a notion of infinity, and the never-ending power that lives within us.”

“Because I have the passion for Arabic calligraphy, I feel that there is a relationship between myself and the letters. When I can’t write something, the letters are sad, because for a long time I did not talk to them.”
— Fatima Al-Sharshani via The Willamette Week
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This beautiful new piece is part of a larger Portland Street Art Alliance community project known as the “Mt. Whitney Blocks.” This project features a total of 15 murals and gave Fatima the opportunity to exchange ideas and techniques with multiple Portland-based artists. Learn more about the larger Mt Whitney Blocks project here.

““I had a good experience with this project. I enjoyed getting to paint in Portland and meet fellow muralists.” ”
— Fatima Al-Sharshani

While in Oregon, Fatima was able to visit the Oregon Coast, tour mural sites across the city, pet her first dog, and experience the magnificence of local landmarks such as Multnomah Falls.

ABOUT THE ARTIST

Fatima Al-Sharshani 
Never Ending / Endless
@qair.qa

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Qatari-based calligrapher, Fatima Al-Sharshani, has been honing her artistic penmanship for the past several years. Originally a Chemistry and Food Science graduate from Qatar University, Fatima first discovered her passion for the arts in 2011.With Calligraphy, Fatima has given her written words more power. She enjoys the calmness and perseverance that comes from continuously improving her skills, and the meditative effect it has on her. While perfecting her skills in Diwani, Moroccan Calligraphy, Thulth, and Free line, she has organized multiple calligraphy workshops in order to share her passion with her community.

ABOUT QATAR USA 2021 YEAR OF CULTURE

Qatar-USA 2021 Year of Culture is a partnership between Qatar Museums (QM), the United States Embassy in Doha and the Embassy of Qatar in the United States, featuring a wide-range of programming including exhibitions, festivals, bilateral exchanges, and more.

ABOUT JADARIART

JEDARIART is an annual program in Qatar developed by Qatar Museums in 2020 to add vibrancy and meaning to the walls of Doha murals, encouraging individuals to reflect on social, historical, and cultural conversations and contains a diverse range of works by some of Qatar’s most recognized artists and by celebrated international artists throughout Doha.

PRESS

Article from Portland’s Willamette Week

Article from Portland’s Willamette Week

Article in Doha News

Article in Doha News

Gulf Press Newspaper

Gulf Press Newspaper

New York Daily Press

New York Daily Press

Article By Peninsula News in Qatar

Article By Peninsula News in Qatar

Post by I Love Qatar

Post by I Love Qatar

SPONSORS

Thank you to our partners:

Gradient 
North Rim PDX
Central Eastside Industrial Council 
World Pac Inc.
Ground Score Association / Trash for Peace

Production Assistants: 
Sara Farahat
Caleb Ruecker 

Photography:
Sara Sjol

Storytelling in Kalama

BRINGING BOOKS TO LIFE

KALAMA, WASHINGTON

“Reading gives us someplace to go when we have to stay where we are.” - Mason Cooley

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A new public mural has come to lift by artist Tatyana Ostapenko in Kalama, Washington. The mural was designed to represent and highlight some of the magical wonders and fantastical journeys that await those who explore the books found inside the Kalama Public Library.

Kalama Washington is located 40 miles north of Portland, Oregon. With a population of nearly 3,000, Kalama offers small town values and charm. For this project PSAA partnered with Envision Kalama  a non-profit organization in Kalama that supports projects that enhance the community, beautify the town, and provide educational experiences. Envision Kalama was founded in 2007 by a group of citizens who wanted community members to contribute to enhancing Kalama for now and for the future.

In 2019, Envision Kalama contacted PSAA asking for assistance in facilitating the commissioning of a regional artists for mural projects in Kalama. PSAA presented an overview of their mural program, process, and past projects to Envision Kalama in the Winter of 2020. Working closely with the project team, PSAA created a large roster of regional artists recommended for a mural project of this scale and nature. Several bids were collected from considered artists, with Portland-based Ukrainian muralist Tatyana Ostapenko being selected by Envision Kalama. The project team worked collaboratively in developing the design and coordinating the mural planning, preparation and production activities.

PSAA Executive Director Tiffany Conklin explains that “the quality of our shared public spaces speaks volumes about what we, as a society, believe to be important. Public art projects like murals not only bring more cultural vibrancy and interest to a place, but they also help ensure that everyone has the opportunity to experience art in their everyday lives.”

Artist rendering of proposed mural

Tatyana Ostapenko (Artist), a contemporary visual artist that creates history paintings that record the daily lives of people who usually don’t make it into official historical records. Tatyana uses images from her native Ukraine to speak about universal human experiences and evoke empathy and hope in the face of adversity. Tatyana was born and raised in Soviet Ukraine and currently lives in Portland, OR. She holds a BFA in Studio Practice from Portland State University. When she is not painting or staring out of her studio window, Tatyana is picking chanterelles in the mossy woods of the Pacific Northwest. Learn more about Tatyana, and see her paintings at https://tatyanaostapenko.com/

Portland Street Art Alliance (PSAA), a non-profit organization and network of advocates and artists who manage public art projects in the Pacific Northwest. PSAA has completed over 100 public and private art projects and commissions since 2012. This mural will be the third mural project PSAA has managed in Washington, and the first in the City of Kalama. More information: www.pdxstreetart.org

Envision Kalama, a non-profit organization in Kalama that supports projects that enhance the community, beautify the town, and provide educational experiences.

Sponsors: Envision Kalama, Kalama Public Library, Miller Paint