PSAA Projects

Lewelling In Bloom

mural at Lewelling elementary

MilwaukIe, OREGON

Over the summer of 2023, Seth Lewelling Elementary School in Milwaukie, Oregon went into full bloom thanks to muralist Emma Berger! Through the month of August, Emma tackled a nearly 3,000 square foot wall, transforming the school’s exterior gym wall into a flowering paradise.

The mural includes the school’s small pond and its resident ducks. There are all sorts of animal life to find while exploring the piece, including lizards, birds, snails, and mason bees that were included to honor principal Mason Branstetter.

The new mural has been a dream project for the Lewelling Parent Teacher Organization (PTO). After 7 years of bake sales and fundraisers, the PTO was able to raise enough funds to support a mural at the school. Lewelling’s mural selection committee wanted to create a piece of community art with vibrant colors, and a project that would also allow for students to participate in the design development.

ABOUT THE ARTIST

Emma Berger (Flat Rabbit Studio) is a muralist, illustrator and tattoo artist based in Portland, Oregon. With training at Pratt Institute in NY and experience with set design and painting, Emma’s soft botanicals and boundless imagination made her the perfect fit for this massive mural job.

ADDITIONAL PHOTOS

Photography by Sara Sjol for Portland Street Art Alliance

Timbers Pride

POrtland TIMBERS HONOR CLYDE BEST

Portland, OREGON

Clyde Best and Artist Kyra Watkins in front of the new mural at Providence Park in Portland.

On September 22, 2023, a new mural honoring Clyde Best was unveiled at Providence Park. Best played for the Timbers in their first iteration in the 1970’s and traveled to Portland to be honored by the Portland Timbers. As part of the ceremonies the Timbers reached out to PSAA to help them create a mural in the stadium to honor Best and his legacy.

Former college athlete and Portland artist, Kyra Watikins, was the perfect fit for this project. As a muralist, Kyra is best known for her striking portraits. Kyra adeptly captured Best’s image; creating a prominent new mural to help honor and tell his inspiring story.

Before coming to Portland, Best was one of the first Black athletes to play in the first division of English Premier League when he was recruited from Bermuda in 1968 at age 17. An inspiration for generations of Black athletes, Best helped shape the future of soccer worldwide.

ABOUT THE ARTIST

Kyra Watkins apprenticed at age 15 with ArtWorks Cincinnati before attending the University of Cincinnati to study figurative art and portraiture. Since coming to Portland, she has worked with PSAA and is known for her work with "Never Look Away," a mural celebrating the LGBTQ+ community as well as having her work in the Black Lives Matter Artist Grant Exhibition at the Jordan Schnitzer Museum of Art at PSU. Most recently, Watkins was selected by PSU and the Jason Erik Washington Art Committee as an artist-in-residence to create an remembrance of Washington at PSU's Smith Memorial Student Union.

ADDITIONAL PHOTOS

Photography by Sara Sjol for Portland Street Art Alliance

Rest Easy Rabbitt

MURAL HONORING RABBITT

Portland, OREGON

PSAA and Pedalpalooza teamed up to create a mural to honor Portland icon and dearly departed friend, Rabbitt. Located at NE Broadway & 24th (on the side of Broadway Vet), the mural was designed and painted by local artist and friend of Rabbitt, Hayden Senter. 

Hayden worked closely with some of Rabbitt’s close friends for input on the mural. The result is a stunning collage of Rabbitt’s favorite things; trains, bikes, wildflowers, Markal grease markers, and more. The background even includes some of Rabbitt’s geometric artwork. 

Hayden’s style was the perfect fit for this tribute as he and Rabbitt shared the many of the same loves, namely trains and nature, that Hayden often incorporates into his works. Hayden did a phenomenal job not only capturing Rabbitt’s favorite things, but also his likeness as well. This was one of Hayden’s first mural portraits and he captured Rabbitt’s essence beautifully. 

This is a completely community-driven and supported project, with financial support coming from a contribution from the property owners and numerous donations from the community.

ABOUT RABBITT

Described by Bike Portland as a “giant of Portland’s bike scene” Rabbitt was a pioneer in Portland bike culture (Zoo Bomb, Chariot Wars, Pedalpalooza, Dead Baby bikes, etc.). Rabbitt was a fearless, skilled rider. He could be seen flying effortlessly through the city, like a bird perched atop his tall bike. Rabbitt helped make “Portland Weird.” Rabbitt was a lifelong rail rider. He had the wildest tails from his adventures. Sometimes he would still rail ride and hop trains. His classic rabbit ear moniker graced many locomotives. He was an excellent photographer, especially of train engines. Rabbitt loved cruising his motorcycle along the tracks, camping, being in nature, collecting flowers for friends, and excavating marbles from a rail spill.

Rabbitt started working with PSAA in 2018. In desperate need of a quick hired hand to help prep walls at Taylor Electric, he spent two blazing hot weeks removing soot, peeling paint, and laying down the base coat. He slept in his truck, starting early to beat the heat. Rabbitt proudly claimed he had the largest piece at PSAA’s now iconic Taylor Electric Project site (a.k.a. Nova at the Electric Blocks). He also painted a beautiful garage pillar. Rabbitt hung around, got to know the artists, and was on the Taylor Electric Block Party’s security team, hosting over 2500 event attendees in one evening. Even at the most stressful times, he would crack the best jokes. He would say, “It’s coming together like buttcheeks kids!” And it certainly was.

Rabbitt also painted existing murals, a doorway at the Oak St Studios Building (SE 2nd & Oak) and doorways at Solterra’s Construction Office (NE Alberta & 14th). He’d bring artists red clown noses to wear. Any paint we didn’t need, PSAA donated to Rabbitt. He was always eager to help. He was excited and proud to be a part of the street art community.

Rabbitt meant a lot to so many communities. He appeared to some as tough on the outside, but on the inside, was the gentlest soul. Rabbitt dove into life headfirst, wild, free, seemingly without fear. He lived an adventurous life, one most of us will only dream of. A one of a kind. A clown. A biker. A motorcycle adventurer. A rail hopper. A carpenter. An artist. A genuine soul. His legacy will continue to inspire and shine on.

Rest Easy Rabbitt.

ABOUT THE ARTIST

Hayden Senter (a.k.a. Chairboy) was born in 1991 in San Jose, CA and is now based in Portland. His techniques primarily consist of painting, drawing, printmaking and murals. Using a combination of muted and pastel color palettes, Hayden’s work evoke a feeling of separation. He collects imagery from daily walks, overgrown weeds in alleys, and abandonment.

MEMORIAL BIKE RIDE & Mural Unveiling

Honoring Rabbitt at the unveiling.

On August 30, 2023, PSAA and Pedalpalooza co-hosted a memorial bike ride for Rabbitt that weaved through Portland and visited Rabbitt’s murals before working its way up to the mural. The mural was officially unveiled with speeches by Meghan Sinnott of Pedalpalooza, Tiffany Conklin of Portland Street Art Alliance, and muralist Hayden Senter.

This project is part of PSAA’s Community Art Program. Special thanks to the building owners and Broadway Veterinary Clinic for providing access to the wall, help with logistics, and for providing a donation to PSAA to get the mural started. And a huge thank you to all the individuals and friends of Rabbitt who donated through the GoFundMe campaign to get this mural across the finish line. PSAA would also like to thank the local businesses who pitched in by providing us their paid parking space access and discounts for the mural unveiling. And finally, to Metro for their grant support and Miller Paint for their sponsorship support. It takes a village.  

This was truly a Community Art Project in every sense of the word. The Portland community came together beautifully to honor one of their own.

ADDITIONAL PHOTOS

Photography by Sara Sjol for Portland Street Art Alliance

 

PHOTOS OF RABBITT SUBMITTED BY THE COMMUNITY

Special thanks to Rabbitt’s friends who submitted so many amazing photos of him to be used for inspiration in the mural and included in this community image archive (Tiphani, Meghan Sinnott, Meg Holland, Cloe Ashton, Tim Trautmann).

Oregon Wild

Celebrating 50 years of the endangered species act

Portland, OREGON

Natures Kaleidoscope by Jeremy Nichols.

A new mural titled Nature's Kaleidoscope was recently unveiled in Portland, Oregon’s historic Pearl District. The mural features imperiled species of the Pacific Northwest to celebrate the 50th anniversary of the Endangered Species Act (ESA). This bedrock environmental law has prevented the extinction of 99% of listed species. Oregon Wild and Portland Street Art Alliance teamed up to create this stunning mural.

“The Endangered Species Act protects creatures great and small. While it’s true iconic species like the humpback whale, peregrine falcon, and bald eagle have been brought back from the brink of extinction, many smaller or lesser-known species benefit too. When we safeguard biodiversity as a whole we invest in our future, as human health is directly connected to the health of the environment around us.” – Alijana Fisher, Wildlife and Equity, Diversity, and Inclusion Associate for Oregon Wild.

The mural was designed and painted by local artist Jeremy Nichols. It features the gray wolf, northern spotted owl, coho salmon, western painted turtle, monarch butterfly, Oregon silverspot butterfly, Gentner's fritillary, rough popcorn flower, and Howell's spectacular thelypody.

“We are honored to have the opportunity to work with Oregon Wild, Killian Pacific, and local artist Jeremy Nichols on this mural. This new piece of public art honors the tapestry of life that thrives in the wilds of the Pacific Northwest. We are proud to call Oregon home, and want to help conserve and protect our unique biodiversity for generations to come.” – Tiffany Conklin, Executive Director, Portland Street Art Alliance

ABOUT THE ARTIST

Jeremy Nichols was born in Japan in 1982. He grew up in Columbus,Ohio where he graduated from OSU with a BFA in primtmaking. He is currently working out of Portland, Oregon.

His work tends to focus on the energy, movement, balance, and harmony of the chaos around us. From urban growth and development, to the forward push to preserve the nature around us. He tries to visually show a juxtaposition of these opposing forces by layering elements of graphic design and nature, in order to create an environment that seems familiar, yet unfamiliar. He wants the viewer to take their own visual journey through the details and to question and appreciate the environment that surrounds them.

Artist Jeremy Nichols working on the new mural Nature’s Kaleidoscope in NW Portland.

Mural Unveling

Left to Right: Congresswoman Suzanne Bonamici, Artist Jeremy Nichols Grand Ronde Tribal Council Member Kathleen George, Metro Council President Lynn Peterson, and Alijana Fisher Wildlife and Equity Diversity and Inclusion Associate for Oregon Wild.

A public unveiling ceremony and press conference took place on Thursday August 3 2023. Keynote speakers included Congresswoman Suzanne Bonamici Grand Ronde Tribal Council Member Kathleen George and Metro Council President Lynn Peterson.

"The Endangered Species Act has been very successful. I want to celebrate the first 50 years, but not give up on the fight to continue it and protect it. We do not need to limit our ambition to minimizing losses, we can aspire to a future and an America that is more beautiful and cleaner, and safer than it is today." – Suzanne Bonamici, Congresswoman

""How we value and live with any other creature is based on how we see that being. Our elders tell us that as modern tribal members, we always have to remember that we walk in two worlds. I think that they’re right and that these two different worlds can speak directly to why we have endangered species and why we so need the Endangered Species Act." – Kathleen George, Grand Ronde Tribal Councilwoman

"The Oregon Zoo for the past 25 years has teamed up with agencies and tribes, non-profits in our community to restore wildlife here in the PNW. Together we have prevented the extinction of the Oregon silverspot butterfly, that Jeremy depicted so beautifully, tripled the range of the northwestern pond turtle in Washington state, and were the first in the world to breed the pygmy rabbits from extinction. These things aren't easy, that’s why we’ve teamed up." – Lynn Peterson Metro Council President

ADDITIONAL PHOTOS

Photography: Sara Sjol for Portland Street Art Alliance

Support Working Artists

RECOGNIZING THE WORKING ARTISTs OF THE CENTRAL EASTSIDE AND BEYOND.

Portland, OREGON

Support Working Artists, by ERAS and Never Satisfied.

Portland’s Central Eastside Industrial District has a mural championing working artists near and far. Known as a creative hub, the Central Eastside plays host to Portland’s hard-working visual artists, makers, musicians, photographers, craftspeople, chefs and more. Amidst the challenges that face Portland today, artists remind us of the beauty and passion that continue to make this city a great place to live.

For many years, Portland Street Art Alliance (PSAA) has wanted to celebrate the artists that make the Central Eastside such a vibrant and exciting place to be. In 2023, PSAA secured a grant from Travel Portland to create a massive mural honoring this creative spirit. 

The new mural’s message “Support Working Artists” declaratively states our collective support and commitment to the artists and artisans who strive daily to bring beauty to our shared built environment. 

Art is part of the foundation of what makes a city livable. Artists, and their work, are a crucial piece of a livable city. More than illustrating a background to our lives, art engages us and ties us to places throughout the city. Artists are central to Portland’s identity and a major factor in what makes the Central Eastside, and Portland as a whole, so distinct. 

Located on the Pitman Building, between SE Clay and Market Streets off of MLK, the mural’s prominent location helps spread the message near and far, while welcoming people to the creative hub that is the Central Eastside.

Artists Never Satisfied and ERAS working over the Fourth of July weekend.

FUTURE OF A LIVABLE PORTLAND BY INVESTING IN ARTISTS

Lately there has been much conversation about re-investment in Portland with an emphasis on livability. We believe strongly that direct investment in artists and artisans is essential for the future growth and sustainability of Portland.

As the city emerges from the pandemic, there is a lot of talk about how to ‘bring back Portland.’ Artists are already doing this. They are on the street, every day, working to bring inspiration to the rest of us. PSAA wants to support these working artists as they strive to enliven the places that mean so much to all of us. 

Investing in artists and providing opportunities for them to express themselves and these experiences will help create more dialogue and compassion with different parts of our community. Investing in artists and providing opportunities for them to create, promotes dialogue and interaction with people across the city. 

Artists, makers, and creators are making a difference, investing their time into community building, and figuring out solutions. In supporting artists, we support the wider web of creative communities.

We hope this mural can act as a call to action to support artists and change makers of all kinds.

ABOUT THE ARTISTS

Artist ERAS

Artist Never Satisfied

Working in the hot July sun, artists ERAS (@404era) and Never Satisfied (@dis_satisifed) transformed this 3,000 sq. ft. wall into a statement piece that cannot be missed. Seattle artist ERAS took the lead on design; working his spray can magic to create a photo-realistic hand holding a Montana Gold spray paint can. Artist Never Satisfied, world-renowned for his luscious, drippy script, provided the perfect lettering for the message. This dream team has worked together on various projects for the past two decades all around the world and are longtime friends.

Artist ERAS working his spray can magic. 

Pacific Northwest artist ERAS was raised in Atlanta, Georgia and Toronto, Canada. Recently he has been on the road creating murals across the US, but considers Seattle his home base. With over two decades of painting experience ERAS’ skills are highly sought after. His roots in graffiti allowed him room to hone his spray skills – making ERAS an adept hyper-realistic aerosol artist. ERAS has parlayed those skills into a 20-year long career as a professional working artist that has led him to create works across the globe. ERAS is Filipino-Chinese American and is currently serving as a Cultural Ambassador for the United States, with assignments in Europe planned for the rest of 2023. 

Artist Never Satisfied creating artful drips.

Muralist and Designer Never Satisfied was raised in Atlanta, Georgia, but now operates as a global artist and avid hiker of rough terrains. For the past decade, Never Satisfied’s homebase has been Brooklyn, New York, in the heart of Bushwick’s creative arts district. His lettering skills and illustration are highly sought after by clients worldwide.

A SPACE FOR ALL TO SHARE AND THRIVE

Along with supporting artists, the new mural also aims to support the district itself by highlighting and acknowledging the Central Eastside’s long history as a hub for artists and makers. Our goal is to help preserve this special space for generations to come. The Support Working Artists mural serves both as a beacon, and a ‘thank you’ to the residents and tourists who admire their works, purchase their goods, and participate in the visual, musical, cultural, and culinary experiences that make the Central Eastside the cultural incubator it is today.

Support Working Artists mural along with two other PSAA-supported murals.

Development and progress in the city does not have to come at the expense of art and artists. Rather, artists provide an anchor that connects the past, present and future of the city. PSAA believes this role of the artist needs to be recognized and prioritized. As Portland experiences accelerated redevelopment and demographic changes, there is an increased urgency for maintaining access to spaces that welcome artists to work, grow, and thrive.

Street art has long been an important and visible part of the Central Eastside, contributing to its innovative and distinct character. Street art enriches everyday life, helps to build a city's identity, and fosters a sense of place and pride in our community.

Art brings attention to community voices, especially ones that aren’t always heard. Street artists and muralists are intimately connected to the everyday challenges we all see on the city’s streets. They are already working to improve our day-to-day experiences of city life.

Artist Never Satisfied’s masterfully crafted hand-painted lettering.

The Central Eastside Mural District is quickly becoming a world-class public art destination thanks to artists, business partners, and grant funders. Portland’s public art makes our city unique, identifiable, and different from other places. These initiatives not only get financial support into the hands of working artists, but also provide inspiration and hope to our communities.

With this mural, PSAA also aims to honor the industrial district's unique history as a maker and innovation hub and help preserve space for creative and cultural production in a quickly changing area. PSAA works to support the artists that are already central to the district and to ensure that they continue to contribute to the growth and future of the city.

A WORLD-CLASS PUBLIC ART DESTINATION

Drone Footage by Never Satisfied

The Central Eastside Industrial District has become a must-see street art location thanks to artists, non-profits, business partners, and grant funders. In 2020, PSAA was awarded a grant from the Oregon Community Foundation that helped fund the Viaduct Arts Initiative. 

This grant helped PSAA ‘seed’ the Central Eastside Mural District with eight foundational murals, including a massive 12,000 sq. ft. mural at 211 SE Yamhill St. that honors the nautical and working-class history of the Central Eastside. Since then, Portland’s new Mural District has blossomed to include dozens more murals and graffiti productions painted by PSAA, other organizations, and artist-led crews. 

To recognize and support these working artists, the Central Eastside Industrial Council will be curating a site that will provide a listing of Central Eastside murals, makers studios, art galleries, and more. Artists can apply to this directory by scanning the QR code at the base of the mural or going to the following link. Once the initial list is complete, visitors who scan the QR Code on the new Support Working Artists mural will find an online database of places in the Central Eastside where they can buy, see, or support our local working artists. Inclusion is free.

QUOTES

“There is so much conversation about re-investment in the city and the future of Portland. PSAA believes the important role of artists in this process needs to be recognized and prioritized. Supporting artists not only involves providing opportunities and elevating voices, but also paying artists livable wages. We hope this mural can act as a call to action, to support artists and change makers of all kinds.” – Tiffany Conklin, Executive Director at Portland Street Art Alliance

Artist ERAS working on the fine details. Photo by Never Satisfied.

“Travel Portland is excited to support Portland Street Art Alliance with a Visitor Experience Enhancement Grant to complete this mural that celebrates working artists in Portland. These grants are designed to fund projects that enhance the visitor experience in Portland in alignment with Travel Portland’s strategic priorities and build on the region’s unique strengths, contributing to establishing the region as a preferred destination for leisure travel, meetings and conventions. Portland Street Art Alliance has done excellent work to place Portland on the global map as a destination for arts and culture.” – Jennifer Parks, Senior Community Engagement Manager at Travel Portland 

The Central Eastside Industrial Council is proud to collaborate with Portland Street Art Alliance to create a more vibrant district through public art murals. We know the profound and positive impacts public art can have on our local creative and business economies, and we are delighted to debut and host a complimentary “support local artist” directory highlighting locations to buy, see, or support Central Eastside’s local working artists.

Longstanding and collaborative efforts between the CEIC and PSAA have resulted in robust mural development and preservation efforts – including a recent investment to restore six established murals, ensuring that these community assets can be enjoyed for years to come.” – Carolyne Holcomb, Interim Executive Director, Central Eastside Industrial Council (CEIC)  

The artist’s medium of choice, Montana Gold spray paint.

“Putting Montana Cans into the hands of different working artists helps solidify what these cans can do, demonstrate their quality, as well as helping us increase brand awareness and exposure to new people. Not only does this help us create relationships between these artists, but it also sends a positive message to the rest of the community that Montana Cans is helping small businesses with sponsorship support.” – Devin Finley, Graffiti Channel Representative, Montana Cans

ADDITIONAL PHOTOS

PROJECT SPONSORS & PARTNERS

Photography: Event Photos by Tiffany Conklin. Studio Photos by Mario Gallucci, courtesy of ACLO.

Ms. Willie's Dream

CELEBRATING “MS. WILLIE’S DREAM” and JuneteeNth

LAKE OSWEGO, OREGON

Artist Sarah Farahat speaking at the mural unveiling during Lake Oswego’s Juneteenth celebration. Photo by Tiffany Conklin.

 Unveiled to celebrate Juneteenth, Portland Street Art Alliance (PSAA) is pleased to announce the completion of the inaugural mural at Lake Oswego’s City Hall. The mural, titled “Ms. Willie’s Dream” was designed and painted by Egyptian-American Portland-based muralist, Sarah Farahat. The piece features Willie Poinsette, a longtime Lake Oswego resident, dreaming of children of all races playing in Oswego Lake. The artwork was commissioned by the Arts Council of Lake Oswego (ACLO) and is located on the busy corner of 3rd Street & A Avenue on the side of Lake Oswego’s City Hall. It is the first in a rotating series of murals that will be displayed at this prominent location..

Ms. Willie’s Dream mural-in-progress by Sarah Farahat. Image by Mario Gallucci, courtesy of ACLO.

Sarah Farahat working in her studio on the mural. Image by Mario Gallucci, courtesy of ACLO.

PSAA was thrilled when Sarah Farahat was selected for this project. Sarah’s work is rooted within her observations of the socio-political landscape. Her passionate story-telling illuminates her subjects and compels the viewer to attention. After rounds of interviews and focus groups with local community members from Lake Oswego, Sarah developed a powerful concept for the new mural.

"From the listening sessions, I worked on two designs. The final direction chosen by the ACLO Committee depicted a Lake Oswego community member, Miss Willie Poinsette, who attended one of the listening sessions. I was interested in her story, so I reached out to her after the focus group to continue conversations. I was inspired by her kindness and generous commitment to the city, despite historic and present day racism in the area. I chose to depict Miss Willie because of her determination to support the creation of safer, more equitable spaces for all people.” – Sarah Farahat

The mural was unveiled on Sunday June 18th, as part of the City of Lake Oswego’s Juneteenth celebration. Despite the rainy summer day, a large crowd was in attendance for the Juneteenth celebration and mural unveiling event. Guest speakers included muralist Sarah Farahat, Willie Poinsette, and Nicole Nathan Executive Director of ACLO. The celebration also included dance from ​​the West African Dance troupe Sebé Kan. The event was hosted by the City of Lake Oswego, the Arts Council of Lake Oswego, and Respond to Racism. Respond to Racism is a local organization formed in 2017 to educate and empower residents and institutions with the tools to combat racism in all its forms and make Lake Oswego  and Oregon a better place to live for residents of all races and ethnicities.

Top Photo: Willie Poinsette and Sarah Farahat in front of the new mural at City Hall. Image by Bruce Poinsette, courtesy of Sarah Farahat. Left: Willie Poinsette speaking at the mural unveiling event.  Right: Dancer from the dance troupe, Sebé Kan.

Mural unveiling event crowd listening to guest speakers. Image by Tiffany Conklin.

“I hope that people felt a sense of joy and fun and celebration. I hope they feel inspired to create more inclusive spaces in Lake Oswego, where all children feel safe and accepted, happy and welcome.” - Sarah Farahat

Left to Right: Lake Oswego City Councilor Massene Mboup, Nicole Nathan (ACLO), Willie Poinsette (Respond to Racism), artist Sarah Farahat. Image by Tiffany Conklin.

ADDTIONAL PHOTOS

Photography: Event Photos by Tiffany Conklin. Studio Photos by Mario Gallucci, courtesy of ACLO.

Let's Hopscotch

LOCAL LEGENDS SHINE AT HOPSCOTCH

PORTLAND, OREGON

PSAA is thrilled to announce our participation in the “Walls Within” Mural Room at Portland’s new immersive art gallery, Hopscotch. Over the past two months, Portland-based artists David Rice, Francisco Morales, The Earwig, and Winston the Whale have been hard at work completing their inaugural murals at Hopscotch. From painterly to graphic, graffiti style to illustrative, each massive mural perfectly encapsulates the artist's style, allowing visitors a little slice of Portland street art in every visit.

David Rice’s mural, titled “New Topography” took his portrait style to new heights on a massive wall. In his smaller canvas work, David is known for his use of light that seems to magically illuminate and shadow every crevice of his paintings. He aspires to create works that exist beyond our physical world; his paintings often evoking a dream-like sensation.

“This piece is an exploration of identity through nature and man made elements. Exploring the diverse topography of what makes an individual unique, and how that makeup is always changing.” – David Rice 

ABOUT DAVID RICE

 

The goal of David’s work is to create environments that exist beyond the parameters of our physical world. He often focuses on the themes of identity, as we see ourselves and as we are perceived by others. His work creates a new sense of nostalgia for the viewer. Something that seems familiar, but has yet to happen. The subjects blur the line between masculine and feminine, natural and man-made, the past and the future. His aim is to create new relationships between the subjects and viewer.

 

Francisco’s work as a Chicano artist is informed by the struggles and triumphs of their community. Francisco’s current works are an exploration of Chicano identity and the use of language as a tool of exploitation, specifically the language found in marketing and advertising geared towards the latin consumer. His work also celebrates the richness and diversity of Chicano culture, by breaking stereotypes and exploring new possibilities for the community. 

“These policies and interventions have been major catalysts for people’s decisions to move North in hopes of finding better opportunities in the US. These migrations have created new generations of latines with one foot in two worlds. One being their collective heritage and history as well as their new identity as transplants to a new land and way of life. These migrations have also been met with discrimination and marginalization, as citizens of the US push back against the increase of peoples from south of the border. The discrimination received is oftentimes propagated by predatory language, imagery and products that are used to market to Latin Americans and Chicanos.” – Francisco Morales.

ABOUT FRANCISCO MORALES 

 

Francisco Morales is a Chicano illustrator, designer and muralist. Whether through murals, installation, or design, Francisco wants to inspire, provoke, and ultimately transform the way we think about ourselves and our place in the World. His work seeks to subvert the dominant language of power and privilege, reclaiming it for Chicano expression, challenge the oppressive language of colonialism and white supremacy, opening up new spaces for dialogue and understanding. In the end, Francisco believes that the Chicano experience is one of hope and possibility. By embracing our past, and boldly charting a course for the future, we can create a world that is more inclusive and more beautiful than ever before.

 

The Earwig is a legend in the graffiti scene near and far. Their work is always fresh, with sharp crisp wildstyle letters that come from decades of practice and experience. The Earwig’s characters dominate walls in Portland and beyond. The Earwig feels most passionate about being connected to their environment, particularly being immersed in the chaos of city circumstances. They are very passionate about staying true to the root of whatever they do. Over the years, they have worked with numerous galleries, high profile celebrities, but the most important thing to them is staying connected to the local community via their art.

“The Oracle is your intuition that is a channel to your higher being. Know Thyself.” – The Earwig

ABOUT THE EARWIG

 

The Earwig is an illustrator, graffiti writer and muralist based in Portland, OR. Their preferred medium is aerosol, but they also work in acrylic, pen and ink, and digital. They specialize in unconventional style writing, glyphic modernism, and conceptual character design. Much of their inspiration comes from classic graffiti wildstyle and abstract three dimensional graffiti. The Earwig also draws inspiration from 1950’s-1980’s science fiction films and artworks.

 

On any given day in Portland you may run into Winston the Whale’s work. His iconic whale sticker can be seen all across the city and globe. Winston is known worldwide for his colorful and very sought after tattoos that incorporate crisp, clean lines, trippy visuals, and super colorful graphics. 

He has expertly transferred this unique style onto the wall for his Hopscotch mural. With this piece, Winston the Whale’s intention was to represent the flow and interconnectivity between humans, nature and technology. Winston sees many parallels between the intelligence of nature, the human mind and computers/technology. They used shapes, movement and elements to pull those parallels together in one piece.

ABOUT WINSTON THE WHALE

 

Winston the Whale is a bonafide color fiend, bringing bold shapes and playful compositions to life with every color under the rainbow. Translating experiences and perspective to form, his work often nods at the joy and absurdity of life and the silly world we live in. Based in Portland, OR he spends much of his free time in the nearby forests and mountains connecting with “the wiggly ways of mama nature and the bounties she brings.”

 

ADDTIONAL PHOTOS

Photos: Sara Sjol

STEP UP

STEP UP AT FOURTH PLAIN COMMONS

Vancouver, Washington

Portland Street Art Alliance is pleased to announce a massive mural wrapping around Vancouver Housing Authority’s new Fourth Plain Commons, an affordable housing and multi-use development in the Fourth Plain International District of Vancouver Washington. Designed Christian Tellez, the mural tells the story of the surrounding community. Christian was assisted on this project by another prominent local muralist, Alex Chiu.

Lead artist Christian Tellez

Assisting artist Alex Chiu

The multi-sectioned mural titled “Step Up” was designed to honor diversity and community coexistence. The balance between defined shapes and graphic elements visually interprets the inner life of a living building – a space geared towards community interaction and pride. The silhouettes in the mural span multiple generations and are representative of the various cultures that make up daily life in Fourth Plain. The varied design elements leave room to imagine a different story upon each viewing. One can almost hear conversations in the hallways, the music escaping from doors from time to time, childrens’ laughter at the playgrounds, and feel the overall rhythm of the bustling city streets below.

The stairs are a very important design element. They act as a daily reminder to elevate oneself, so that the next generations may go even higher - opening new opportunities for the future and the future of their community. The stairs behind the figures are also significant. Showing all the steps behind the figures is a powerful reference to all the challenges they have overcome to get to where they are, and the trajectory of moving forward to the next steps in one’s journey.

The goal of this mural design is to introduce the building to the neighborhood as a living structure design to benefit a larger community. Fourth Plain Commons embraces open interaction with the district, offering nearby services and creating a sense of community.

The design tells multiple stories on one canvas, allowing people to identify themselves in any of the shapes and create new stories. The color palette represents the joy and vibrant life of the different community cultures, individuality recognition, and identity freedom. Always remembering that other shapes, sizes, and colors work well together when they coexist and do not compete.

When Christian realized this project would take place in an international district, he thought of an effervescent place, with lots of movement, diverse languages, and multiple cultures.

“Knowing that I have the chance to create a new mural along with the numerous art and inspiring landmarks around Fourth Plain, is a thrilling task. Today, more than ever, I believe human connection is something we should fight for. We are now more aware of how much the spaces around us impact our physical and emotional well-being. Beyond the physical and utilitarian aspects of painting a building, a mural makes it memorable, a part of our life, our energies, and helps build the character of our communities. Murals have a lasting impact on the viewer and people using the building.” – Christian Tellez

Fourth Plain Commons is a vital community hub for the community, not only providing access to services, but also providing a third space for the community to grow, collaborate and share. The mural is a central feature of the commons and has been a truly collaborative process between the community and artists. Fourth Plain Forward’s Community Development Manager, Sheila Davis, worked alongside the artists throughout the process.

“We believe the Commons will be a catalyst in the community towards a future filled with joy and commitment to deepening relationships. Our hope with the artwork is to reflect this intention. Each artist has brought their unique perspective on this vision and we’re excited to see the artwork bring the Commons to life!” – Vancouver Housing Authority

“Christian created a colorful and vibrant mural that is reflective of the Fourth Plain community. I am impressed at the level of engagement that was done to make sure the diversity of the community came through in the artwork.” – City of Vancouver

“It has been an absolute pleasure for me to see the collaborative process in which Christian involved our community and established a shared vision, creating vibrant artwork that celebrates our culture, history, and community. We are grateful to the Portland Street Artist Alliance and the City of Vancouver for the opportunity to partner in this process and look forward to seeing the final art piece that will become an essential part of the fourth plain landscape.” - Fourth Plain Forward

Photography: Sara Sjol for PSAA

The Leaders of East Portland

THE LEADERS OF EAST PORTLAND

PORTLAND, OREGON

March 27, 2023 (Portland, OR) – Completed just in time to celebrate Women’s History Month, Portland Street Art Alliance is pleased to announce the completion of a monumental new mural in Southeast Portland’s Midway District.  The mural, titled “Leaders of East Portland,” was painted by local muralist and Midway resident, Alex Chiu. It features four prominent leaders of the Midway community and was commissioned by the Midway Business Association, with grant assistance from Venture Portland. The mural is located at SE 122nd and Powell in the Midway Neighborhood.

Along with being a talented muralist, Alex specializes in collaborating with communities to create public art that tells a larger story. Since Alex lives in the district, he had an even deeper understanding of the people and place - giving him a unique perspective. Alex worked closely with the Midway Business Association to identify which district leaders to honor. Alex implemented a public survey to gather nominations for prominent female community leaders in the neighborhood. In the end, four women were selected to be depicted in the mural. 

ABOUT THE FEATURED WOMEN 

Lisha Shrestha, a native of Nepal is the current Executive Director of the Division Midway Alliance. Lisha previously worked at IRCO, the City of Portland’s New Portlander Program, and Elders in Action and was the recipient of the Portland State University’s President’s Diversity Award in 2015 and Community Leader of the Year Spirit of Portland Award in 2017. Lisha is also pursuing her doctoral degree at PSU. Her position at Division Midway Alliance allows Lisha to advocate for and bring resources to the immigrant and refugee populations in the area.

Halimo Alinur is one of 9 children raised by a single mother, who immigrated to Portland from Somalia. Halimo was born and raised in Ethiopia, but ultimately moved to the U.S. from Somalia.  She moved to Portland at age 11. As a student, Halimo participated in programs organized by the African Youth Community Organization (AYCO). Halimo was later hired as AYCO’s Community Engagement Lead, and is working with newly immigrated families and youth in East Portland.

Olena Borova immigrated to Oregon in 2018 from Ukraine. She began to work at Mercy Corps, as the Education & Outreach Program Officer for the Community Investment Trust (CIT) and is now a CIT Implementation Manager. Olena is dedicated to serving underrepresented communities and advocating for equality and financial inclusion. Before joining CIT, Olena worked as the Executive Director for ArtLinks, a non-profit in Eugene, OR that supports cultural diversity through art, culture, and education.  

Diana Nuno-Perez is a mother of five who has lived in East Portland for over 20 years. She is a local store owner and designer at SaVistication Customs & Apparel at 2803 SE 122nd Ave. Diana is deeply involved in the Chicano and Native art community in Portland. Diana designs custom apparel, promotes and organizes hip-hop events, and is involved in the lowrider car scene.

“It is an honor for me to paint a mural in this particular location. I have lived in Outer East Portland for about 8 years now. I am currently living in the Mill Park Neighborhood and live about a half mile from the mural itself.  There is not a lot of public artwork or murals in the area, so I was excited to take this opportunity.” – Alex Chiu

ABOUT THE MIDWAY DISTRICT

The Midway district covers 12 square miles of neighborhoods and includes more than 500 businesses and is one of the largest districts in Portland. The district was named for its location “mid-way” between many of the region’s amenities, including downtown Portland, the Columbia River Gorge and Mt. Hood - which can be seen in the background of the new mural.

‘“MBA is extremely grateful for the generous grant we received from Venture Portland to hire local artist Alex Chiu who worked with the community to create this inspiring mural. It celebrates several of East Portland's influential women as it beautifully brightens up this busy intersection with a sense of calmness and connection.”   – Midway Business Association Board

Hello, World!

Alex Chiu & the Leaders of East Portland VIDEO

This video was commissioned by Thrive East PDX and made possible with funding help from Seeding Justice. See more at thriveeastpdx.org WATCH HERE

ADDTIONAL PHOTOS

Photos: Sara Sjol, Tiffany Conklin, Alex Chiu

Sunshine Dairy Demolition

SUNSHINE DAIRY 1935 - 2023

PORTLAND, OREGON

“Life is Full of Distractions, Pay Attention to What’s Really Important” - HAND OF DOGG 

So much gratitude to all the artists and friends who came together in 2019 to make this massive mural project happen. It was one of the best spaces PSAA has had the honor of painting to-date. Thank you for all making it so special.

Photo: Kyle Overman, February 2023

On the walls of this old dairy, we helped to write the final chapter of a piece of Portland history. While it always pains us to lose public art and historic sites like this, we are reminded in times like these that by its nature, all street art and graffiti is ephemeral, as are we and the things we build. Pay attention to what is important. Embrace your people and frequent those places around you that you love. Together, we turn spaces into places.  

Photo:Caleb Ruecker @portlandhistory, February 2023

Sunshine Dairy started operation in 1935. It was a Portland mainstay until 2018 when the company declared bankruptcy. Given the structural foundation issues, the owner decided to redevelop the site. The building has unique industrial zoning, which allows for both residential and mixed-use development at the site. Realizing that the dairy would be sitting vacant for awhile, the property owners decided to activate this space with street art until its demise. With the help of donations, PSAA was able to arrange for several teams of artists to completely cover the building with bold artwork.

Spaces like Sunshine Dairy are important pieces of our public art landscape, as they provide easily accessible space for artists to explore new techniques and build their portfolios.

This site was part of PSAA’s unique Community Art Program. These special projects are much more organic and don’t have any planned sketches. Some have loose themes, but many do not. Each team of artists chooses a general color scheme, and their own schedules. Artists are provided very open creative freedom, which provides spaces for innovation and experimentation.

Over 30 artists were on display on walls of this iconic Portland dairy. Due to the pandemic, the Sunshine Dairy Community Project remained up for over 4 years, longer than anyone expected. Sunshine Dairy was PSAA’s first major Community Art Project of its scale. Since 2018, PSAA has curated three other large Community Art Projects, including the Salvation Army Building and the Salt and Straw Kitchen in the Central Eastside and the Mt. Whitney Blocks at SE 11th & Ash.

ARTWORK AT SUNSHINE DAIRY

Photos: Paul Landeros, Tiffany Conklin, Sara Sjol, Invoice, Tim Trautmann, Jeremy Nichols

 

SUNSHINE DAIRY ARTISTS:

GIVER, EKOSE, VIDEO, FIBER, ABNR, KANGO, LAWSON ARTS, NOTES, ADJUST, NIMBY, ZAE, RABK, UGH, CEEKAY, PESTOE, CKOS, BOSE, HENRY, BLINK, DEVIN FINLEY, GATS, DETR, YATSE, YUCKO, COPS, GIMER, ENVY, FNGER, AT ME, KENRO, GRISLE, QUINN, JOINS, RASKO, JEREMY NICHOLS, PTV CREW 

HISTORY OF SUNSHINE DAIRY

Written By Josie Allison, Photos Scanned by Anton Legoo

In the 1930s, John Karamanos, a Greek restauranteur, wanted to start a dairy delivery service for his friends and founded Sunshine Dairy products. At the time, Portland was home to 50 independent dairy processors.

For the next 83 years, Sunshine stayed committed to serving local food service industry, local manufacturers, and local retailers and co-packers with their personalized delivery and steadfast dedication to high quality, naturally-produced products. By 2018, Sunshine Dairy was a fourth generation, family-owned operation.

The company gained organic certification and was consistently committed to producing the highest quality dairy products through specialized processes that produced superior, fresh taste. Every load of milk was screened for antibiotics and surpassed the federal standards of quality and safety. Sunshine was devoted to the philosophy that natural is better.

Since the development of the bovine growth hormone rBST in 1994, the company sourced from farmers who signed an affidavit not to inject their cows with the artificial stimulant and sought to support farms with sustainable farming practices. In return for their promise, Sunshine paid the farmers a premium to compensate for the economic benefits that using the artificial hormone would have brought. In order to keep their prices low, the company was willing to accept smaller profits from each gallon of milk. In 2001, Sunshine officially became the first dairy in the region to buy exclusively rBST-free milk. The company reaped the rewards from their dedication to natural products as organic milk sales began to rise after growth hormones were increasingly introduced into mainstream dairy.

One of Sunshine’s largest vendors was the Farmers Cooperative Creamery (FCC), whose members are nearly all small to mid-sized, family farmers from the Willamette Valley in Oregon, and Chehalis and the Yakima Valley in Washington

The shifting climate of the dairy industry and the consolidation of dairies throughout the U.S. pushed Sunshine Dairy into bankruptcy. Sunshine signed an agreement with Alpenrose Dairy, another company founded in Portland.

Read More about Sunshine Dairy History

Remembrance in Paint

JASON BROWN MEMORIAL WALL

PORTLAND, OREGON

Portland Street Art Alliance partnered with artist Jaymeer to help him implement his vision to organize the painting of a new memorial wall, honoring J. Brown and his advocacy work that helped push the City of Portland to loosen its restrictive mural laws.

New mural titled “J Brown Remembrance In Paint,” located on the back of All Service Moving (66 SE Morrison) in the Central Eastside, blocks away from where New American Casuals was located in the early 2000s.

Portland-based muralist and Burnside Skatepark (non-profit board member & art director) community manager, Jaymeer, organized a team of aerosol artists from all over the West Coast to paint a massive mural production honoring the late Jason “J.” Brown (1970-2011), former owner of New American Casuals (NAC), a pioneering Portland streetwear shop located in the Central Eastside in the early 2000s. This new mural is fittingly located just blocks away from NAC’s original location at 326 SE Morrison St. 

“J Brown Remembrance In Paint” was painted in a classic graffiti style by internationally respected and recognized graffiti artists. This all-star lineup included Jaymeer, Leon, Mez, Clown, Fresh, Nick Sawyers, Kadie, Nekroe, Flash, Hagr, Hand of Dogg, Saroe, Mewz, and many more.

The production features quotes from J. Brown, and related imagery from the original mural on NAC that sparked a fiery debate about freedom of expression in Portland and the City’s sign and mural codes. If you look very closely along the bottom, taken together, the various wildstyle pieces spell out “Portland” in an abstract style.

To appreciate the messaging and symbology behind the mural, one needs to understand Portland’s unique and complicated history of laws regulating freedom of expression and art in public space. Prior to 1991, artists could paint outdoor murals in Portland with a simple agreement between themselves and the building owner, as is the case in many other cities across the US.

In 1998, the City of Portland was thrust into a lengthy and complicated legal battle with AK Media (a company that was later absorbed by Clear Channel). Sadly, many historic and community murals were lost during this time, commonly known as Portland’s “mural moratorium.” Some murals like the “Art Fills the Void” banana mural on Division (1982) and the “Malcolm X Black Pride” mural off Alberta (1984) were thankfully spared and saved.  

A handful of art advocates rose up and pushed for the art of mural-making to be recognized and respected by the City of Portland.  

Late muralist Joe Cotter, was perhaps the best known champion of murals in the Portland area, with his activism group Portland Mural Defense. Cotter wasn't an attorney, but he learned about the legal process and used that knowledge to work with a tireless group of mural advocates who fought for greater expression of murals in Portland. Along with fellow Portland Mural Defense advocates Mark Meltzer and Joanne Oleksiak, Cotter worked for many years to make the city sign code less restrictive toward murals. Read more about Portland Mural Defense here and here.

In the early 2000’s New American Casuals was not only a clothing store, but a gathering place that celebrated all thing street.

A lesser known, but equally important hero of Portland mural history was Jason “J.” Brown, owner of New American Casuals. NAC was a streetwear clothing shop / boutique & carried art supplies & had gallery art displayed. NAC was more than a clothing shop or store he hosted gallery shows for artists around the country & world, it was a creative hub for Portland’s aerosol artists – a place where they could gather, sketch in their black books, network, and provide mentorship for kids interested in graffiti-style artwork.

Original New American Casuals Mural

Original New American Casuals Mural

In 2003, Brown allowed graffiti artists to paint a mural on the east wall of NAC. The mural featured a mix of graffiti-style writing and a large figure posing with a can of Belton spray paint. A similar character also is now featured again in the new mural at All Service Moving, the painting includes some of the original artists, like Jaymeer almost 20 years later. 

Brown was aiming to show off local artists’ talent and beautify the “drab belly” and “poop-splattered underside of the Morrison Bridge” where NAC was located. Brown said, “we’ve had more honks and cheers from people going by than people stopping to gripe about it.” Brown’s vision was to host a Legal Wall, an ongoing graffiti project that would rotate twice a month, “ranging in everything from graffiti art to stenciling to fine arts” Brown said. 

City of Portland's 2003 Graffiti Abatement Notice and Jason Brown's Letter of Appeal to the City. 

The NAC mural was painted without a City permit, however, making it technically “illegal graffiti” under the city's sign code. Brown received a graffiti abatement notice and was ordered to paint over it within 10 days or face fines. 

Brown appealed, but before the removal deadline approached, the City’s graffiti removal crew painted over the mural, the following day an in progress mural was removed from the opposite side of the building.

After the murals removal Brown and a group of artists began painting other murals, on both sides of the NAC building in protest of the City’s actions. The murals displayed a political message from Mahatma Gandhi; "Civil disobedience becomes a sacred duty when the state becomes lawless and corrupt." 

The Oregonian newspaper reported that Art Hendricks, the manager of the City’s Crime Prevention Program in 2003 (later called Graffiti Abatement / Graffiti Program), said the murals were “considered graffiti, subject to removal if not approved under city sign codes.” 

The City also issued Brown a citation for failing to obtain a permit. Brown did not have a permit for the mural and said he didn't know he needed one. The City said it was responding to complaints from local businesses it had received about the NAC mural. 

Brown consulted with an attorney and sent an appeal letter to the City. He and the artists involved hosted fundraisers and rallied supporters, like Jaymeer, to speak out and come out in defense of legal aerosol art and overly restrictive laws. 

“After spending over 2 weeks painting and on scaffolding, I felt my artistic freedom of expression and speech had been suppressed. I had permission from the property and business owners. An appeal to the City was sent in. Our artwork was destroyed without even a reply from the City.” - Jaymeer

"I would have followed the rules, had they been laid down to me and been respected by the people laying them down,” said Brown. It would have cost $1,600 to register the 250-square-foot mural. A substantial cost in 2003, and even so now. At that time, Brown and the artists would have also had to navigate a complicated land use review process and gained approval  from the neighborhood association  regarding the mural’s style and content. 

Brown and other advocates were eager to see the City “loosen the code and allow a greater proliferation of public art that reflects and affirms community and local character,” explained Marjorie Skinner, a local reporter who covered this controversy over the years. 

The situation that flared up under the Morrison Bridge at NAC was one of the sparks that ignited a fiery debate over government regulation and freedom of artistic expression, pushing groups like Portland Mural Defense to rise up in support of murals.

Press from The Portland Mercury circa 2003

"These are not illegal graffiti bombers, these are artists," Brown said back in 2003. He wanted to give the artists an outlet and help them get recognition for their work. Brown’s vision was to transform the underside viaduct of the Morrison Bridge in the Central Eastside. Twenty years later that process has finally begun with murals throughout the industrial district, now coined by local artists as the Central Eastside Mural District.

After many years of legal battles, artist protests, and whitewashed permission murals, in 2005 the Regional Arts & Culture Council (RACC) began its Public Art Mural Program. Following the closing of the Clear Channel trial in 2009, the City of Portland’s new mural program was created. 

The Future of Street Art in Portland

Until those two pathways (which we still have today) were forged, community murals were either not painted, or were done without City permission, risking citations and fines for building owners for being out of compliance with the City’s sign code.

The bureaucratic process and costs of obtaining permission to paint in Portland continues to be a sticking point and is a cause of much confusion for local and visiting artists. 

“Thankfully, thanks to the hard work of artists and advocates throughout the years, the City currently charges $56 for a BDS-issued Original Art Mural Permit. It takes 21 days to secure, and requires certified letter notifications to the neighborhood associations/coalitions, and a public posting notice on the wall. With this permit route, we don’t need to get mural designs approved by anyone other than the property owner. The BDS has no say in what content we paint, who the artist is, or what paint mediums we use.” explains PSAA director Tiffany Conklin who was at the table during the City’s last mural code revision process in 2018. 

“Even though the permit system is better, it still doesn't allow for rotations and murals need to be planned well ahead of time. Not all public art has to be static and planned. At PSAA we advocate for a legal route that allows for more organic free expression and less barriers for young and emerging local artists and those who are visiting the city.” 

“Recent progress has been made in getting the City to consider allowing for a Free Wall / Legal Wall, though the process is still in its early stages and there’s a lot of huddles to get over.” explains Conklin. Thanks to a PSU research study on the topic, in 2019 Portland City Council said they would consider a pilot Legal Wall program, if an appropriate site was secured. 

IN MEMORIAM

Artist gathered to paint for and remember Jason Brown

Sadly, Brown never got to see what the Central Eastside has transformed into today. He was killed in a tragic accident, a house fire in 2011. But thanks to Jaymeer and the local street art community, his image and memory will live on in the heart of the Central Eastside Mural District.

“Jason Brown was a good friend to many Portlanders. I think Jason would be proud to see so much art in the Industrial Central Eastside, close to where his business was located and where his heart was. Twenty years later, I still am advocating and waiting for the day that Portland has a City-sponsored and supported Legal Free Wall for art, perhaps in a park or next to a skatepark. We need accessible walls that diverse people from all walks of life can use to express themselves.”
- Jaymeer 

ABOUT JAY MEER

Jay’s Wildstyle on the J. Brown Memorial Wall.

Artist Jaymeer has been managing the mural work at Burnside Skatepark since 1993. An early volunteer at Burnside Skatepark, he helped with construction, building, and maintaining the now world-famous skatepark. With roots in the Midwest, Jaymeer travels nationwide creating commissioned art and donating murals to skateparks. Jaymeer has been a prominent member of the local Portland skateboarding, art, and activist community since 1994. He started drawing at an early age. In 1988, under his mentor, Leon Henry, Jay started to paint with aerosol & airbrush. He now has murals all over the country. He also helped work to build, fundraise & paint for Marginal Way D.I.Y. Skatepark in Seattle, WA est. 2004.

ABOUT PSAA

PSAA started The Central Eastside Mural District this mural initiative in 2018, applying for grants, gathering letters of support, and networking with Central Eastside property owners and businesses. We wanted to carry on the torch of J. Brown, Joe Cotter and other art advocates who have fought for public art in Portland.The goal of the initiative is to promote more inclusive engagement and access to public art-making in the city for those who want to paint legally,”  explained PSAA Board President Tomás Valladares.

Read more about PSAA’s Central Eastside Mural District Initiative. Jason Brown famously said “There are amphitheaters for murals, there’s basketball courts for kids that are into sports, but where are the walls?”

Since our founding, PSAA has helped create over 300 street art installations, collaborating with hundreds of artists in the region and facilitating commissions resulting in over $950,000 paid to working artists. Street art is inherently democratic; providing access to artistic expression for the entire community, not just a privileged few who have access to museums, galleries, and private art collections. In everything we do, from murals to virtual learning sessions for students, PSAA aims to create strong visual, cultural, and economic impacts through public art.

PSAA Partners

Ground Score Association, a peer-led initiative of the non-profit Trash for Peace assisted with wall preparation for this mural project. This special work program helps folks with housing insecurities gain access to paid work and job training opportunities

Project Sponsors: Metro, Metro Paint, Miller Paint, All Service Moving

Photography: Jay Meer, Sara Sjol, Tiffany Conklin

Together We Bloom

LAS ADELITAS APARTMENT HOMES

PORTLAND, OREGON

Portland has a bold new community-inspired mural in its public art collection, painted by Michelle Ángela Ortiz at Hacienda CDC’s Las Adelitas project. Las Adelitas a 142-unit affordable housing community nearing completion in the Cully neighborhood at 6723 NE Killingsworth Street.

“Together We Bloom / Juntos Florecemos”

This project was spurred by community grassroots efforts and will provide much needed affordable housing to the Cully neighborhood. During the building’s design process, local community members expressed interest in a public mural and art installation. In response, Hacienda CDC incorporated a large-scale mural above he main entrance. They then teamed up with PSAA to commission the work. The goal of the project is to celebrate the neighborhood’s culture, diversity, and strength.  

The final design, by Michelle Ángela Ortiz, is a beautiful expression of the Cully community. As part of her process Ortiz connected with several Cully residents to draw inspiration for the mural’s design. Together We Bloom (Juntos Florecemos) was directly inspired by the stories of community members from the interviews Ortiz conducted.

The images of light and growth emerge from their stories. The quote “We belong to you and you to us, together we bloom” is an excerpt of a poem created by local community member, Lizet. Her elegant words encompass the overall essence of the mural. 

Photo courtesy Michelle Ángela Ortiz

Michelle Ángela Ortiz is a visual artist based in Philadelphia, PA. Ortiz has completed over 50 large-scale public works nationally and internationally. She is known for using her art as a vehicle to represent people and communities whose histories are often lost or co-opted. Michelle was assisted by artist OIiver Casillas of Portland and Guadalajara, Mexico.

“I am a child of immigrants, a woman of color, a mother, a product of two people that experienced extreme poverty that led them to immigrate to this country. It is within this context, that I see my work as an artist as cultural currency that I use to invest back into the communities I am connected to and to reflect what we contribute to our society. I am pleased to be in Portland to honor the people of the Cully neighborhood through this mural.”

– Michelle Ángela Ortiz, Muralist

“We are honored to have Michelle Ángela Ortiz commissioned to paint this piece at Las Adelitas. This mural paints a true picture of our community. It captures who we are, where we have come from, and our vision of where we want to go. Youth and children will look at this mural and see themselves, their families, and images that represent their culture and surroundings. Community members from Cully, where all of Hacienda’s work began, will see themselves in this mural as they walk into our community event space or pass by Las Adelitas. The impact of this mural will reverberate throughout our community for years to come.”

– Ernesto Fonseca, Hacienda CDC CEO,

MAKING A MURAL

Juntos Florecemos, a project video by artist Michelle Ángela Ortiz . Click on image for link.

BEHIND THE SCENES

LAS ADELITAS IN THE PRESS

A story on Together We Bloom on OPB Radio. Click on image to view.

A story on Together We Bloom on Univision Portland. Click on image to view.

Photography: Sara Sjol, Tiffany Conklin, Tomas Valladares for PSAA.

Pollination Paradise

METRO GARAGE MURAL

PORTLAND, OREGON

As pedestrians and cyclists cross the newly opened Blumenauer Bridge, they will be treated to a striking tableau.

Renowned Portland muralist Jeremy Nichols has transformed Metro’s parking garage with a mural featuring various modes of transit, interspersed with local flowers and pollinators a plenty. The mural wraps around two sides of the building and is dotted with wildflowers that pop between bikes and scooters as butterflies and bees flutter throughout. This mural project was sponsored by the Lloyd Community Association.

Local flora depicted in the mural include: Trillium Flowers, Doug Fir, Blanket Flowers, Camas Flowers, Oregon grape Flowers, western blue flax, dandelions. These beautiful plants are paired with local fauna including: Monarch Butterfly, Oregon SilverSpot Butterfly, Bumble Bees, Honey Bees, and a Rufous Hummingbird. All of which are representative of the Pollination Corridor that surrounds the mural.

Along with nature inspired elements, Nichols also included his signature bold graphic lines and elements which bind his compositions together. One of graphic elements in this work, a stylized bow-tie, is a subtle nod to Congressman Earl Blumenauer, who can always be seen wearing his trademark bicycle lapel pin and a bow-tie. Other elements include a TriMet MAX line map, Railroad I-Beam Tracks, and a silhouette of both a bicycle and an adaptive bicycle.

“It’s fitting that the Metro Regional Center can be a canvas for a mural that resonates with our goals and values of conserving natural areas and planning for the region's long-term transportation needs! With this new mural, we look forward to inviting our communities across the Blumenauer Bridge, into the Lloyd District and their Metro Regional Center.”

– Ryan Kinsella (he/him), Metro’s Capital Asset Management Director

“Lloyd Community Association is excited there is a new beautiful mural welcoming people as they enter our neighborhood! This project is just one of many that local businesses, residents, and groups are working on to improve Lloyd. We invite community members to attend our October Coffee Chat and Mural Opening Celebration on Thursday, October 6th from 8:00 to 10:00 at the mural site. Swing by to start your day with free coffee, meet your neighbors and Lloyd Community Association members, and learn about the details of Lloyd's newest public art from the muralist.”

– Keith Jones (he/him), Lloyd Community Association’s President

“I wanted to create a timeless, hip, energetic mural that grabs the public attention, creates a conversation, and ultimately creates a public landmark/ point of interest. Given the location of the mural, the primary focus of these designs is movement, alternative means of transit, pollinators, and a subtle nod to Earl Blumenauer.”

 – Jeremy Nichols, Muralist 

BEHIND THE SCENES

IN THE NEWS

Click here to read about the Lloyd Center mural on Bike Portland.

 

Photography: Sara Sjol, for PSAA.

Inheritance

INHERITANCE

PORTLAND, OREGON

In Spring of 2022, Portland muralists Alex Chiu and Jeremy Nichols took their skills to new heights – Eleven stories to be exact! After over a year of planning with PSAA, the tenant, and property owner, Chiu and Nichols spent 10 days towering above the city to create their new stunning mural, “Inheritance.” This landmark mural in downtown Portland is PSAA’s tallest mural to-date.

Inheritance at the corner of SW 2nd and Salmon 

With its location at the very top of the building, the mural required training and certification on swing stage scaffolding for both artists. As part of the mission of Portland Street Art Alliance, we aim to create opportunities for artists in the Pacific Northwest to continue to grow their skill sets. With this project, PSAA was thrilled to help Alex and Jeremy take the next steps in their already amazing muralist careers. 

“This is the first time I’ve ever worked so high up by far,” said Chiu after his first day on the scaffolds, “The craziest part of the process was stepping over the railing into the scaffold for the first time at a hundred feet up and being told to start painting.”

Artists Jeremy Nichols and Alex Chiu

The piece's title ‘Inheritance’ defines the visual story. At the base of the mural are the hands of an elder placing a bowl in the hands of a child – illustrating the passing on of knowledge and a more sustainable, nourishing and bountiful world for future generations. The bowl is a metaphorical heirloom, brimming with lively symbols of the Pacific Northwest, including ferns, Oregon Grape blossoms, a pinecone, raspberries, blackberries and trillium flowers – all topped with a perfectly perched bluebird. After all, this is Portland, and we love to put birds on things! In the background, three monarch butterflies flutter through the air with Douglas Fir trees framing a silhouetted Mt. Hood – symbolizing home, regional familiarity, and nature.

“This mural was not only an amazing opportunity, it was truly an absolute blast to paint with Alex again. This was our first time working so high up, which I think only added to the fun experience. I am honored to have worked on this project, and to add a little color and life to the city of Portland for everyone to enjoy.” – Jeremy Nichols 

“The theme of inheritance is one that has become important to me as the father of young children, and something that I reflect upon as my parents grow older. For me, the mural is a hopeful depiction of the relationship between the older and younger generations. We become who we are because of the elders, mentors, and teachers in our lives. It eventually becomes our responsibility to pass down our legacy to the next generation. The mural is also a celebration of the beauty of life in the Pacific Northwest.” – Alex Chiu

Inheritance is 11 stories up and can be seen from many vantage points across Portland.

Located at 250 SW Taylor St (at the corner of SW 2nd & Salmon), this massive 52' x 50’ piece of art looks like it’s floating in the sky – providing our beautiful skyline with a locally-made artistic gem to be enjoyed by future generations. 

BEHIND THE SCENES

Photography: Sara Sjol, Tiffany Conklin, Alex Chiu and Jeremy Nichols for PSAA.

A Celebration of Culture

PORTLAND MERCADO FENCE

FOSTER-POWELL, PDX

 On February 12, the Portland Mercado (@portlandmercado) hosted a celebration to mark the completion of Portland muralist Christian Tellez (@w_esi) new mural at the Mercado. The celebration began with a ceremony and dance by Huehca Omeyocan Aztec Dance (@huehcaomeyocan) and closed with music by Ache Son. 

Artist and architect Christian Tellez’s vibrant new mural spans the entire parking area fence, providing a striking tableau for patrons and passers by. This captivating new work evokes the feeling of being at a traditional Latin American Mercado, and is rich in color and cultural references. 

ABOUT THE WORK

Artist Christian Tellez

“The happiness of giving and sharing inspires the Portland Mercado Mural. For Latin American culture, sharing a table with food is a common sign of care and love. We want to share the same with the Portland community. The vibrance of colorful ingredients and fruits, reflects the happiness of sharing a good time with friends and family, and music can't be missing on those occasions. 

In our countries, going to the Mercado means tons of colors, noises, music, people shouting, chatting, laughing, good food, pretty much like a party. A party without friends means the same as a table without people to share food and love for our culture. And the people who work in the Mercado become extended family, and hopefully, the mural becomes a warm welcoming to the community. Hence, we always have room for you to join our table.” – Christian Tellez 

THANK YOU TO OUR PARTNERS

This beautiful new mural is part of the improvement project at the Portland Mercado, made possible with support from Travel Oregon (@traveloregon) and Prosper Portland (@prosperportland).  

“We are thrilled to have this beautiful addition to the Portland Mercado which will enhance community space and serve as a testament to the colorful, bold, and dynamic individuals that make up our community at the Portland Mercado and the vibrant and eclectic cultures that are a part of our heritage.” 

– Ernesto Fonseca, CEO Hacienda CDC @hacienda_cdc 

READ AN INTERVIEW WITH THE HACIENDA CDC AND CHRISTIAN TELLEZ

Photography by Sara Sjol for PSAA.

Green Means Go

GREEN MEANS GO MURAL

CENTRAL EASTSIDE, PDX

A brand new mural now greets visitors to the Central Eastside Mural District! This new mural was painted by Maggie Wang (@mag.dre) with the assistance of Portland Street Art Alliance. It’s located in Southeast Portland, next to Taylor Electric.

“It was important for me to do this mural with Leafly because I believe that anyone, and especially Black and brown communities, should be able to enjoy weed without stigma. It’s about joy, and the mural captures what I love most about my hometown: that anyone can do what makes them happy, no matter what other people think.” - Maggie Wang

The mural was also made into a NFT to benefit Oregon Handlers, an organization that helps BIPOC community members get their handler’s card, in an effort by Leafly. The NFT has sold out, but luckily everyone can still enjoy this smokin’ new mural. Roll on over and check it out!

This project was commissioned with the help of Bay Area company, Media Ventures

Time To Get Down

THE GET DOWN

SOUTHEAST, PORTLAND

Geometric wizard Xavi has transformed a drab space in SE Portland in to a funkadelic spot to get down! His colorful abstract aesthetic was the perfect fit to bring this new Portland venue to life.

Using the newly created branding as inspiration, Xavi created a series of record-like shapes across the bar area’s two main walls. Behind the bar the wall is accented by more abstract circular patterns that perfectly frame the Get Down’s neon sign. The same record style is extended to the front entrance and the logo was painted on the interior wall, greeting guests as they enter the venue.

The Get Down is a versatile event and music space, equipped with state of the art sound and lighting equipment. See the their full event calendar at thegetdownpdx.com

Finished interior photos provided courtesy of the The Get Down.

Welcome to Toledo

WELCOME TO MAIN STREET

TOLEDO, OREGON

363 North Main Street, in the heart of downtown Toledo. Toledo’s new mural will span the entire north side face of the historic building, owned by the Krause Family.

Toledo Oregon now has an eye-popping “Welcome to Main Street” mural, designed and painted by the fabulous Jeremy Nichols. Working through high winds, heavy rain, and hail, Jeremy and his assistant Hayden Senter hammered this mural out in just one week. This job site was particularly tricky to paint due to the uneven and extreme slope. Luckily, the City of Toledo hooked us up with a City bucket truck and operator!

“​”This mural at the entrance to Main Street will help to distinguish one of the remaining true Main Streets here on the Oregon Coast and bring more awareness to our history and culture here in Lincoln County.””
— Rod Cross, City of Toledo Mayor

The mural features all things Toledo. From left to right: Paint brush and splatters to represent Toledo’s artist community, a Boomer mountain beaver (Toledo’s high school mascot), rhododendron flowers, golden chanterelles, logs and logging equipment (symbols of Toledo’s major paper mill industry, still in operation), railroad spikes (historic and present day rail line hub, check out their awesome railroad museum!), deer antlers, Douglas firs, and the mural’s center piece - a majestic Painted Lady butterfly common in Oregon.

Big thanks to the City of Toledo and Sequoia Consultants for making this happen! Even though it can be a challenge, we love painting on the Coast and in small rural towns across the Pacific NW! It’s very rewarding and amazing to see everyone’s reactions.

““I wanted to create a bright energetic mural that creates a sense of wonderment and curiosity, and help tell a story of the area. This is an exciting opportunity to brighten up the neighborhood, bring people together, and get to know the local community.” ”
— Artist Jeremy Nichols.
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Ladies Up

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Artist Kyra Watkins getting started on her first mural in Portland, OR.

Artist Kyra Watkins getting started on her first mural in Portland, OR.

Portland Street Art Alliance’s Ladies Up Project brings new murals to SE Portland, all by female-identifying artists based in Portland, Oregon.

The Ladies Up Mural Project is located at Morrison Place at 1401 SE Morrison St, (along SE Alder St & SE 15th Ave). This mural project was made possible thanks to a partnership with the property owner Killian Pacific, sponsors Miller Paint and Metro Paint, and donations from neighborhood association residents.

This mural space is part of a unique donation-based community mural program, where PSAA is provided full curatorial control and artists are provided considerable open creative freedom in their work.

For this collaboration, PSAA chose a broad theme: a line-up of emerging local female-identifying artists. Female/femme/non-binary artists are highly underrepresented when it comes to overall access to painting in public space. As a result of this gender inequity, not all perspectives and stories are being told in our artistic landscape. Street art is a very male-dominated culture, so PSAA has been working to create opportunities and safe spaces for female-identifying muralists to paint.

MEET THE MURALISTS

SPRING 2022

The first piece along SE 15th Avenue was painted by Villatose is an interconnected wonder, with two women intertwined by hair and hands in a passionate embrace. The next work by Lynsee Sardell features a magic scene with open hands and soft colors popping atop rays of light. The third panel by Bernadette Little depicts a stunning stylized portrait in her signature style. The last mural is a beautiful tribute to a dearly departed friend, painted by Brenda DePriest.

WINTER 2021

In November of 2021, PSAA teamed up with the Independent Publishing & Resource Center (IPRC) to organize two more murals at Ladies Up by Laura Camila Medina and Angela Saenz. Laura is current working on their MFA at Yale School of Art. Angela Saenz originally from Omaha, NE creates paintings and drawings rooted in personal observation of the human experience.

SUMMER 2020

Along SE Alder Street, you will find the original line-up of the Ladies Up murals painted during the height of the racial justice protests the Summer of 2020. Tatyana Ostepenko was born and raised in Soviet Ukraine and painted three Babushkas gazing out onto a rural Ukrainian landscape. Salomée is a bilingual designer with Algerian and Peruvian decent born in Switzerland who has went onto launch a successful mural career after painting this mural. Amaranta Colindres was born in Santa Ana El Salvador and raised in California and painted a powerful tiger using all spray paint. Isis Fisher born and raised in Hawaii painted a trippy pair of figures using only black and white. Kyra Watkins originally from Cincinnati, Ohio painted a man with a parrot on their shoulder and has went on to start a youth program mentoring foster kids in mural art. Sunny Beard is a tattooist and cancer thriver, originally from Reno, NV, who painted a detailed snake along with red carnations. Finally, N.O. Bonzo a Portland-based contemporary artist who is known for their feminine images and hard hitting political content.

This project is part of PSAA's Community Art Program, where property owners and the community provide donations to support public art projects that are fully curated by PSAA. Selected artists are provided small stipends for their work, along with very open creative freedom to produce work that they want to add to their portfolio. This program often supports emerging artists, experimentation, and innovation.

“Imagine a New Sisterhood” Mural by Laura Medina and Angela Saenz, in partnership with IPRC.

“Imagine a New Sisterhood” Mural by Laura Medina and Angela Saenz, in partnership with IPRC.

Muralist Amaranta Colindres uses aerosol spray paint to create her mural, while other participating artists use brush work and latex paint.

Muralist Amaranta Colindres uses aerosol spray paint to create her mural, while other participating artists use brush work and latex paint.

“As an organization, Killian Pacific believes that fueling creative expression in our city leads to healthy vibrant communities. We strive to celebrate the arts in each of our projects and have been privileged to work with the PSAA team on many murals and installations throughout our portfolio. The “Ladies Up” mural project spearheaded by PSAA is one of our favorites to date, as we truly appreciate the intent to support local female-identifying artists in creating an all-women’s mural wall in the city of Portland. Additionally, we feel that in supporting artists during the unprecedented times we are experiencing today we are not only supporting individuals, but also providing beautiful, artistic moments of hope for everyone to enjoy. - Chelsea Rooklyn, Killian Pacific ”

SPONSORS AND PARTNERS

The Central Eastside Mural District is funded, in part, by the Regional Arts & Culture Council, Prosper Portland, the Oregon Arts Commission, and the Central Eastside Industrial Council’s Central Eastside Together grant program. Additional support from Buckman Neighborhood community members; Dylan Huff and Katherine Kiely.

We Are Portland

WE ARE PORTLAND

CENTRAL EASTSIDE, PDX

Portland muralist Devin Finley and 7 regional graffiti artists completed an expansive mural titled “We are Portland.” In true PacNW style, this mural took several months to complete amid a wet winter season.

Located at SE 7th & Division, the mural features 6 large colorful portraits of Portlanders. This massive full city block mural can be seen from the 99W bridge, greeting viewers as they head into the Central Eastside, and overlooking the Rail Heritage Center.

Also featured prominently on the wall, brightly between each person, a stellar line-up of prominent Portland & Bay Area writers: Other, Nimby, Purge, Twigs, Raskoe, Norse, and Ckos.

Artist Devin Finley with a self-portrait

“We are Portland” is a mural focusing on several portraits, showing our city’s diversity; LGBTQIA+, people of color, various ages and gender identities, folks who are unhoused, and people living with disabilities. I wanted to turn away from the typical skin tones used to represent people, and experiment with an array of other colors. The additional portions of graffiti are a nod to the roots of where I acquired my skill set for this line of work.” – Devin Finley

The west wall features a self-portrait based on a high school photo. Surrounding the portrait are loving graffiti call outs to his daughters Ki and Miko. The next portrait on the south section of the building is Devin’s wife - completing his family tribute.